The Thing (1982 film)

The Thing

Theatrical release poster by Drew Struzan
Directed by John Carpenter
Produced by
Screenplay by Bill Lancaster
Based on Who Goes There?
by John W. Campbell, Jr.
Starring Kurt Russell
Music by Ennio Morricone
Cinematography Dean Cundey
Edited by Todd Ramsay
The Turman-Foster Company
Distributed by Universal Pictures
Release dates
  • June 25, 1982 (1982-06-25)
Running time
109 minutes
Country United States
Language English
Budget $15 million[1]
Box office $19.6 million (North America)[2]

The Thing (also known as John Carpenter's The Thing) is a 1982 American science-fiction horror film directed by John Carpenter, written by Bill Lancaster, and starring Kurt Russell. The film's title refers to its primary antagonist: a parasitic extraterrestrial lifeform that assimilates other organisms and in turn imitates them. The Thing infiltrates an Antarctic research station, taking the appearance of the researchers that it absorbs, and paranoia develops within the group.

The film is based on John W. Campbell, Jr.'s novella Who Goes There?, which was more loosely adapted by Howard Hawks and Christian Nyby as the 1951 film The Thing from Another World.[3] Carpenter considers The Thing to be the first part of his Apocalypse Trilogy,[4] followed by Prince of Darkness and In the Mouth of Madness. Although the films are narratively unrelated, each features a potentially apocalyptic scenario; should "The Thing" ever reach civilization, it would be only a matter of time before it consumes all life on Earth. Carpenter acknowledged that the work of H.P. Lovecraft also inspired the film.[5][6]

On June 25, 1982, The Thing opened in 840 theaters, and it was the #8 movie of the week at the box office. It remained in the top 10 for three weeks.[7] The lower-than-expected performance has been attributed to many factors, including Steven Spielberg's E.T. the Extra-Terrestrial, which was also released by Universal Studios around the same time and featured a more optimistic view of alien visitation,[8][9] and another popular science fiction film, Ridley Scott's Blade Runner, being released on the same day.[10] However, The Thing went on to gain a cult following.[11] The film was eventually reappraised by critics, and is now considered to be one of the greatest horror films ever made.[12][13] The film subsequently spawned a novelization in 1982; a comic book miniseries adaptation, entitled The Thing from Another World, published by Dark Horse Comics in 1991; a video game sequel, also titled The Thing, in 2002; and a prequel film with the same title on October 14, 2011.


In Antarctica, a Norwegian helicopter pursues an Alaskan Malamute sled dog to an nearby American research station. Upon landing, the passenger accidentally drops a grenade near the helicopter which destroys the helicopter and the pilot. The passenger, armed with a rifle, shoots at the dog until the station commander Garry interprets his actions as hostile and shoots him dead. The station's pilot R.J. MacReady and Dr. Copper travel in a helicopter to the Norwegian camp for answers, but they find only a charred ruin. While discovering a corpse with its throat and wrists slashed in the radio room and a large empty block of ice, outside they take the the burned remains of a humanoid corpse with two faces along with some video tapes back to the camp. Their biologist, Blair, performs an autopsy on the corpse, finding a normal set of human internal organs.

After Clark kennels the Malamute with the station's sled dogs; the dog itself transforms into a hideous creature and begins to attack the dogs. When MacReady hears the commotion, he pulls the fire alarm, and Childs incinerates the creature with a flamethrower. Blair performs another autopsy which leads him to believe the creature perfectly imitates other organisms. The Norwegians' records lead the Americans to a buried flying saucer that the station's geologist Norris hypothesizes is likely over 100,000 years old. Blair becomes increasingly paranoid and withdraws, calculating that if the alien escapes to a civilized area, all life on Earth will be assimilated within a few years. Fuchs tells MacReady that he is worried about Blair and according to Blair's journal, the creature's "dead" remains are still active on a cellular level. The camp enacts safety measures designed to reduce risk of assimilation.

