Cats Don't Dance

Cats Don't Dance

Theatrical release poster by John Alvin
Directed by Mark Dindal
Produced by Bill Bloom
Timothy Campbell
Paul Gertz
David Kirschner
Screenplay by Roberts Gannaway
Cliff Ruby
Elana Lesser
Theresa Cullen
Story by Mark Dindal
Robert Lence
Brian McEntee
Rick Schneider-Calabash
David Womersley
Kelvin Yasuda
Based on an inspired story by
Sandy Russell Gartin[1]
Starring
Music by Steve Goldstein (score)
Randy Newman (songs)
Edited by Dan Molina
Production
company
Distributed by Warner Bros. Pictures
Release dates
  • March 26, 1997 (1997-03-26)
Running time
 75 minutes
Country United States
Language English
Budget $32 million[2]
Box office $3.6 million[2]

Cats Don't Dance is a 1997 American animated musical comedy film distributed by Warner Bros. Family Entertainment and notable as the only fully animated feature produced by Turner Feature Animation. This studio was merged during the post-production of Cats Don't Dance into Warner Bros. Animation after the merger of Time Warner with Turner Broadcasting System in 1996. Turner Feature Animation had also produced the animated portions of Turner's The Pagemaster (1994).

The film was the directorial debut of former Disney animator Mark Dindal, and stars the voices of Scott Bakula, Jasmine Guy, Matthew Herried, Ashley Peldon, John Rhys-Davies, Kathy Najimy, Don Knotts, Hal Holbrook, Betty Lou Gerson (in her final film role), René Auberjonois, George Kennedy, and Dindal. Its musical numbers were written by Randy Newman and includes Gene Kelly's contributions as choreographer, before his death in 1996. The film was Kelly's final film project which is dedicated to him.

Plot

In 1939, Danny, an optimistic cat, dreams of Hollywood stardom, so he travels from Kokomo, Indiana to Hollywood in hopes of starting a career there. After meeting a new friend Pudge, Danny is selected by agent Farley Wink to feature in a film called the Li'l Ark Angel that is in production alongside a white cat named Sawyer at Mammoth Studios. Upon joining fellow animals; Tillie, Cranston, Frances, and T.W., Danny is dismayed on learning how minor his role is and tries to weasel his way into more time in the spotlight. Danny winds up angering Darla Dimple, a popular, extremely spoiled child actress and star of the film, so she assigns her Valet Max to intimidate Danny into no longer trying to enlarge his part.

Danny learns from the studio's mascot Woolie that human actors are normally given more important roles than animals; a fact that none of them are very happy with but know they must accept. He longs for the spotlight and tries to make a plan that will encourage humans to provide animal actors with better scenarios — such as by assembling a massive cluster of animals and putting on a musical performance for the humans.

Later, Danny is given advice by Darla (while masking her true villainous nature with a sweet one as she always does) through song on how to interest and satisfy audiences. He takes this information to heart and groups the animals for an audition on the Ark in hopes of attracting the humans' attention. However, Darla, fearing that the animals are jeopardizing her spotlight, has Max help her flood the stage, while L.B. Mammoth the head of Mammoth Studios, and Flanagan, the film's director, is giving an interview, getting the animals blamed and fired. The animals are depressed at being barred from acting in Mammoth Studios (especially Danny who was convinced by Darla that she was trying to help the animals). As Woolie tells Danny to leave for home, Cranston, Frances, and T.W. blame him for ruining their careers while Tillie suggests Sawyer to follow Danny.

After a comment from the bus driver and seeing Pudge wander the streets, Danny comes up with a plan yet again. He secretly invites Sawyer, her friends, and Woolie to the premiere of Lil' Ark Angel. After the screening and a battle with Max that sends him flying away on a Darla Dimple balloon, Danny calls the audience's attention. Upon Sawyer, Woolie, and Tillie bringing Cranston, Frances, and T.W. backstage to help Danny, the eight animals put on a musical performance that entertains and impresses its viewers. Meanwhile, Darla attempts to sabotage the show by tampering with the set and special effects equipment, but her attempts instead cause her to inadvertently enhance the performance as well as injure herself. Then last, she tries to ruin the show by pulling a big all-switch, though this sets off an enormous fireworks finale, making the animals' performance a complete success.

