|City||Lake Success, New York|
|Broadcast area||New York City area|
|Slogan||The Beat of New York|
|Frequency||103.5 MHz (FM) (also on HD Radio) 103.5-2 FM Pride Radio (HD Radio)|
|First air date||
1940 (as W2XWG at 42.6 kc.)|
1948 (103.5, as WNNJ)
|Format||Rhythmic Hot AC|
|Callsign meaning||We Kater (play on the word Cater) To U|
W2XWG (1940–1948 at 42.6; the call letters used for this station from 1948 to 1988 on 97.1 can be found at WQHT) |
WPAT-FM (1949–1958/off the air, 1957–1958)
(AMFM Radio Licenses, L.L.C.)
|Sister stations||WAXQ, WHTZ, WLTW, WOR, WWPR-FM|
WKTU (103.5 FM) – branded 103.5 KTU – is a Rhythmic Hot AC-formatted radio station licensed to Lake Success, New York, United States, a suburb of New York City. WKTU is owned by iHeartMedia and broadcasts from studios in the AT&T Building in the Tribeca district of Manhattan; its transmitter is located on the top of the Empire State Building.
WNNJ and pre-move WPAT-FM
The 103.5 frequency first went on the air in 1948 as WNNJ, which then changed its name to WPAT-FM. FM listenership was very light in those early days of FM broadcasting, and in 1950, WPAT-FM's Garrett Mountain transmitter was damaged by a tropical storm and never re-built. WPAT-FM was reborn in 1956 on 93.1, a frequency that became available when Major Armstrong signed off his experimental station. WPAT-FM was a top rated beautiful music outlet until the end of 1992, then was an adult contemporary station from the beginning of 1993 until January 1996, when it was acquired by Spanish Broadcasting, who changed it to a Spanish language format.
The 103.5 frequency was assigned to Babylon as WGLI-FM. In 1958, the station moved from Babylon to Lake Success and transmitted with 20Kw from a 200-foot stick outside the studio building visible from the Long Island Expressway. A short time later, the transmitter was relocated to the Chrysler Building, and a major signal boost was accomplished. As WTFM, the station used the slogan "The International Stereo Sound of New York," and played an instrumental-based easy listening format until 1978, when the old WKTU (on 92.3 FM) went from an adult contemporary format to a disco music format. As an easy listening station, WTFM was up against two similar stations, WRFM and WPAT, who had higher ratings. So in the fall of 1978, WTFM switched to an adult contemporary format, even though ratings would remain low with the new format.
In early 1982, Doubleday bought the station, and that June, the station switched to an Album-oriented rock format similar to WPLJ and WNEW-FM down the dial. The station was renamed "The Apple 103.5", with the call letters WAPP. The station went commercial-free for the duration of that summer, and as a result, it became the highest-rated radio station in New York City. Then, when the station added commercials, listeners switched back to WPLJ and WNEW-FM, and so ratings went down. In 1983, when WPLJ switched to a CHR format, the station's ratings got a slight boost.
In 1983, a then-unknown Jon Bon Jovi visited the station and wrote and sung the jingles for the station. He spoke with DJ Chip Hobart, who suggested Bon Jovi let WAPP include the song "Runaway" on the station's compilation album of local homegrown talent. Bon Jovi was reluctant, but eventually gave them the song, on which Bon Jovi had used studio musicians to play on "Runaway" (which was written in 1980). WAPP worked with WOR-TV (now WWOR-TV) in nearby Secaucus, NJ on a music video show, Rock 9 Videos, for a short time in 1984. As part of a marketing effort, WAPP-FM launched a contest called "New York Rocks 1983." Local music acts were encouraged to submit demo tapes to this competition. Among the tapes submitted to this contest was "Runaway", but didn't win the competition. Another act called the "Frankie Carr Band" won the honors. This competition was repeated in 1984.
As 1984 progressed, WAPP's ratings were on the upswing. However, the station's owners decided to change the station's format to CHR that fall. They felt that if co-owned stations in Washington, D.C. and Minnesota could do well with the format, then this station could as well. This would not be the case, as the station could not compete with WPLJ or Z-100, and their ratings fell. Not even a change back to a rock format in the summer of 1985 would be able to turn the station's ratings around.
On August 15, 1986, at 6 PM, The Rolling Stones' "It's All Over Now" and a bomb noise rang out, marking the end of WAPP. The station then flipped to a CHR/Dance format as "Hot 103" with new call letters WQHT. The first song on "Hot" was "R.S.V.P." by Five Star. Nobody in the radio industry expected it, but the new format that would be labeled "Rhythmic CHR" was taking shape. WQHT was the second such station with the format, months after Emmis launched it on KPWR in Los Angeles earlier that year.