Soon, the remains of the two-faced corpse assimilates Bennings, but Windows discovers this before his metamorphosis is complete and MacReady burns the creature with fuel. They discover that Blair, who has undergone a mental breakdown, has wrecked all the transports and killed the remaining sled dogs to prevent the alien from escaping. The team subdue Blair as he destroys the radio and lock him in an isolated tool shed. Copper recommends a blood-serum test to determine who is assimilated, but the paranoid men turn on each other when they find that the blood stores have been sabotaged.

MacReady takes charge and orders Fuchs to continue Blair's work. When a power outage occurs, Fuchs leads outside; MacReady, Windows, and Nauls finds his burned body. Windows returns to warn the others while MacReady and Nauls investigate further. On the way back, Nauls cuts MacReady loose from the tow line, assuming that he has been assimilated when he finds a torn shirt with MacReady's name on it. As the team debate MacReady's fate, he breaks in and threatens to destroy the station with dynamite if they attack him. In the course of the standoff, Norris seemingly suffers a heart attack.

When Copper attempts to revive him, Norris transforms and kills Copper before MacReady incinerates the creature. Norris' head, which became a separate imitation of its own, is also soon burned by MacReady. Soon, Windows is ordered to tie up everyone for a new test. Clark attempts to attack MacReady, who shoots and kills him in self-defense. MacReady then explains his theory that every piece of the alien is an individual organism with its own survival instinct and that its blood will react to heat. One by one, MacReady tests everyone's blood with a heated piece of copper wire, including Copper and Clark's corpses. Everyone is still human except Palmer, whose blood flees from the hot wire. Exposed, Palmer transforms and kills Windows, forcing MacReady to burn them both.

Leaving Childs on guard, the others head out to test Blair, only to find that he has tunneled out of the tool shed. They realize that Blair is assimilated and has been scavenging equipment to build a small escape craft. Discovering that Childs is missing and the station's power generator is destroyed, MacReady realizes that the Thing now intends to hibernate until a rescue team arrives. MacReady, Garry, and Nauls, decide to dynamite the complex, acknowledging they will not make it out alive and hoping to destroy the Thing. While they set the explosives, Blair stealthily kills Garry and Nauls disappears ambiguously. As MacReady begins to set the charges, Blair - now metamorphosed into a larger monster - emerges from below and destroys the detonator. However, MacReady still triggers the blast with a stick of dynamite, and this destroys the creature and the base itself.

While MacReady sits nearby as the camp burns, Childs appears and claims that that he was lost in the storm while pursuing Blair. They discuss their prospects of survival and distrust of each other, eventually deciding to stay put and "see what happens". MacReady offers Childs a bottle and chuckles after he drinks it while the camp burns.



A number of early drafts for the film were written by Tobe Hooper and Kim Henkel, co-creators of The Texas Chain Saw Massacre.[15] The final screenplay was written in 1981 by Bill Lancaster, son of Burt Lancaster.[16] Carpenter later recalled that he did not meet or collaborate with any of the screenwriters.[17] The film was shot near the small town of Stewart in northern British Columbia. The research station in the film was built by the film crew during summer, and the film shot in sub-freezing winter conditions. The only female presence in the film is the voice of a chess computer, voiced by Carpenter regular (and then-wife) Adrienne Barbeau, as well as the female contestants viewed on a videotaped episode of Let's Make a Deal.

According to the sign post outside the camp, the Antarctic research team is stationed at the United States National Science Institute Station 4. However, in early drafts of the script, the base was called, "U.S. Outpost 31".[18] When making a recording of events, Kurt Russell's character, MacReady, signs off as, "R.J. Macready, helicopter pilot, U.S. Outpost #31".

The film took three months to shoot on six artificially frozen sound stages in Los Angeles, with many of the crew and actors working in cold conditions.[16] The final weeks of shooting took place in northern British Columbia, near the border with Alaska, where snow was guaranteed to fall.[16] John Carpenter filmed the Norwegian camp scenes at the end of production. The Norwegian camp was simply the remains of the American outpost after it was destroyed by an explosion.[19]

The Thing was Carpenter's eighth time directing a full-length feature and his first film under the production of a major film studio (Universal Studios).

