The Seven Beauties

The Seven Beauties 
by Nizami Ganjavi

Bahram sees the portraits of the seven beauties. Behzad School, 1479. Nizami Museum of Azerbaijani Literature, Baku
Translator Charles Edward Wilson
Written 1197
First published in London (complete translation)
Country British Empire
Language Persian
Publisher Arthur Probsthain & Co,
Publication date 1832 (passage)
Published in English 1924

The Seven Beauties (Persian: هفت پیکر [Haft Peykar]) also known as Bahramnameh (بهرام‌نامه, The Book of Bahram) is a famous romantic epic by Persian poet Nizami Ganjavi written in 1197. This poem is a part of the Nizami's Khamsa. The original title Haft Peykar can be translated literally as “seven portraits” with the figurative meaning of “seven beauties.” Both translations are meaningful and the poet doubtless exploited intentionally the ambiguity of the words. The poem was dedicated to the Ahmadili ruler of Maragha, Ala-al-Din Korpe Arslan bin Aq-Sonqor.[1] The poem is a masterpiece of erotic literature, but it is also a profoundly moralistic work.[1]

Editions and translations

A critical edition of the Seven Beauties was produced by Helmut Ritter and Jan Rypka (Prague, printed Istanbul, 1934) on the basis of fifteen manuscripts of Khamsa and the Bombay lithograph. More recently, the poem was re-edited by the Azerbaijani scholar T. A. Maharramov (Moscow, 1987). There is also uncritical edition by Wahid Dastgerdi (Tehran, 1936 and reprints) and an edition by Barat Zanjani (Tehran, 1994).[1]

The poetry German translation of a passage from the poem named Bahram Gur and Russian princess made by orientalist Franz Erdmann was published in 1832 in Kazan.[2]

There are three complete translations in western European languages. First, in 1924 Charles Edward Wilson translated the poem to English in 2 volumes with extensive notes). Second, Alessandro Bausani in 1967 translated it to Italian. And finally an English version by Julie Scott Meisami published in 1995. The Russian prose version by Rustam Aliyev, which was published Baku in 1983, and by Vladimir Derzhavin published in 1959 in Moscow. The partial translations was also made by Rudolf Gelpke in German prose (Zurich, 1959). It should be noted that there is an English metatranslation by E. Mattin and G. Hill published in 1976 in Oxford.[1]

Сultural influence

In the early 1940s Azerbaijani composer Uzeyir Hajibeyov to mark the 800th anniversary of Nizami Ganjavi[3] planned to write seven songs on Nizami poems accordingly to seven beauties of the poem. However Hajibeyov wrote only two songs: Sensiz (Without You, 1941) and Sevgili Janan (Beloved, 1943).[3]

In 1952 Azerbaijani composer Gara Garayev composed the ballet Seven Beauties based on motifs of Nizami Ganjavi’s Seven beauties.

In 1959 in Baku a bronze sculpture (fountain) Bahram Gur depicting the hero of the poem Bahram Gur killing serpentine dragon at his feet, was erected.[4]

In 1979[5] the Nizami metro station in Baku was decorated by Azerbaijani painter Mikayil Abdullayev with mosaic murals based on the works of Nizami,[6] whose name it bears. Three of these murals show the heroes of the Seven Beauties poem.

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References

  1. 1 2 3 4 François de Blois. Haft Peykar // Encyclopædia Iranica. — 15 December 2002. — V. XI. — pp. 522-524.
  2. Крымский А. Е.. Низами и его изучение // Выдающиеся русские учёные и писатели о Низами Гянджеви / Составитель, автор предисловия и редактор Рустам Алиев. — Б.: Язычы, 1981. P. 259
  3. 1 2 Сафарова З. Узеир Гаджибеков. — Баку: Язычы, 1985. — P. 61.
  4. Эфендизаде Р. М.. Архитектура Советского Азербайджана. — М.: Стройиздат, 1986. — P. 108.
  5. Абдуллаев Микаил Гусейн оглы // 225 лет Академии художеств СССР. Каталог выставки. — Изобразительное искусство, 1985. — V. II. — P. 6.
  6. Эфендизаде Р. М. Архитектура Советского Азербайджана. — М.: Стройиздат, 1986. — P. 289.

Sources

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