Héléna (opera)

Héléna is an opera in three acts by the French composer Étienne Méhul. It premiered at the Opéra-Comique, Paris on 1 March 1803. The libretto is by Jean-Nicolas Bouilly.[1] It enjoyed 36 performances in the space of 20 months before disappearing from the theatre's repertoire.[2] Bouilly was accused of basing the plot too closely on Cherubini's Les deux journées.[3] According to the musicologist Elizabeth Bartlet, "several scholars have pointed out [that] Beethoven's trumpet call in Fidelio was inspired by Méhul's Héléna".[4]

Roles

Role Voice type[5] Premiere Cast
Constantin, Count of Arles haute-contre Jean-Baptiste-Sauveur Gavaudan
Edmond, believed to be the Count of Arles haute-contre Pierre Gaveaux
Héléna, Princess of Tarascon, wife of Constantin, disguised as a shepherd under the name "Petit Jacques" soprano Julie-Angélique Scio
Adolphe, aged seven, disguised under the name Paul, Constantin and Héléna's only son soprano Mlle Simonet[6]
Maurice, a rich farmer basse-taille (bass-baritone) Antoine Juillet, called 'Juliet' (père)
Anna, Maurice's only daughter soprano Mme Gavaudan[7]
Urbain, a farmhand in the service of Maurice, in love with Anna haute-contre Mr. Le Sage
The governor of Arles haute-contre Philippe Cauvy, called 'Philippe'
A squire spoken Mr. Cellier
Chorus: Knights; villagers; shepherds and shepherdesses; guards and soldiers; people

Synopsis

Constantin, Count of Arles, has been accused of killing his father. He flees with his wife Héléna to escape the anger of the common people, egged on by the new count, Romuald. The couple wander through forests trying to escape their pursuers. Their situation becomes so bad that they have to hand their four-year-old son to be brought up under the name "Paul" to a kindly farmer, Maurice. Héléna later takes refuge with Maurice too (without him knowing her identity) and disguises herself as a shepherd, "Petit Jacques". Urbain, a local farmhand in love with Maurice's daughter Anna, becomes jealous of "Petit Jacques", thinking "he" is a rival for Anna's love. Maurice finally recognises Héléna; she convinces him of her husband's innocence and Maurice vows to keep her secret. The governor of Arles issues a proclamation ordering all strangers in the region to declare their true identity. Constantin, disguised as a reaper, is reunited with his wife. He tells her that on learning the death of Count Romuald, he returned to Arles, trusting the honesty of Romuald's son Edmond, but Edmond has given orders to hunt him down. The governor arrives and interrogates Paul, forcing Héléna to reveal her true identity. The governor takes them to Arles. Edmond is determined to find Constantin and asks the captive Héléna where he is. The people demand that Héléna and her son should be executed unless Constantin surrenders himself so Constantin is forced to comply. However, Edmond asks for a private interview with him and reveals that on his deathbed Romuald confessed to the murder of Constantin's father. Edmond persuades the people of Constantin's innocence and the opera ends happily.[8]

References

  1. ↑ Bartlet, p.xiii
  2. ↑ Pougin, p.222
  3. ↑ Pougin, p.221
  4. ↑ Bartlet, p.xi
  5. ↑ According to the score clefs, with the caveat that, in this opera, all tenor parts are notated in the alto clef, which was ordinarily used only for the haute-contre voice.
  6. ↑ She was born Anne-Marie Simonet (1763-1829) and was also known as Mme Cretu, after her married name.
  7. ↑ She was born Alexandrine-Marie-Agathe Ducamel (1781-1850) and became known as Mme Gavaudan after marrying tenor Jean-Baptiste-Sauveur Gavaudan (1772-1840).
  8. ↑ Based on the synopsis in Annales Dramatiques: ou, Dictionnaire général des Théâtres, 1809

Sources

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