The Thing was the fourth film shot by cinematographer Dean Cundey (following Carpenter's Halloween, The Fog, and Escape from New York) and the third to feature Kurt Russell as the lead actor. Russell would appear in two additional Carpenter films following The Thing: Big Trouble in Little China and Escape from L.A. Most of the special creature effects were designed and created by Rob Bottin and his crew, with the exception of the dog creature, which was created by Stan Winston.[19] Winston was brought in when Bottin's team found themselves overloaded with work on the other creatures seen in the film.[19]

The film was shot anamorphically for the 2.39:1 "scope" ratio.

In the documentary Terror Takes Shape on the DVD, film editor Todd C. Ramsay states that he made the suggestion to Carpenter to film a "happy" ending for the film, purely for protective reasons, while they had Russell available. Carpenter agreed and shot a scene in which MacReady has been rescued and administered a blood test, proving that he is still human. Ramsay follows this by saying that The Thing had two test screenings, but Carpenter did not use the sequence in either of them, as the director felt that the film worked better with its eventual nihilistic conclusion. The alternate ending with MacReady definitively proven to be human has yet to be released.

According to the 1998 DVD release, the "Blair Monster" was to have had a much larger role in the final battle. However, due to the limitations of stop-motion animation, the monster appears for only a few seconds in the film.

One of the film's associate producers, Larry J. Franco, has a credited cameo as the Norwegian rifleman from the beginning of the film. Director John Carpenter and his then-wife Adrienne Barbeau have uncredited cameos as a man in the Norwegian video footage and the voice of the chess computer, respectively.

Although the production's helicopter pilots are not characters within the film and only serve as body doubles when the helicopters are in flight, they are listed under the credits. Nate Irvin is listed as Helicopter Pilot and William Zeman is listed as Pilot.

Two names were changed from Bill Lancaster's second draft of the script.[18] The character Windows was originally named Sanchez, who was described as "hating it here" and "lousy at his job". The second character changed is the Norwegian rifleman, who was identified as "Jans Bolan" in a deleted scene from his dogtags and named Lars according to the 2011 prequel.

The film's musical score was composed by Ennio Morricone, a rare instance of Carpenter not scoring one of his own films,[20] although Carpenter did score a few pieces of music with Alan Howarth which were also used in the final film.[21] In 2012, Morricone recalled,

Regarding The Thing, by John Carpenter, I've asked him, as he was preparing some electronic music with an assistant to edit on the film, "Why did you call me, if you want to do it on your own?" He surprised me, he said - "I got married to your music. This is why I've called you." I was quite amazed, he called me because he had my music at his wedding. Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one, which was electronic music. And [Carpenter] took the electronic score.[22]


After its cinema run, the film was released on VHS, RCA VideoDisc, and laserdisc, and a re-edited version was created for television by TBS and Universal Studios's executive Sid Sheinberg, who recut the film to add narration and an alternate ending.[23]

The Thing has subsequently been released twice on DVD by Universal in 1998 and 2005. The 1998 edition was a Universal Collector's Edition, featuring The Thing: Terror Takes Shape, an extensive 83-minute documentary. It details all aspects of the film and features interviews from many of the people involved. There are detailed stories from the cast and crew concerning the adapted screenplay, the special effects, the post-production, the critical reception, and more. Other features include deleted scenes, the alternative ending shown in the television version, a theatrical trailer and production notes. Additionally, John Carpenter and Kurt Russell provide commentary throughout the film. An anamorphic widescreen transfer was not included, but this omission was remedied with the second DVD/HD DVD release in October 2004, which featured identical supplements to the 1998 release, with the exception of the isolated score track from the documentary. The film was released on Blu-ray Disc in Europe on October 6, 2008.

Unlike the American version of The Thing released on Blu-ray, the European version features most of the extras from the 1998 and 2005 DVD releases. These extras include the documentary The Thing: Terror Takes Shape although several extras, most notably the alternate ending, were not included. The Blu-ray version also includes various Blu-ray-only features, such as a HD version of the film (although the extras are still presented in 480i/p, depending on the extra) as well as a picture-in-picture mode that pops up at various points of the film. Although the feature is new, the footage included in the picture-in-picture mode are all taken from "The Thing: Terror Takes Shape" documentary.

