Of the Heart, of the Soul and of the Cross: The Utopian Experience

Of the Heart, of the Soul and of the Cross: The Utopian Experience
Studio album by P.M. Dawn
Released August 6, 1991
Recorded Berwick Street Studios and Gee Street Studios in London
Genre Hip hop, pop, R&B
Length 54:11
Label Gee Street, Island
Producer P.M. Dawn
P.M. Dawn chronology
Of the Heart, of the Soul and of the Cross: The Utopian Experience
(1991)
The Bliss Album…?
(1993)
Singles from Of the Heart, of the Soul and of the Cross: The Utopian Experience[1]
  1. "A Watcher's Point of View (Don't 'Cha Think)"
    Released: May 1991
  2. "Set Adrift on Memory Bliss"
    Released: August 1991
  3. "Paper Doll"
    Released: October 1991
  4. "Reality Used to Be a Friend of Mine"
    Released: February 1992

Of the Heart, of the Soul and of the Cross: The Utopian Experience is the debut album by American hip hop group P.M. Dawn. It was recorded at Berwick Street Studios and Gee Street Studios in London.[2] The album features soul vocals and stream-of-consciousness raps by Prince Be and unconventional samples by producer DJ Minutemix.[3]

Of the Heart, of the Soul and of the Cross was released by Gee Street Records in September 1991 to rave reviews from music critics.[4] It became an immediate commercial success with the help of its single "Set Adrift on Memory Bliss", which was also praised by critics.[5] The album produced four hits and sold 850,000 copies by 1993.[6] Of the Heart, of the Soul and of the Cross has sold one million copies.[7]

Background

In 1989, P.M. Dawn's debut single "Ode to a Forgetful Mind" was released by Warlock Records, but it went unnoticed. The label that released the single in England, Gee Street Records, found greater success. Gee Street mixed and marketed the song so that it earned considerable attention from music reviewers, and P.M. Dawn found themselves courted not just by Gee Street's head, John Baker, but also by most of the major record labels in England. Gee Street brought the group to London in 1990 to record tracks for an album, however, the label found itself facing bankruptcy during the recording. The entire Gee Street operation—along with P.M. Dawn's contract—was sold to the highest bidder, Island Records. Island issued a few more singles in England before releasing Of the Heart, of the Soul and of the Cross: The Utopian Experience as P.M. Dawn's debut album.[8]

Singles

Of the Heart, of the Soul and of the Cross featured the international hit "Set Adrift on Memory Bliss", which sampled the Spandau Ballet song "True", and featured a cameo by Spandau Ballet singer Tony Hadley in the music video of the song. "Set Adrift on Memory Bliss" hit #1 the week of November 30, 1991, and holds the distinction of being the first #1 song on the Billboard Hot 100 chart following the introduction of Nielsen SoundScan to the singles charts. The song also reached #3 in the United Kingdom. "Paper Doll," which was one of the early singles Island released in England to test the waters for the band, was released in the U.S. as a follow-up to "Set Adrift on Memory Bliss," and peaked at #28 in early 1992. "Paper Doll" is said well over 100 times in the song, which makes it second only to M.C. Hammer's "Pray" which holds the record for the most times a title is repeated in an American Top 40 hit (147).[9]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[10]
Chicago Tribune[11]
Encyclopedia of Popular Music[4]
Entertainment WeeklyA[12]
The Huffington Post90/100[13]
Los Angeles Times[14]
Q[15]
Select4/5[16]
Spin Alternative Record Guide9/10[17]
The Village VoiceA[18]

Of the Heart, of the Soul and of the Cross received rave reviews from critics.[4] In The Village Voice, Robert Christgau wrote that Prince Be's escapist raps were skilled, thoughtful, and eccentric, while the music's varied synthesis was the most intelligently conceived since Prince: "It's got total outreach—moving effortlessly from speech to song, the quiet storm of sweet hooks and soft beats surprises like prime Big Star or XTC, only it's never brittle or arch."[18] Spin magazine's Jonathan Bernstein said P.M. Dawn had effortlessly consolidated artistic and commercial sounds with a combination of substantial rap, lushly appealing music, and impressive vocal arrangements on their debut record, which he wrote "comes out of nowhere and ends up on the front stoop soundtrack of the summer."[19] James Bernard from Entertainment Weekly felt that Prince Be's melodic, innovative lyrics and DJ Minutemix's unconventional sounds sounded sincere without being sappy, while drawing on influences from Jimi Hendrix and Prince without having either artist's sexual laments.[12] Greg Kot, writing in the Chicago Tribune, found the songs memorable, artful, and infused with the silly raps of De La Soul, the compelling dance grooves of Soul II Soul, and the atmospheric acid rock of Lenny Kravitz.[11]