Furious at the animals, Darla berates Danny then she accidentally confesses to flooding Mammoth Studios and framing the animals when her screaming is picked up and amplified by a nearby microphone, revealing the truth about the incident to the audience, including L.B. Mammoth and Flanagan. Pudge pulls a lever, sending Darla down a trapdoor. At last, the animals' demand for larger roles are met and their dreams are fulfilled after so long.

There is a montage of film poster parodies which put the main animals in roles. It is revealed afterwards that Darla was fired from show business and is now working as a janitor for her punishment. She puts up a "The End" poster on a wall, and it falls down and wraps around her.

Cast

Musical numbers

  1. Opening Song: Our Time Has Come
  2. Danny's Arrival Song (Hollywood)
  3. Little Boat On The Sea
  4. Animal Jam
  5. Big and Loud Pt. 1
  6. Big and Loud Pt. 2
  7. Tell Me Lies
  8. Nothing's Gonna Stop Us Now
  9. Our Time Has Come (Reprise)

Production

The film was launched in 1993 as a vehicle for Michael Jackson, who would produce, star, and be a consultant in the music and choreography. It would have been a hybrid live-action/CGI film.[3] The film was ultimately made without Jackson's involvement. In its earlier stages, the film concerned less anthropomorphic stray cats that live among the sets and studio backlots. At one point, David Shire and Richard Maltby, Jr. composed songs for the film before Randy Newman was hired.[4]

Casting

At that point the core team of filmmakers was assembled and it was time to begin casting the roles. As is the tradition in animation, the voice actors are videotaped as they record the voices of their characters; this enables the animators to use specific body language from each of the actors to lend dimension to their characterizations.

Scott Bakula, best known to audiences as the star of the hit television series "Quantum Leap," was cast as Danny. Explains Paul Gertz, "People will be very surprised when they hear Danny and realize that it's Scott's voice doing all that singing. Scott had a successful career starring on Broadway before he began working in television and film. He's a very experienced singer and dancer, and he was a natural choice for Danny."

Sawyer, Danny's verbal sparring partner and, eventually, his lady love, is voiced by Jasmine Guy, who became known to television viewers as snooty Whitley Gilbert on the hit series "A Different World." Sawyer's singing voice is provided by recording diva Natalie Cole. "There was something special about working with Natalie, who's a wonderful talent on her own, and whose father, Nat, was a part of Hollywood's fabulous past," says David Kirschner. "Somehow I think it shows up in her interpretation of the music; there is a classic charm and romance to it."

Other character voices were provided by such talents as George Kennedy, Hal Holbrook, Rene Auberjonois, John Rhys-Davies, Kathy Najimy, Betty Lou Gerson (the voice of the animated Cruella DeVil) and Don Knotts. "Many of these actors have worked in animation before, and many others have done radio drama, which has trained them in using every expressive nuance in their voices," says Kirschner. "We wanted each character to be an individual -- to sound as if they looked, moved and acted a certain way."

The scheming star Darla Dimple was voiced by nine-year-old Ashley Peldon, who has herself been acting since her toddler days and is most recently seen in the acclaimed live-action drama "The Crucible." The character Darla Dimple was a name parody of then child star Shirley Temple. There's a possibly they're poking fun at her last name from her film Dimples.

The voice casting of the cute penguin Pudge is its own version of the classic Hollywood story, recalls Mark Dindal. "A group of animators was eating lunch together in an outdoor cafe one day and a little boy came over to ask us for directions. Someone answered him and he walked away. At that same moment, another animator blurted, `That's Pudge exactly!,' and we all realized it was true.

"So we rushed after him and asked if he'd ever acted -- which he hadn't -- and if he'd like to -- which he would -- and the rest is moviemaking history. Little Matthew Herried became a terrific voice for Pudge."