Box office

The Thing opened #8 and remained in the top 10 at the box office for three weeks. The film was released in the United States on June 25, 1982 in 840 theaters and was issued an "R" rating by the Motion Picture Association of America. It debuted at #8 at the box office, with an opening weekend gross of $3.1 million. It went on to make $19,629,760 domestically.[2] Carpenter and other writers have speculated that the film's poor performance was due to the release of E.T. the Extra-Terrestrial two weeks earlier, with its more optimistic scenario of alien visitation (which received a "PG" rating from the MPAA). The Thing also opened on the same day as Ridley Scott's science fiction film Blade Runner, which debuted at #2.[24]


"I take every failure hard. The one I took the hardest was The Thing. My career would have been different if that had been a big hit...The movie was hated. Even by science-fiction fans. They thought that I had betrayed some kind of trust, and the piling on was insane. Even the original movie's director, Christian Nyby, was dissing me."

—John Carpenter on the reception of The Thing[25]

The film received negative reviews upon release.[26] The film's makeup special effects were simultaneously lauded and lambasted for being technically brilliant but visually repulsive and excessive. Film critic Roger Ebert called the film "disappointing", though said he found it scary and that it was "a great barf-bag movie." However, he criticized what he felt were poor characterizations and illogical plot elements, ultimately giving the film 2½ stars out of 4.[27] In his review for The New York Times, Vincent Canby called it "a foolish, depressing, overproduced movie that mixes horror with science fiction to make something that is fun as neither one thing or the other. Sometimes it looks as if it aspired to be the quintessential moron movie of the 80s."[28] Time magazine's Richard Schickel wrote, "Designer Rob Bottin's work is novel and unforgettable, but since it exists in a near vacuum emotionally, it becomes too domineering dramatically and something of an exercise in abstract art."[29]

In his review for The Washington Post, Gary Arnold called the film "a wretched excess."[30] Jay Scott, in his review for the Globe and Mail, called the film "a hell of an antidote to E.T."[31] In his review for Newsweek, David Ansen wrote, "Astonishingly, Carpenter blows it. There's a big difference between shock effects and suspense, and in sacrificing everything at the altar of gore, Carpenter sabotages the drama. The Thing is so single-mindedly determined to keep you awake that it almost puts you to sleep."[32] David Denby of New York magazine wrote that the original story may have influenced Invasion of the Body Snatchers and Alien, but a new adaptation seems derivative.[33] In his book Science Fiction (1984), Phil Hardy described the film as a "surprising failure" and "Carpenter's most unsatisfying film to date."[34] The review noted that the narrative "seems little more than an excuse for the various set-pieces of special effects and Russell's hero is no more than a cypher compared to Kenneth Tobey's rounded character in Howard Hawks' The Thing".[34]

Despite negative contemporary reviews, the film has been reappraised substantially in the years following its release. An early positive review of the film was provided by Peter Nicholls in 1992, who called The Thing "a black, memorable film [which] may yet be seen as a classic". [35] The Thing now maintains an 81% "Certified Fresh" rating on Rotten Tomatoes; the site's consensus states: "Grimmer and more terrifying than the 1950s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects."[36] It has been listed as one of the best of 1982 by and[37][38] The film ranked #97 on Rotten Tomatoes' Journey Through Sci-Fi (100 Best-Reviewed Sci-Fi Movies), and a scene from The Thing was listed as #48 on Bravo's 100 Scariest Movie Moments.[39] Similarly, the Chicago Film Critics Association named it the 17th scariest film ever made.[40] The Thing was named "the scariest movie . . . ever!" by the staff of the Boston Globe.[12] In 2008, the film was selected by Empire magazine as one of The 500 Greatest Movies of All Time.[41] John Kenneth Muir, writing in Horror Movies of the 1980s, called it "Carpenter's most accomplished and underrated directorial effort". Muir goes on to say that it is "the best science fiction-horror film of 1982, an incredibly competitive year, and perhaps even the best genre motion picture of the decade".[13]