WQHT's first Program Director was Joel Salkowitz. Steve Ellis, formerly of WAPP, was Music Director. Don Kelly was the consultant for both WQHT and KPWR in those early months.
WQHT played a different variety of music than what was on the New York radio dial at that time. There was no CHR/Dance station in the market since WKTU left the air a year earlier. WQHT came on the air with a new and improved dance-oriented format, which radio trade magazines of the day called a hybrid format. The station mixed in Top 40 hits with Dance and Club music of the day. The station was also known for playing "hotmixes" or extended versions of certain songs. The "hotmixes" were either just the extended versions available commercially on 12" singles, or mixes that were created by local club DJs, such as "Little" Louie Vega. They also aired regular versions of the songs that had longer intros than that of their competitors. Noel used WQHT's version of his single "Silent Morning" for the song's music video, as evidenced in the video's credits. With the debut of WQHT, some record labels such as Atco and Elektra reportedly started to see a spike in 12" single sales in the New York Metro, as was reported by Billboard Magazine.
WQHT's imaging sounded similar to that of sister station KPWR, as WNAP alums Chuck Riley and Eric Edwards became the official voices of the station. While Chuck mainly voiced bumpers and sweepers, Eric on the other hand mostly voiced promos and specialty liners. These two were also the voices for other Emmis stations at the time such as KPWR, WLOL, and WAVA.
A month after the station's launch, WQHT began adding an airstaff. Some of the first DJs, or "Hot Jocks", to join WQHT were Deborah Rath from KPWR in [[[Los Angeles]], [[Al Bandiero}Al "Nouveau" Bandiero]] from WKTU, Johnny "Big John" Monds from WUSL in Philadelphia, Sonny Joe Fox from KMEL in San Francisco, "Fast Freddie" Colon and Niecie Colon from WBLS, as well as Vanessa Scott, Rufus Hurt and Mitch Phillips, who were hold overs from WAPP.
"Broadway" Bill Lee from KPKE in Denver] joined the station around Christmas 1986as the youngest of the Hot Jocks. With Rick Allen also joined as Production Director, as well being the voice of WQHT's electronic prizedroid Robojock. Allen and TM Communications customize KPWR's "K-Power!" jingle package for WQHT under the name of "The Hot Streak!" with Chuck on rapping vocals, and would be utilized on other stations. (Allen would go on to fame as the person who created the famous "From the top of the World Trade Center" legal ID, also voiced by Chuck.) Because of the success of Allen's production, many radio production directors were impressed by his work and released some of the production elements and music beds used for WQHT into syndication under the brand name "Continuous Climax."
By 1987, WQHT was making a name for itself by playing Freestyle in regular rotation. Artists such as Noel, Safire, The Cover Girls and TKA were made famous because they were played in heavy rotation right next to Mainstream Top 40 artists such as Exposé, Debbie Gibson and Taylor Dayne. Freestyle and club music from other cities such as Miami, who had (and continues to have) an active dance and club scene, wasn't ignored either. Company B and Tiger Moon, who were famous in the Florida club scene, were played on WQHT as well. In fact, Hot 103 pioneered custom station versions of songs, where the artists would change lyrics and sing about the station. Because of WQHT's success with the genre, WHTZ copied the station's success by adding a few Freestyle titles, as well as Urban Contemporary stations WBLS and WRKS, who were playing long versions of the records they played as well.
That same year, WQHT added a local weekly countdown show called New York's Hot Tracks, hosted by Bill Lee, which counted down the top 10 selling 12" singles of the week. The show started on Sunday nights, then moved to Friday nights at 6:00pm and then later at 5:00pm. It featured short interview clips and aired sonovox numbers produced by Rick Allen identifying the chart position. "Hot Tracks" was produced, for a time, by PD Joel Salkowitz and researched by Angie Martinez, who would later become an afternoon host after the station flipped to Hip-Hop and R&B in 1992. (The show would later be hosted by Jeff Thomas, and was cancelled in 1993.)
In July 1987, WQHT wanted to devote some airtime to older dance music at the urging of Al Bandiero. Management agreed, and thus began "The Disco Classics' Showcase", which would feature dance music older than 7 years. The show was broadcast for an hour from 8 pm-9 pm on Sunday nights. In 1989, the show was expanded to 2 hours. Later hosts would be Paco Navarro in 1992 from WKTU fame, and Freddie Colon. The show lasted until 1994.
