The Kooks

This article is about the English band. For the Swedish band, see The Kooks (Swedish band).
The Kooks

The Kooks at the Hurricane Festival, Germany 2006
Background information
Origin Brighton, England, United Kingdom
Genres Indie rock, Britpop, alternative rock, indie pop, post-punk revival
Years active 2004–present
Labels Virgin, EMI
  • Luke Pritchard
  • Hugh Harris
  • Peter Denton
  • Alexis Nuñez
Past members
  • Max Rafferty
  • Paul Garred

The Kooks are the British rock band formed in 2004 in Brighton, England.[1] The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008. Dan Logan served as a temporary replacement, until Peter Denton joined the band permanently in October 2008. Early in 2010, Pritchard announced the departure of drummer Paul Garred, due to a nerve problem in his arm. Late in the year, Garred rejoined for studio sessions, however Chris Prendergast played drums when the band played live. Garred finally left in November 2011 after the release of their third album, Junk of the Heart.

In 2012, the band was accompanied on drums by Alexis Nunez (from Golden Silvers), who eventually joined the band full-time.

A self-described "pop" band, their music is primarily influenced by the 1960s British Invasion movement and post-punk revival of the new millennium.[2] With songs described as "catchy as hell",[3] The Kooks have experimented in several genres including rock, Britpop, pop, reggae, ska, and more recently, funk and hip-hop, being described once as a "more energetic Thrills or a looser Sam Roberts Band, maybe even a less severe Arctic Monkeys at times".[4]

Signed to Virgin Records just three months after forming, The Kooks broke into the musical mainstream with their debut album Inside In/Inside Out (2006). The album was ultimately successful, achieving quadruple platinum status in the UK within a year and also overseas in the form of a platinum certification in Australia and two times platinum in Ireland. The Kooks found themselves entering into mainstream media attention, with the band winning the award for Best UK & Ireland Act at the MTV Europe Music Awards 2006 and picking up a nomination at The Brit Awards for the single "She Moves in Her Own Way".[5][6] With their follow-up Konk (2008) debuting at number one on the UK Albums Chart, it recorded first week sales of 65,000, achieving gold status in both the UK and Ireland.[7] Their third studio album, entitled Junk of the Heart, was released on 12 September 2011. Their most recent album Listen was released on 8 September 2014 and debuted at No. 16 on the UK Albums Chart.[8]


Formation and early years (2002–2004)

Garred, Pritchard and Harris met at the BRIT School

Three members (Garred, Pritchard and Harris) of The Kooks all met as students at the BRIT School in Croydon, all three moving further south to join BIMM (where they met Rafferty who was from Brighton) in 2002.[9] The inspiration to form a band came to Pritchard as he and Garred were out shopping for clothes one day in Primark as a joke. Speaking to MTV Garred said, "we had a vision on how we wanted the band to look and stuff—so we bought some clothes and these hats, it was fun."[10] Sharing a love of The Rolling Stones, Bob Dylan, The Police, and David Bowie Pritchard got Harris and Rafferty involved under the guise of a school music project.[9] Pritchard himself said "We got together just on a whim, really."[11] With a strong demo of their material Garred and Pritchard went in search of a gig, and according to Garred, they were able to book their first show simply because the landlord liked their hats. "So we went in to get a gig, we don't have a demo blid burnt, and this guy told us, 'Well, you can't get a gig if you don't have a demo, but I like your hats, so I'm going to give you a gig'", said Garred. However, the band was unable to make the performance as they were finishing off their demo at the time.[10]

Taking their name from the famous David Bowie song with the same title, Pritchard revealed the first song they ever played as a group was a cover version of The Strokes' song "Reptilia".[12] The Kooks recorded an EP demo, sending it out in search of gigs, they instead received offers from managers and record companies.[11] The band had only been together as a group for four months when they signed with Virgin Records,[11] after being spotted by several label scouts at the Brighton Free Butt Festival in 2005.[13] In an interview with, Pritchard revealed "It was really quick how it all happened, we did a demo with a mate of ours in London, which we sent off to one guy to get some gigs, and he turned out to be a manager. He rung us up and it kind of went from there."[12] The members of the band have since revealed that they felt they weren’t ready at the time, "We were way too early to sign a record deal ... We were really young, we'd been together like two or three months, so we really didn't want to sign. But then we thought it's a really good opportunity and Virgin seemed like really cool people - they just seemed to really understand where we were coming from.,"[12] said Pritchard, who has also complimented the space the record label allowed for the band to grow, "They were patient with us and let us develop our style, whatever it was."[11]

Inside In/Inside Out (2005–2007)

