W. G. Sebald

Not to be confused with William G. Sebold.
W. G. Sebald
Born Winfried Georg Sebald
(1944-05-18)18 May 1944
Wertach, Germany
Died 14 December 2001(2001-12-14) (aged 57)
Norfolk, United Kingdom
Occupation Writer, academic
Language German
Nationality German
Alma mater University of Freiburg
University of Fribourg
University of East Anglia (PhD)
Notable works Vertigo
The Emigrants
The Rings of Saturn

Winfried Georg Sebald (18 May 1944 – 14 December 2001) — known as W.G. Sebald or Max Sebald — was a German writer and academic. At the time of his death at the age of 57, he was being cited by many literary critics as one of the greatest living authors and had been tipped as a possible future winner of the Nobel Prize in Literature.[1] In a 2007 interview, Horace Engdahl, former secretary of the Swedish Academy, mentioned Sebald, Ryszard Kapuściński and Jacques Derrida as three recently deceased writers who would have been worthy laureates.[2]


Sebald was born in Wertach, Bavaria, one of three children of Rosa and Georg Sebald. From 1948 to 1963, he lived in Sonthofen.[3] His father joined the Reichswehr in 1929 and remained in the Wehrmacht under the Nazis. His father remained a detached figure, a prisoner of war until 1947; a grandfather was the most important male presence in his early years. Sebald was shown images of the Holocaust while at school in Oberstdorf and recalled that no one knew how to explain what they had just seen. The Holocaust and post-war Germany loom large in his work.

Sebald studied German and English literature first at the University of Freiburg and then at the University of Fribourg, where he received a degree in 1965.[4] He was a Lector at the University of Manchester from 1966 to 1969. He returned to St. Gallen in Switzerland for a year hoping to work as a teacher but could not settle. Sebald married his Austrian-born wife, Ute, in 1967. In 1970 he became a lecturer at the University of East Anglia (UEA). He completed his PhD at the University of East Anglia entitled "The Revival of Myth: A Study of Alfred Döblin's Novels" in 1973.[5][6] Sebald acquired habilitation from the University of Hamburg in 1986.[7] In 1987, he was appointed to a chair of European literature at UEA. In 1989 he became the founding director of the British Centre for Literary Translation. He lived at Wymondham and Poringland while at UEA.

Sebald died in a car crash near Norwich in December 2001. The coroner's report, released some six months later, stated that Sebald had suffered an aneurysm and had died of this condition before his car swerved across the road and collided with an oncoming lorry. He was driving with his daughter Anna, who survived the crash.[8] He is buried in St. Andrew's churchyard in Framingham Earl, close to where he lived.

In 2011, Grant Gee made the documentary Patience (After Sebald) about the author's trek through the East Anglian landscape.[9]


Sebald's works are largely concerned with the themes of memory and loss of memory (both personal and collective) and decay (of civilizations, traditions or physical objects). They are, in particular, attempts to reconcile himself with, and deal in literary terms with, the trauma of the Second World War and its effect on the German people. In On the Natural History of Destruction (1999), he wrote a major essay on the wartime bombing of German cities and the absence in German writing of any real response. His concern with the Holocaust is expressed in several books delicately tracing his own biographical connections with Jews.

His distinctive and innovative novels were written in an intentionally somewhat old-fashioned and elaborate German (one passage in Austerlitz famously contains a sentence that is 9 pages long), but are well known in English translations (principally by Anthea Bell and Michael Hulse) which Sebald supervised closely. They include Vertigo, The Emigrants, The Rings of Saturn and Austerlitz. They are notable for their curious and wide-ranging mixture of fact (or apparent fact), recollection and fiction, often punctuated by indistinct black-and-white photographs set in evocative counterpoint to the narrative rather than illustrating it directly. His novels are presented as observations and recollections made while travelling around Europe. They also have a dry and mischievous sense of humour.

Sebald was also the author of three books of poetry: For Years Now with Tess Jaray (2001), After Nature (1988), and Unrecounted (2004).



The works of Jorge Luis Borges, especially "The Garden of Forking Paths" and "Tlön, Uqbar, Orbis Tertius", were a major influence on Sebald. (Tlön and Uqbar appear in The Rings of Saturn.)[10] Sebald himself credited the Austrian novelist Thomas Bernhard as a major influence on his work,[11] and paid homage within his work to Kafka[12] and Nabokov (the figure of Nabokov appears in every one of the four sections of The Emigrants).[13]



  1. Gussow, Mel (15 December 2001). "W. G. Sebald, Elegiac German Novelist, Is Dead at 57". The New York Times.
  2. Tidningen Vi – STÃNDIGT DENNA HORACE!
  3. W.G. Sebald, Schriftsteller und Schüler am Gymnasium Oberstdorf (German)
  4. Eric Homberger, "WG Sebald," The Guardian, 17 December 2001, accessed 9 October 2010.
  5. "James R. Martin, 'On Misunderstanding W.G. Sebald', Cambridge Literary Review , IV/ 7 (Michaelmas, 2013), pp. 123–38." (PDF). Retrieved 4 March 2016.
  6. "The Revival of myth: a study of Alfred Döblin's novels". British Library EThOS. Retrieved 4 March 2016.
  7. Gussow, Mel (15 December 2001). "W. G. Sebald, Elegiac German Novelist, Is Dead at 57". The New York Times.
  8. "Patience (After Sebald): watch the trailer – video", The Guardian (31 January 2012)
  9. McCulloh, Mark Richard (2003). Understanding W. G. Sebald. University of South Carolina Press. p. 66. ISBN 1-57003-506-7. Retrieved 23 December 2007.
  10. "Sebald's Voice", 17 April 2007
  11. "Among Kafka's Sons: Sebald, Roth, Coetzee", 22 January 2013; review of Three Sons by Daniel L. Medin, ISBN 978-0810125681
  12. "Netting the Butterfly Man: The Significance of Vladimir Nabokov in W. G. Sebald's The Emigrants" by Adrian Curtin and Maxim D. Shrayer, in Religion and the Arts, vol. 9, nos. 3–4, pp. 258–283, 1 November 2005


External links

External image
Max Sebald
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