In 2011, The New York Times asked prominent horror filmmakers what film they had found the scariest. Two, John Sayles and Edgar Wright, cited The Thing. "The theater was full, and I had to sit in the front row," Sayles recalled.[42]


The Thing received nominations from the Academy of Science Fiction, Fantasy and Horror Films for Best Horror Film and Best Special Effects, but lost to Poltergeist and E.T. the Extra-Terrestrial, respectively. The film was nominated in the Razzie Awards for Worst Musical Score.[43]


The Thing Original Motion Picture Soundtrack
Soundtrack album by Ennio Morricone
Released June 25, 1982
Genre Film score
Length 49:37
Label MCA Records
Producer Ennio Morricone
Professional ratings
Review scores
Austin Chronicle

Though they did not speak a common language, Carpenter and Morricone collaborated on the soundtrack. Carpenter said that he urged Morricone toward a more minimalist direction.[44] MCA released the soundtrack in 1982; Varèse Sarabande released it 1991 on compact disc.[45] It was also available as an isolated score track on the 1998 DVD release, but is not present on the 2005 edition. The soundtrack has since gone out of print. A re-recording of the soundtrack, produced and arranged by Alan Howarth and Larry Hopkins, is currently available. It is the only version of the soundtrack that contains the unused Carpenter and Howarth pieces.

Three unused tracks from Morricone's original soundtrack for The Thing—"Eternity", "Bestiality" and "Despair"—were used in the 2015 Quentin Tarantino film The Hateful Eight,also starring Kurt Russell.[46]

Original soundtrack

All music composed by Ennio Morricone.

Re-recording by Howarth and Hopkins

All music composed by Ennio Morricone except where * is indicated;

(* denotes John Carpenter in association with Alan Howarth).


Prequel and cancelled sequels

The Sci Fi Channel planned to do a four-hour mini-series sequel to the film in 2003. Carpenter stated that he believed the project should proceed, but the Sci Fi Channel later removed all mention of the project from their homepage. In February 2009, a positive review of the abandoned screenplay for the Sci-Fi miniseries was published on Corona's Coming Attractions.[47]

In 2004, John Carpenter said in an Empire magazine interview that he has a story idea for The Thing II, which centers around the two surviving characters, MacReady and Childs. However, Carpenter felt that due to the higher price associated with his fee, Universal Studios will not pursue his storyline. Carpenter indicated that he would be able to secure both Kurt Russell and Keith David for the sequel. In his story, Carpenter would explain the age difference of the actors between the two installments by having frostbite on their face due to the elements until rescued. The assumption of the sequel would rely on a radio signal being successfully transmitted by Windows before Blair destroyed the communications room. Thus, after the explosion of the base camp, the rescue team would arrive and find MacReady and Childs still alive. Carpenter has not disclosed any other details.[48]

In September 2006, it was announced in Fangoria magazine that Strike Entertainment, the production company behind Slither and the Dawn of the Dead remake, was looking for a writer or writers to write a theatrical prequel to The Thing.[49] After accepting a script from Eric Heisserer, Strike Entertainment began production to the prequel, also titled The Thing and was filmed in 2010.[50] In the prequel, the Norwegian crew discovers the alien three days prior to the dog-thing arriving at Outpost 31. Surviving characters of the prequel, Matias and Lars, become the two Norwegians chasing the dog by helicopter in the opening of the 1982 film. The 2011 film was directed by Matthijs van Heijningen Jr., shot in Toronto, and released on October 14 of that year.[51]

Theme parks

In 2007, the Halloween Horror Nights event at Universal Studios in Orlando, Florida, the film property was designed as a haunted attraction called The Thing - Assimilation.[52] Guests walked through Outpost 3113, a military facility where the remains of Outpost 31 were brought for scientific research. Scenes and props from the film were recreated for the attraction, including the bodies of MacReady and Childs. In 2009, the event's icon house, Silver Screams, contained a room based on the film.