Main article: Inside In/Inside Out
The Kooks at Irving Plaza, 11 May 2007

After they had signed to Virgin Records The Kooks were reluctant to record an album straight away, stating a desire to focus more on their live performances and songwriting. The band has said embarking on their first live tour instead of recording an album initially helped them develop their style and sound. As Pritchard claimed, "We didn’t sit down with a blueprint. We just naturally developed and we didn’t try to shape or mould ourselves to anything."[14] As a result, they went into the studio with hundreds of songs from a variety of genres, and it took an "incredible amount of patience" from producer Tony Hoffer to shape the content into what would become the record.[11]

Following their first tour supporting The Thrills,[15] The Kooks recorded their debut album, Inside In/Inside Out, at Konk studios in London in 2005.[16] Though media attention was dominated by the release of the Arctic Monkeys debut album Whatever People Say I Am, That's What I'm Not on the same day, Inside In/Inside Out recorded first week sales of 19,098. Later speaking to NME Pritchard would thank the Arctic Monkeys for "shielding" The Kooks from the press' scrutiny. "God bless the Arctic Monkeys because if it wasn't for them we wouldn't have been so shielded. We were so overshadowed by the success [of] it (their album) because it was so monster and we crept in behind everybody's back."[17] Entering the UK Albums Chart at number nine, it would eventually peak at number two for two weeks. Singles "Eddie’s Gun", "Sofa Song", "You Don't Love Me", "Naïve", "She Moves in Her Own Way" and "Ooh La" achieved chart success in the UK and Europe, while "Naïve" and "She Moves in Her Own Way" put The Kooks in the top ten for the first time.[18][19]

Kev Kharas in his review for Drowned in Sound viewed The Kooks as "a less irreverent and more melodic Art Brut, swapping that band’s caustic wit for a far nicer type of honesty."[20] Kharas also noted traces of "emo" in the band’s style.[20] AllMusic's Tim Sendra noted that the band's direction was "heavily indebted to classic rock", in particular Thin Lizzy and the Dexys, ultimately though Sendra felt "the band sounds like the Kooks and no one else". Calling The Kooks "an important reminder that there are just as many mediocre bands in the UK as there are in the United States" reviewer Jenny Eliscu of Rolling Stone claimed the album was "utterly forgettable, shoddily produced retro rock that at its worst sounds like a Brighton-accented version of the Spin Doctors".[21] Brian Belardi of Prefix gave a positive review, describing Inside In/Inside Out as "An almost-perfect blend of '60s-style Britpop, '90s-style Britpop, and the post-punk of the new millennium".[2]

The album went on to be certified quadruple platinum in the UK by the British Phonographic Industry (BPI)[22] within a year and certified platinum across Europe by the International Federation of the Phonographic Industry (IFPI).[23][24] The success of their debut album brought the band into mainstream media attention, winning the award for best UK and Ireland act at the MTV Awards in 2006 and picking up a Brit Awards nomination for "She Moves in Her Own Way", in 2007.[5][6]

Rafferty's departure and Konk (2008)

Main article: Konk

Rafferty was fired from the band on 31 January 2008, after a series of absences due to illness and long-standing rumours about his place in the band; drug addiction was also quoted as one of the reasons for his departure.[25] Dan Logan, bassist with a local Brighton band Cat the Dog, was drafted in as a temporary replacement for Rafferty.[26] After the departure of Rafferty, the band had considered splitting up. Singer Luke Pritchard had told The Sun's Something for the Weekend that "Splitting does go through your mind. It's hard to let go of something you care about so much. We have fans to think of." Pritchard also discussed the possibility of Dan Logan joining the band as their new bassist, "It's been really strange for us but it's something that had to happen. Dan hasn’t joined the band properly yet. We're trying him out, but I love playing with him."[27] In the end, Logan did not join the band on a permanent basis, instead in October 2008, Peter Denton was drafted into the band and has become the permanent bassist.[28]

Harris and Pritchard at Summercase 2008 in Barcelona

The Kooks released their second album, Konk, in April 2008. The record was named after the studio where it was recorded and produced by Tony Hoffer, who worked on the band's debut album, Inside In/Inside Out.[29] Prior to releasing the album, in an interview with NME, lead singer Luke Pritchard had claimed to have 80-90 songs written for the album, stating, "I want this album to be big……I've got an ego, I want the album to do well. I want our singles to come on the radio and for people to literally have their heads blown off by them".[30] Recorded over a total of seven weeks in London and Los Angeles Pritchard told NME the band had wanted more input into their second album. "Tony's a genius, but this time we wanted more involvement in the production," said Pritchard.[29]