Since the station signed on the air, it presented a music intensive morning show with only two stopsets of commercials an hour. Mornings were first hosted by Rufus Hurt with news by Judy Hernandez (another hold over from WAPP, where she went by the name Judy Herron). After Hurt left, "Big John" Monds began took over for him.
By the fall of 1987, WQHT was looking for a morning team to round out its dayparts. It settled on the veteran team of "Walton & Johnson & The Not Ready For Drive Time Players." The show didn't click, and was cancelled in a couple months.
In 1988, the station brought in the married morning team of Ron Stevens and Joy Grdnic from KSHE in St. Louis to handle morning drive. Stevens & Grdnic were unique as they were a male/female team rather than the usual male/male morning show. Veteran newsman J. Paul Emerson of KMEL's Morning Zoo was joined as the wild newsman with a tabloid type delivery. The station added traffic updates via Shadow Traffic and contracted with WNYW meteorologist Nick Gregory to provide live weather updates.
WQHT's big impact
In February 1987, Billboard Magazine created a new "Crossover 30" chart in response to WQHT and the rise in popularity of other CHR/Dance stations. The chart was based solely on airplay from stations that reported to it. Radio trade magazine "Radio and Records" created a similar chart and started reporting the weekly music adds by WQHT and others.
The impact of WQHT inspired Emmis to partner with Westwood One to create a weekly national dance music countdown called American Dance Traxx, which debuted the week of March 23, 1987. The show was groundbreaking as it presented the countdown in long music sweeps as opposed to the traditional 2-songs in a row followed by a commercial break. The 3-hour countdown was hosted by KPWR's Jeffrey Wyatt and produced by WQHT PD Joel Salkowitz. The show used the same music beds that were on WQHT and KPWR and featured short interviews with the artists of the day. The show aired on WQHT Sundays from 9:00pm–12:00am. After Jeff left both KPWR and Emmis, Deborah Rath was made the permanent host until former MTV VJ and host of "Club MTV" "Downtown" Julie Brown took over in 1992.
Hot Night concert series
In February 1987, the station introduced the "Hot Night" concert series. The concerts consisted of the top CHR/Dance artists of the day. Tickets for the concerts were only available to listeners, with the station giving them away. "Hot Night 1" was held February 4, 1987 at the Palladium and starred Sheila E. and The Cover Girls. Hot Night 2 was held at the same location, starring The Jets and Debbie Gibson.
As years went on, "Hot Night" got bigger and expanded to more exotic locations such as the Bahamas, on December 13, 1989 with "Hot Night in Paradise", featuring Pajama Party, Seduction, Noel, TKA, Young MC, Roxette, Expose and Stevie B., as well as Cancun, Mexico. The last known "Hot Night" was in 1993, at the Palladium and starred SWV.
The Original Saturday Night Dance Party
In June 1987, WQHT debuted The Original Saturday Night Dance Party, live from 4D NightClub in Manhattan from 10:00pm–2:00am, with no commercials and limited interruption. All music from the show was live from the club as WQHT plugged right into the DJ booth mixer. Scotty Blackwell was the first DJ to spin for the show, where he would mix with 4 Technics 1200ML Turntables. There was even a cart machine on hand to play the sweepers over the air.
As time went on, WQHT was wired into two dozen different clubs around the area, including The Palladium, The Copacabana, Foxes, Emerald City, The Tunnel, Chicago, Limelight, 1018, The L.I. Exchange, and The Roxy.
Other notable club DJs such as Glenn Friscia, DJ Animal, Roman Ricardo, Freddie Bastone and Mojo Nicosia were on the turntables for The Saturday Night Dance Party. Artists such as France Joli, Safire, The Cover Girls and others would occasionally perform live on the radio and in the clubs.
On September 22, 1988, at 5:30 PM, WQHT would change frequencies, as Emmis acquired NBC's radio stations. Since Federal Communications Commission regulations at the time required that a company could only own one FM radio station in a market, Emmis sold the 103.5 frequency to Westwood One (which, coincidentally, had also acquired the remnants of the NBC Radio Network). At the same time, they moved the format at 103.5 FM to the 97.1 FM frequency which they acquired from NBC, with WQHT becoming "Hot 97." As a result, WYNY, which was running a country music format at the 97.1 frequency prior to the sale, would move to 103.5 FM.
The station, now known as "Country 103.5", had mediocre ratings in their first few months at its new frequency. Even though rumors of a format change were always existent at the station, the country format remained. In 1993, the station would be sold to Broadcast Partners, whom were committed to keeping Country on WYNY. As a country station, Jim Kerr would be the station's morning show host from 1990 to 1993, while their airstaff included Dan Daniel, Randy Davis, Bill Rock, Ray Rossi, Lisa Taylor, Charlie Berger, and Susan Browning.