During production, management at Turner Feature Animation changed repeatedly and each head that came in attempted to take drastic revisions, including updating the setting to the 1950s rock-and-roll era. "It's pretty hard to try and keep what you have finished so far, and then suddenly transition into a different period of time or introduce a different character or have a completely different ending that doesn't seem to fit the beginning you have," said director Mark Dindal.[4]

Dindal's portrayal of Max was initially a scratch track and was never intended to be heard on the film. Dindal wanted Max to be voiced by a professional actor, but as the film started running out of money, he kept his own vocals in.[4]

Animation

During the animation on Cats Don't Dance, Randy Newman was creating songs that gently poked fun at the idealism of the `30s movie hopeful while capturing the melodic, danceable sound that has made so many of those songs into classics.

Production PhotoMuses Mark Dindal, "One of the things that stuck in my mind after we spoke with people who'd been part of Hollywood's Golden Age was the number of times they described an effect or stunt that they had never done before. They said, `We just did it, and if it worked, we left it.'

"We're more analytical about film today -- we have more history to look back on, and the cost of making movies is so high that it leaves less room for experimentation. But we're still trying to push the boundaries of the possible, and some of that pioneering, risk-taking outlook is still what makes today's movies great.

"I like to think that we've kind of tipped our hats to the best of both worlds with Cats Don't Dance -- it's an homage to the past, but created with the talents of the present and the technology of the future. And the message -- giving everyone a chance to be his or her best by pursuing what they truly love -- is timeless."

Release

Warner Bros. attached "Pullet Surprise", a newly produced Looney Tunes short featuring Foghorn Leghorn, to the original theatrical release, and "The Big Sister", a Dexter's Laboratory What a Cartoon! short, following the film in its original home video release.

Critical reception

Cats Don't Dance received a 69% approval rating on Rotten Tomatoes based on 16 reviews.[5] It was the first non-Disney animated film to have won the Best Animated Feature award, and Randy Newman won the Best Individual Achievement: Music in a Feature/Home Video Production at the 1997 Annie Awards.[6]

Box office

Cats Don't Dance became a casualty of the Turner/Time Warner merger: it received a traditional theatrical release in 1997 but without fanfare and did not draw an audience. The film's total domestic theatrical gross was $3,566,637 against its $32 million production budget.[2] Director Mark Dindal was frustrated with Warner over the lack of advertising and the failed marketing campaign.[4]

Home media

Cats Don't Dance got its first home video release on VHS and Laserdisc on August 19, 1997 by Warner Home Video. While a standard 4:3 VHS, the Laserdisc was special in the fact that it remains to this day the only home video release of the film in its theatrical widescreen format in North America (the film is available on DVD in widescreen in Europe). The Laserdisc was never re-released and has become very rare. The VHS re-released for its second and final time on March 2, 1999. Home media sales improved more than its box office.

The film saw its first DVD releases on August 19, 1997 and September 3, 2002, as a 4:3 pan-and-scan DVD with bonus features. A re-release of the same DVD, but bundled with Quest for Camelot, was released on May 2, 2006. Internationally, in July 2008, Cats Don't Dance was released on DVD in widescreen in Germany, Spain, and the Benelux countries (Belgium/the Netherlands/Luxembourg). A widescreen DVD was released in North America on November 1, 2016 via the Warner Archive Collection.[7] The original widescreen presentation is available digitally for rental or purchase though Google Play. WB has yet to release a Blu-ray version of the film.

References

  1. ↑ Beck, Jerry (2005). The Animated Movie Guide (1. ed. ed.). Chicago: Chicago Review Press. p. 50. ISBN 1-55652-591-5.
  2. 1 2 3 "Cats Don't Dance". The Numbers. Retrieved August 22, 2011.
  3. ↑ "Michael hard at work on 'Cats Don't Dance'". Reading Eagle. June 15, 1993. Retrieved March 28, 2016.
  4. 1 2 3 4 Mark Dindal (November 2000). "Mark Dindal's Place in the Sun]" (Interview). Interview with Joe Strike. Animation World Magazine. p. 4. Retrieved March 28, 2016.
  5. ↑ "Cats Don't Dance (1997)". Rotten Tomatoes. Retrieved June 14, 2015.
  6. ↑ "25th Annual Annie Award Nominees and Winners (1997)". Annie Awards. Retrieved June 6, 2014.
  7. ↑ Warner Bros. Entertainment (October 2016). "Warner Archive Collection Podcast - New Releases for November 1, 2016". Warner Bros. Entertainment. Retrieved October 29, 2016.

External links

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