Of the Heart, of the Soul and of the Cross was voted the fifth best album of the year in The Village Voice's annual Pazz & Jop critics poll for 1991.[20] Christgau, the poll's creator, ranked it third on his own list.[21] It was also named the tenth best album of 1991 by Spin magazine,[22] and by Robert Hilburn of the Los Angeles Times.[23] In his year-end list for The New York Times, Jon Pareles ranked it the fourth best album of 1991 and wrote that P.M. Dawn have found a synthesis of pop, hip hop, and spirituality that has eluded artists such as Prince.[24]

In a retrospective review, Q magazine called Of the Heart, of the Soul and of the Cross a beautiful, unconventional album that expanded the creative possibilities of hip hop and featured songs that "had little or nothing to do with the 'hood, but everything to do with Utopia".[15] Allmusic's Steve Huey said that the album was a "startling reimagination" of hip hop's possibilities, even though it was not "embraced by the entire hip hop community." He felt that it still sounds radically innovative as proof that pop, R&B, and hip hop styles could be merged for creative rather than commercial purposes.[10] In The Encyclopedia of Popular Music, Colin Larkin wrote that the album showed P.M. Dawn growing "out of the De La Soul comparisons that had previously plagued them" and becoming "one of the most concise, creative forces in rap/dance."[4] Alex Remington of The Huffington Post said that it was "definitely a rap album, albeit one unlike anything released in the years to come ... Heard today, the album sounds like a time capsule from a more expansive era, and it stands the test of time."[13]

Track listing

All songs written by Attrell Cordes, except where noted.[2]

  1. "Intro" (Attrell S. Cordes, Chick Corea) – 0:56
  2. "Reality Used to Be a Friend of Mine" – 4:40
  3. "Paper Doll" – 4:51
  4. "To Serenade a Rainbow" (Cordes, Hugh Masekela) – 3:48
  5. "Comatose" (Cordes, Sylvester Stewart) – 4:53
  6. "A Watcher's Point of View (Don't 'Cha Think)" (Cordes, Tom Johnston) – 4:13
  7. "Even After I Die" (Cordes, Dennis Coffey) – 3:57
  8. "In the Presence of Mirrors" – 4:01
  9. "Set Adrift on Memory Bliss" (Cordes, Gary Kemp) – 4:10
  10. "Shake" (Cordes, Todd Terry) – 3:17
  11. "If I Wuz U" – 4:43
  12. "On a Clear Day" – 5:21
  13. "The Beautiful" – 5:21
Sample credits[2]

Personnel

Credits are adapted from the album's liner notes.[2]

Charts

Chart (1991) Peak
position
Australian ARIA Albums Chart[25] 89
Canadian Albums Chart[26] 41
Dutch Albums Chart[27] 82
New Zealand Albums Chart[27] 45
Swedish Albums Chart[27] 44
Swiss Albums Chart[27] 38
UK Albums Chart[28] 8
US Billboard 200[29] 48
US Top R&B/Hip-Hop Albums[29] 29

Certifications

Region Certification Certified units/Sales
Canada (Music Canada)[30] Gold 50,000^
United Kingdom (BPI)[31] Gold 100,000^
United States (RIAA)[32] Gold 500,000^

*sales figures based on certification alone
^shipments figures based on certification alone