Meanwhile, WQHT began to move away from Dance music in 1993 and towards hip hop. By 1994, they played almost no dance music. After they officially changed to an Urban Contemporary format that year, New Yorkers demanded a Dance music station.
In the spring of 1995, Broadcast Partners opted to sell the station to Evergreen Media, and after a lot of speculation about the station's future, Evergreen confirmed in January 1996 that the station would be changing formats. On the final weekend that the station would play country music (which would be from February 2 to February 4, 1996), the entire airstaff said goodbye. WYNY ended local programming at 6 PM on the 4th with "The Dance" by Garth Brooks, followed by syndicated programming. After airing the syndicated After Midnite with Blair Garner show in the early morning hours of February 5 (which also ended with "The Dance"), the country music format was gone from the station, thus leaving the entire New York City area without a full-time Country station. (Later that year, country would resurface on several suburban stations, one of which would get the WYNY calls, resurfacing in late 1998.) Beginning at 5:30 AM on the 5th, WYNY then began stunting with a simulcast of WRCX/Chicago. On February 6, at 6 AM, the simulcasting switched to Mainstream Urban-formatted KKBT/Los Angeles. On February 7, at 6 AM, the simulcasting switched to Talk-formatted WLUP/Chicago. On February 8, at 6 AM, the simulcasting switched to AC-formatted KIOI/San Francisco. On February 9, from 6 AM to 6 PM, the simulcast switched to Alternative-leaning Top 40 WXKS-FM/Boston. At 6 PM, the simulcasting of sister stations ended.
At 6 PM on February 9, 1996, WYNY began stunting with a heartbeat, promoting the launch of a new format coming the following day at Noon. At that time, WKTU was relaunched on 103.5 FM with a dance-based CHR format; WKTU's first song was "Gonna Make You Sweat" by C&C Music Factory. The station instantly skyrocketed to number one in the Arbitron ratings, although in the decade since, they have cooled down considerably. Drag performer RuPaul co-hosted mornings with Michelle Visage, Lisa Taylor and Freddie Colon around this period, further helping their ratings. Sean "Hollywood" Hamilton and Goumba Johnny followed in mornings from 1998-1999. By 2002, the moderate amount of rap played on the station was gone and the station evolved into more of a Rhythmic Hot AC.
On May 31, 2006, WKTU announced that actress/comedian Whoopi Goldberg would become the station's new morning host, and that KTU would serve as the flagship station for her syndicated morning show. Her show, which airs mostly on AC and Rhythmic outlets in the United States, especially those owned by WKTU's now-parent company Clear Channel Communications (now iHeartMedia), began on July 31, 2006. The news of Goldberg being named 'KTU's new morning star, and the departures of popular afternoon drive DJ "Broadway" Bill Lee and late night hostess Jewelz in June 2006, led to talk that KTU might switch formats (some suspected an upbeat female targeted Hot AC-type direction similar to sister station KBIG/Los Angeles) with Goldberg's arrival. KTU management insisted that there were no plans to flip formats, even with Goldberg in mornings. Another surprise move was the reunion of former KTU morning hosts Sean "Hollywood" Hamilton and Goumba Johnny, who hosted afternoons for the station beginning September 5, 2006. Hamilton continues to host his popular syndicated shows the Weekend Top 30 and the Remix Top 30 heard in over 250 cites across America and around the world.
However, on September 9, 2006, after many format flips by Clear Channel of other radio stations throughout the country, 'KTU took on the upbeat Rhythmic AC direction by playing only popular current rhythmic material, as well as increasing the airplay of older rhythmic sounds such as soul, disco and freestyle.
On November 28, 2007, WKTU announced that it had dropped Whoopi's morning show. According to station management, the reason was due to Goldberg's duties on The View, although it may also have to do with the show's ratings. Her show continued to air in syndication through Premiere Radio Networks until April 18, 2008, when she called it quits. Cubby Bryant, who served as Goldberg's sidekick, left the syndicated show and returned to WKTU in January 2008 to host his own morning show.
Around 2009, WKTU did another tweak in their Rhythmic AC format, dropping the older elements of dance music (disco and freestyle, including Judy Torres' "Freestyle Free For All" Sunday show; Torres has since returned to doing a Sunday afternoon shift at WKTU) and focusing mainly on a current direction, with mainstream dance and rhythmic sounds. It pursued the advertiser-friendly demographic of people who are 25–54 years old. That has helped increase the ratings of the station. In September 2010, the station returned to a Rhythmic Top 40 direction, as WKTU was added to the Mediabase Rhythmic panel joining rival WQHT. On December 15, 2010, Goumba Johnny left WKTU after 15 years, leaving Hamilton solo in afternoons.
