The Street Scene

The Street Scene is a basic model for epic theater set forth by Bertolt Brecht. It makes use of a simple, "natural" incident, such as could be seen on any street corner: an eyewitness demonstrating to a collection of people how a traffic accident took place. "The bystanders may not have observed what happened, or they may simply not agree with him, may 'see things a different way'; the point is that the demonstrator acts the behavior of driver or victim both in such a way that the bystanders are able to form an opinion about the incident."^[1] This model is set forth as the most primitive type of epic theater to be easily understood by the reader or listener.

References

↑ Brecht, Bertolt. 1950. "The Street Scene: A Basic Model for an Epic Theatre." Brecht on Theatre: The Development of an Aesthetic. Ed. and trans. John Willett. London: Methuen, 1964. ISBN 0-413-38800-X. pp. 121–129.

Bertolt Brecht

Plays	Baal Drums in the Night A Wedding Driving Out a Devil Lux in Tenebris Mysteries of a Barbershop In the Jungle of Cities Edward II Man Equals Man Downfall of the Egotist Johann Fatzer The Elephant Calf Little Mahagonny The Threepenny Opera The Flight Across the Ocean The Baden-Baden Lesson on Consent Happy End Rise and Fall of the City of Mahagonny Der Jasager / Der Neinsager The Decision Saint Joan of the Stockyards The Exception and the Rule The Mother Kuhle Wampe The Seven Deadly Sins Round Heads and Pointed Heads The Horatians and the Curiatians Fear and Misery of the Third Reich Señora Carrar's Rifles Life of Galileo How Much Is Your Iron? Dansen Mother Courage and Her Children The Trial of Lucullus Mr Puntila and his Man Matti The Good Person of Szechwan The Resistible Rise of Arturo Ui Hangmen Also Die! The Visions of Simone Machard The Duchess of Malfi Schweyk in the Second World War The Caucasian Chalk Circle Antigone The Days of the Commune The Tutor Die Verurteilung des Lukullus Report from Herrnburg Coriolanus Joan of Arc Turandot Don Juan Trumpets and Drums

Theories and techniques	Epic theatre Non-Aristotelian drama Lehrstücke Fabel Gestus Defamiliarization Demonstration Not / But Historicization Refunctioning Separation of the elements Interruptions Complex seeing The Modern Theatre Is the Epic Theatre The Street Scene A Short Organum for the Theatre Messingkauf Dialogues

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