References

  1. Strong, Martin C. (2004). The Great Rock Discography (7th ed.). Canongate U.S. p. 750. ISBN 1841956155.
  2. 1 2 3 4 Of the Heart, of the Soul and of the Cross: The Utopian Experience (CD liner notes). P.M. Dawn. Gee Street. 1991. 262 081.
  3. Mead, Rebecca (September 30, 1991). "The Dawn of a New Reality". New York: 23. Retrieved August 27, 2013.
  4. 1 2 3 4 Larkin, Colin (2006). The Encyclopedia of Popular Music: Indexes, Volume 10 (4th ed.). Oxford University Press. p. 373. ISBN 0195313739.
  5. Erlewine, Stephen Thomas. "P.M. Dawn". Allmusic. Retrieved August 27, 2013.
  6. DeRogatis, Jim (June 13, 1993). "The P.M. Dawn of a New Day On the Horizon Called Hip-Hop". Chicago Sun-Times. p. 1. Retrieved August 27, 2013. PM Dawn's debut, 'Of the Heart, of the Soul, of the Cross: The Utopian Experience,' sold 850000 copies and spawned four hits. (subscription required)
  7. Piccoli, Sean (October 19, 1997). "Heavy Lifting as the Rap of Sampling Evolves Into Wholesale Recycling of Old Hits, Nobody's Complaining: There's Enough Money for Everybody". Sun Sentinel. Fort Lauderdale. Arts & Leisure section, p. 1.F. Retrieved August 27, 2013. ...helped PM Dawn sell a million copies of its debut album... (subscription required)
  8. "Musician Guide P.M. Dawn Biography". Retrieved January 13, 2009.
  9. "American Top 40 with Shadoe Stevens". Archived from the original on 2009-10-25. Retrieved 2009-10-25.
  10. 1 2 Huey, Steve. "Of the Heart, Of the Soul and of the Cross: The Utopian Experience - P.M. Dawn". Allmusic. Retrieved August 27, 2013.
  11. 1 2 Kot, Greg. "P.M. Dawn Of the Heart, of the Soul and of the Cross...". Chicago Tribune. Retrieved August 27, 2013.
  12. 1 2 Bernard, James (November 15, 1991). "Of the Heart, of the Soul and of the Cross: The Utopian Experience Review". Entertainment Weekly. New York (92). Retrieved August 27, 2013.
  13. 1 2 Remington, Alex (November 22, 2009). "Of the Heart, Of the Soul, and Of the Cross: A Hip-Hop Road Not Taken". The Huffington Post. Retrieved August 27, 2013.
  14. Hunt, Dennis (December 8, 1991). "POP MUSIC : What Albums to Buy . . . and to Avoid". Los Angeles Times. Retrieved August 27, 2013.
  15. 1 2 "Review: Of the Heart, of the Soul and of the Cross". Q. London: 155. November 1996.
  16. Dee, Johnny (October 1991). "Reviews - New Albums". Select. London: 68.
  17. Weisbard, Eric; Marks, Craig, eds. (1995). "P.M. Dawn". Spin Alternative Record Guide. New York: Vintage Books. ISBN 0-679-75574-8.
  18. 1 2 Christgau, Robert (January 28, 1992). "Consumer Guide". The Village Voice. New York. Retrieved August 27, 2013.
  19. Bernstein, Jonathan (August 1991). "Spins". Spin. New York: 95. Retrieved August 27, 2013.
  20. "The 1991 Pazz & Jop Critics Poll". The Village Voice. New York. March 3, 1992. Retrieved August 27, 2013.
  21. Christgau, Robert (March 3, 1992). "Pazz & Jop 1991: Dean's List". The Village Voice. New York. Retrieved August 27, 2013.
  22. "20 Best Albums of the Year". December 1991: 56. Retrieved August 27, 2013.
  23. Hilburn, Robert (December 22, 1991). "POP MUSIC : The Age of Rage : Led by Guns N' Roses, a brazenly aggressive energy coursed through the top albums of '91". Los Angeles Times. Retrieved August 27, 2013.
  24. Pareles, Jon (January 1, 1992). "The Pop Life; Top 12's, or So". The New York Times. Retrieved August 27, 2013.
  25. Ryan, Gavin (2011). Australia's Music Charts 1988-2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
  26. "Top Albums/CDs - Volume 55, No. 1". RPM. Toronto. December 7, 1991. Retrieved August 27, 2013.
  27. 1 2 3 4 "P.M. Dawn - Of The Heart, Of The Soul And Of The Cross: The Utopian Experience". hitparade.ch. Hung Medien. Retrieved August 27, 2013.
  28. "PM Dawn". Official Charts Company. Retrieved August 27, 2013.
  29. 1 2 "Of the Heart, Of the Soul and of the Cross: The Utopian Experience - P.M. Dawn : Awards". Allmusic. Retrieved August 27, 2013.
  30. "Gold and Platinum Search". Music Canada. Retrieved December 27, 2012.
  31. "Certified Awards". British Phonographic Industry. Retrieved December 27, 2012.
  32. "Gold & Platinum Searchable Database". Recording Industry Association of America. Retrieved December 27, 2012.

Further reading

This article is issued from Wikipedia - version of the 10/12/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.