On April 4, 2011, WKTU was moved from the Rhythmic CHR panel on Mediabase to CHR (Top 40), reflecting the recent evolution of the station's music to a more rhythmic adult contemporary sound again without the disco titles. At the same time, Nielsen BDS refrained from including WKTU's playlist on its Top 40/CHR panel because of its direction and having sister station WHTZ as a reporter, but the station did contribute to BDS' Dance/Mix Show Airplay panel due to having club music mix shows on the station. On Memorial Day weekend 2014, WKTU started airing Commercial Free Weekends, in order to compete with WBMP, which also started airing Commercial Free Weekends after the station was relaunched as 92.3 AMP Radio. The Commercial Free Weekends era on WKTU lasted until Labor Day weekend 2014. As of August 16, 2014, however, WKTU is now also listed on the BDS Pop panel. It also has added in some non-Rhythmic titles.
Like other Clear Channel stations WKTU began Multicasting in the late winter of 2005. On WKTU HD-1, the Rhythmic AC format is heard on the original analog station, while WKTU HD-2 originally played Country Music similar to WYNY. On July 23, 2009, the Country music format was dropped in favor of Pride Radio, a dance station catering to the LGBT community. The Country format has since moved to 106.7 HD-2.
The WKTU subcarrier also airs Catholic programming in Italian from Radio Maria New York, the local unit of Radio Maria USA.
Due to its antenna on top of the Empire State Building, WKTU's signal can reach as far as Clinton in western Hunterdon County. Before transmitter changes in the early 2010s, it was able to reach into most of the Philadelphia area, particularly Camden, Burlington and Gloucester counties in southern New Jersey.
Every August, WKTU holds an annual event called Beatstock. The event showcases artists from every dance genre, from disco to electronica, and is held at two locations in the New York area: Jones Beach Theater (now the Nikon at Jones Beach Theater) in Wantagh, NY and The Garden State Arts Center (now the PNC Bank Arts Center) in Holmdel, New Jersey. The original KTU Beatstock concert, which took place in 1997, was an all-day event held at Floyd Bennett Field in Brooklyn, NY. It featured over 50 acts from various genres of dance music, all performing on one stage. For 2011, WKTU had decided to no longer sponsor the event; however, Beatstock continued for the year in Long Island at the Brookhaven Amphitheater on August 20. (That event was featured in The Real Housewives of New Jersey, episode 4.12 (15 July 2012), as two of the cast members - Melissa Gorga and Teresa Giudice's daughter, Gia - performed there.)
In April 2012, WKTU announced a new concert event called KTUphoria. The all star concert event took place at the PNC Bank Arts Center in Holmdel, New Jersey on May 20, 2012 and, like Beatstock, was an all-day event featuring DJs and artists performing on one stage, albeit modified. On June 29, 2014, Ktuphoria was held at Izod Center with Jennifer Lopez, Calvin Harris, The Chainsmokers, Ariana Grande and Cash Cash.
- David Hinckley (November 28, 2007). "WKTU Cans Whoopi Goldberg". New York Daily News. Retrieved 21 September 2012.
- "Episode 12: The Jersey Side Step; Melissa and Gia perform at Beatstock". BravoTV.com. 15 July 2012. Retrieved 21 September 2012.
- Allison Corneau (July 16, 2012). "Entertainment: Teresa Giudice's Daughters Slam Melissa Gorga's Singing: She 'Stinks!'". US Weekly. Retrieved 21 September 2012.
- Katie Marinello (July 16, 2012). "News: 'Housewives' Recap: Giudice, Gorga Bust a Move at Beatstock; Husbands talk about taming their wives on upcoming Napa Valley trip". Montville Patch. Retrieved 21 September 2012.
- "WKTUs KTUphoria 2014 To Heat Up Summer Concert Season". www.fmqb.com. Retrieved 2016-03-22. C1 control character in
|title=at position 5 (help)
- Official website
- Query the FCC's FM station database for WKTU
- Radio-Locator information on WKTU
- Query Nielsen Audio's FM station database for WKTU
- Radio Maria New York in Italian (WKTU subcarrier with streaming audio)
|FM 92.3 in New York, New York
June 5, 1975 - July 13, 1985
| Succeeded by|
|FM 103.5 in New York, New York
September 22, 1988 - Present
| Succeeded by|