The Road to Ruin (1934 film)

The Road to Ruin

DVD cover (detail)
Directed by Dorothy Davenport
Melville Shyer
Produced by Willis Kent
Written by Dorothy Davenport
Willis Kent (uncredited)
Starring Helen Foster
Nell O'Day
Glen Boles
Cinematography James Diamond
Edited by S. Roy Luby
Distributed by True-Life Photoplays
First Division Pictures
Release dates
  • February 17, 1934 (1934-02-17) (New York City)
  • May 15, 1934 (1934-05-15) (U.S.)
Running time
62 minutes
Country United States
Language English

Road to Ruin is a 1934 exploitation film directed by Dorothy Davenport, under the name "Mrs. Wallace Reid", and Melville Shyer, and written by Davenport with the uncredited contribution of the film's producer, Willis Kent. The film, which is in the public domain, is about a young girl whose life is ruined by sex and drugs.

Cast

Director/writer Dorothy Davenport appears in the film in the role of "Mrs. Merrill."

Production

The Road to Ruin is a sound re-make of a 1928 silent film of the same name, written and produced by Willis Kent and also starring Helen Foster.[1] Foster, reprising her role as a high school girl, was 27 years old at the time, and six years older than her on-screen boyfriend, Glen Boles.

The titles and composers of the three songs performed in the film are not recorded.[1]

To promote the film, the producers advertised that it was not to be shown to anyone under eighteen, implying that it contained salacious material. Film censors in Virginia required a "record number" of cuts in the film before clearing it for release, according to Film Daily, while in Detroit, the film was boycotted by the Catholic Church, but was cleared by the local censors after some cuts.[1]

A novelization of the film was put out by the producers, apparently intended for use by school and civic groups as an aid to discussion of the social problems presented in the film: teenage drinking, promiscuity, pregnancy and abortion.[1]

Reception

The reviewer for Variety found the film "restrained" in comparison to the more "hotly sexed" silent version, while other reviewers found it to be an improvement over the earlier film, and "sensational".[1] A modern critic called the film "[A] sordid drive down the path of moral and physical degradation, capped off with just enough of a moral lesson to alleviate any guilt the viewer might feel for watching such a decadent display."[2]

See also

Notes

Bibliography

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