Tripmaster Monkey

Tripmaster Monkey: His Fake Book

First edition
Author Maxine Hong Kingston
Country United States [1]
Language English [1]
Publisher Vintage Books USA[1]
Publication date
ISBN 978-0-679-72789-7 [1]

Tripmaster Monkey: His Fake Book is the third book written by Maxine Hong Kingston, and was published in 1989. The story follows Wittman Ah Sing, an American graduate of University of California, Berkeley of Chinese ancestry in his adventures about San Francisco during the 1960s. Heavily influenced by the Beat movement, and exhibiting many prototypical features of postmodernism, the book retains numerous themes, such as ethnicity and prejudice, addressed in Kingston's other works. The novel is rampant with allusions to pop-culture and literature, especially the Chinese novel Journey to the West.[2]



A sketch of a robed monkey walking upright on clouds, a staff raised above his head
A sketch, similar in style to this one, appears at the beginning of every chapter. This sketch, like the illustrations found in the book, depicts the fictional character Sun Wukong.

Set in the San Francisco Bay Area during the 1960s, Wittman Ah Sing is conflicted over his Chinese ancestry. He looks down on immigrants from China and refers to them as fobs, while also resenting Asian-American women who alter their appearance to appear more white and know little about the culture of the countries their ancestors came from. He asks Nanci Lee, who is also of Chinese ancestry, out on a date.

As time goes on, Wittman become more and more upset at the racism towards Asian people he sees around him. His thoughts become more fixated on the similarities between himself, and the character of a monkey king, Sun Wukong from the Chinese epic novel Journey to the West, giving the novel its name.[2] He loses his job at a department store after becoming irritated at a customer and positioning wind-up monkey toys and barbie dolls in sexual positions. Nanci Lee ends their relationship after Wittman begins imitating the monkey king in front of her.

Wittman then goes to a party mainly attended by followers of the Beatnik movement. After overhearing a woman, Taña De Weese, reciting poetry, Wittman composes the basic structure of a play. Only a few of the guests are sober, not under the influence of drugs, and awake the morning after the party, and Wittman briefly performs his play. Wittman and Taña walk home from the party through a park, and are married by a priest so that Wittman will not be drafted to fight in the Vietnam War.

Wittman cannot find work, and eventually decides he should put on his play at a local community center. After rehearsing, the play is reproduced in the text of the novel. The play is quite long and resembles an epic legend. On the closing night of the play, Wittman gives a monologue that establishes he has accepted his ancestry and culture.[2]

Themes and motifs

I’m including everything that is being left out, and everybody who has no place. My idea for the Civil Rights Movement is that we integrate jobs, schools, buses, housing, lunch counters, yes, and we also integrate theater and parties.

Wittman Ah Sing


Wittman is bothered by the perception that his culture is considered Asian, instead of Western. He repeatedly states that the culture he has as a result of his Chinese ancestry is part of Western culture.[2]


Wittman almost constantly thinks about the racism and prejudice in American society. He is angry at the discrimination faced by non-white Americans, yet he is embarrassed by the behavior of recent Chinese immigrants. He also compares the discrimination faced by Americans of Asian descent versus that faced by Latinos or Blacks.[2]

Writing style

The writing style mainly consists of elements typical of postmodernism, especially a disjointed story line. The book is written entirely in stream of consciousness form and it is difficult to tell what is happening in reality versus only in Wittman's mind. There are constant references to the Chinese language, American literature, and English literature.[2] Some of the stylistic elements are similar to those in The Woman Warrior, another book written by Kingston.[2]


Although the novel is full of allusions to other works of literature, it is mainly based on Ulysses by James Joyce, Song of Myself by Walt Whitman, and the epic poem Journey to the West.[3] Ulysses is itself based on the epic Greek poem The Odyssey.[3] Other frequently alluded to works include Griever: An American Monkey King in China by Gerald Vizenor, The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke, and Hamlet by William Shakespeare.[3]


  1. 1 2 3 4 5 Collier, Paul. "Tripmaster Monkey: His Fake Book by Maxine Hong Kingston - Powell's Books." Used, New, and Out of Print Books - We Buy and Sell - Powell's Books. Powells Books. Web. 14 June 2010. <>.
  2. 1 2 3 4 5 6 7 8 9 Wang, Jennie. "Tripmaster Monkey: Kingston's Postmodern Representation of a New "China Man"" MELUS 20.1 (1995): 101-14. JSTOR. Web. 12 June 2010. <>.
  3. 1 2 3 4 Lowe, John. "Monkey Kings and Mojo: Postmodern Ethnic Humor in Kingston, Reed, and Vizenor." MELUS 21.4 (1996): 103-26. JSTOR. Web. 3 Nov. 2010. <>.
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