Universal Studios also featured Haunted Attractions based on The Thing's 2011 prequel at both the Florida and Hollywood editions of Halloween Horror Nights in 2011.[53]

Books and comics

The Thing From Another World #01

A novelization of the film based on the second draft of the screenplay was published in 1982 by Alan Dean Foster. Although the novel is generally true to the film, there are minor differences: the Windows character is named Sanders, and an episode in which MacReady, Bennings and Childs chase after several infected dogs which escape into the Antarctic wastes was added (this sequence was featured in Lancaster's second draft of the screenplay). The disappearance of Nauls is also explained in the novel; pursued by Blair-Thing into a dead end, he kills himself rather than allow it to assimilate him.

Dark Horse Comics published four comic sequels to the film in the form of three miniseries and one serial (The Thing from Another World, The Thing from Another World: Climate of Fear, The Thing from Another World: Eternal Vows which sees the return of MacReady, as he pursues The Thing to New Zealand's Stewart Island, and The Thing from Another World: Questionable Research, which was serialized in Dark Horse Comics #13-16), again featuring the character of MacReady as the lone human survivor of Outpost #31 and depicting Childs as infected (The Thing From Another World: Climate of Fear issue 3 of 4).[54] Questionable Research explores a parallel reality where MacReady is not around to stop the Thing and a suspicious scientist must prevent its spread, after it has wreaked destruction on Outpost 31. The comic series was titled The Thing from Another World after the original 1951 Howard Hawks film in order to avoid confusion and possible legal conflict with Marvel Comics' Fantastic Four member, the Thing. Much later, Dark Horse released a digital comic called The Thing: The Northman Nightmare as a prelude to the film's 2011 prequel.[55]

In January 2010, Clarkesworld Magazine published "The Things", a short story by Peter Watts which retells the film events from the alien's point of view and paints it in a much more sympathetic light by describing the Thing as an alien with an innocent impulse to share with the human race its power of communion and its frightened, not to mention severely saddened, reaction when they attack it. The story received a nomination to the Hugo Award in 2011.[56]

Video games

In 2002, The Thing was released as a survival horror third-person shooter for PC, PlayStation 2, and Xbox, acting as a sequel to the film. The video game differs from the comics in that Childs is dead of exposure, and the audiotapes are present (they were removed from Outpost 31 at the start of The Thing from Another World: Questionable Research). At the completion of the game, R.J. MacReady is found alive and helping the main character complete the last mission. The game used elements of paranoia and mistrust intrinsic to the film. Some retailers, such as GameStop, offered a free copy of the 1998 DVD release as an incentive for reserving the game.[57][58][59] In 2011, a region of the Entropia Universe was created based on the theme of The Thing.[60]

Action figures

In September 2000, as part of the third series of its "Movie Maniacs" line of toys, McFarlane Toys released two figures based on the film. One was the Blair Monster[61] seen near the ending of the film, and the other is the Norris Creature seen during the defibrillator scene. The latter included a smaller figurine of the disembodied head with spider legs also seen in the film. SOTA Toys, under its Now Playing line, released a boxed set of MacReady action figure in the kennel scene, showing the Thing imitating the dogs, as well as a bust of the Norris Spider Head.[62]

Annual viewings

The Thing is annually viewed by members of the winter crew at the Amundsen–Scott South Pole Station during the first evening of winter. Another traditional feature is The Shining.[63] It is also viewed by scientific personnel at the Summit Camp on the apex of the Greenland Ice Sheet.

See also


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  4. Joshua Topolskyon (2012-09-02). "The Classics: John Carpenter's 'Apocalypse Trilogy'". The Verge.
  5. The Complete H.P. Lovecraft Filmography By Charles P. Mitchell, page 19
  6. Guillermo Del Toro: Film as Alchemic Art By Keith McDonald, Roger Clark. page 48
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  • Hardy, Phil, ed. (1984). Science Fiction. New York : Morrow. ISBN 0-688-00842-9. 

Further reading

External links

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