Konk went on to debut on the UK Albums Chart at number one with first week sales of 65,901 units.[31] The album also spawned three top 50 hits including their highest chart performer to date, "Always Where I Need to Be", which peaked at number three. In the United States, it reached number 41 on the Billboard 200 and the album's first single, "Always Where I Need to Be", peaked at number 22 on the Alternative Songs chart. The album was certified gold in both the UK and Ireland. A second limited edition two disc version of Konk entitled RAK was also released. The name was taken from the London studio where The Kooks recorded seven new live tracks along with the Arctic Monkeys and Mike Crossey, producer for The Zutons.[32]

Allmusic said with Konk, The Kooks "explores pop and rock in all their glory,"[33] while BBC Music described their second album as "a little contrived with the recycling of old guitar lines and intros."[34] NME suggested the departure of Alan Lavian affected Konk's production, stating "Konk is the sound of a band in disarray, unsuccessfully attempting to hold things together."[35]

Junk of the Heart (2009–2013)

Main article: Junk of the Heart
Performing at Southbound, January 2012

In April 2009, The Kooks revealed to BBC's Newsbeat that they were working on their third studio album. Drummer Paul Garred left the band in late 2009, due to a nerve problem in his arm, and was temporarily replaced initially by Nicholas Millard from the band Crackout, then Chris Prendergast for live shows,.[36] However, Paul returned for the recording sessions in late 2010, while continuing to not tour with the band, as Pritchard recently stated his injury "turned more into a psychological thing" whereby he "feels uncomfortable playing for long periods of time" for fear of his arm "flaring up". One of the band's first main attempts at writing for this album together took place away from their usual surroundings, as frontman Luke Pritchard told Newsbeat, "We kind of barricaded ourselves in the countryside for a few weeks—stayed at some friend's who have a cottage in Norfolk." However, the band recently revealed that over two weeks there, the band only managed to make one new song: "Eskimo Kiss". After hiring and firing new producer Jim Abbiss (Arctic Monkeys, Kasabian, Adele) despite having some "really good sessions together", the band returned to previous producer Tony Hoffer who gave them a "new direction" and they recorded the album in a more contemporary style.

In January 2011, Pritchard announced that they had recorded fourteen new tracks. The band announced via social media that they had finished the new album on 30 March, which was eventually announced as Junk of the Heart. The first single taken from the album was "Is It Me" for Europe and "Junk of the Heart" elsewhere. The album was released in Europe on September 9, 2011 and the U.K. on September 12th. Garred appeared in the promotional videos for "Is It Me" and "Junk of the Heart", and performed with the band in live sessions for Live from Abbey Road and Live Lounge. But for 2011 shows in the months prior to the album's release, Prendergast was still on drums, and when the band went on tour in October, they brought in session drummer Denny Weston who continued until mid-2012. Garred finally left the band in November,[37] with Alexis Nunez (formerly of Golden Silvers) joining in mid-2012 as The Kooks' new touring drummer before eventually becoming a full member.

Listen (2014–present)

Main article: Listen

On 20 April 2014 they released a new single titled "Down". Their new album, Listen, was released on 8 September 2014.[38] According to reports, singer Luke Pritchard and 25-year-old London-based hip hop producer Inflo share co-producing credits.[39] This is their first album with new drummer Alexis Nunez.[40] In an interview in July 2014, Pritchard stated that Listen includes more improvisation and found that “that kind of fearlessness when you make the first album kind of crept back in.”[39] Upon its release, the album debuted at No. 16 on the UK Albums Chart, then fell to No. 57 the week after, and the next week dropped off the chart.[41] A remix album for Listen, entitled Hello, What's Your Name?, was due to be released on 4 December 2015. It features remixes by Jack Beats, The Nextmen and Kove among others. The critical reception towards the album was mixed, but some of the reviews rated it as a "total fail both commercially and musically".

During the band's North America tour in mid-2015, Denton took two weeks of paternity leave to attend to the birth of his second son; Denny Weston, who was The Kooks' tour drummer prior to Nunez joining, filled in on bass.[42]

Musical style and influences

"It's just like an idea, like a chorus, and then we just jam on it – it happens in loads of different ways. The best songs I find always come from the subconscious, like when you don't think. Not to be pretentious about it, but usually songs just blurt out rather than thinking about it. I never write lyrics and then do a song, I find that really hard – that's like a real skill."

— Pritchard on The Kooks' song-writing[12]

Self-described "whores", The Kooks have drawn on a number of varied sources to create their indie rock sound. Listing The Rolling Stones, The Beatles, Bob Dylan and Chris de Burgh among their influences the band have gradually developed both their song writing style and musical presentation over the course of their three albums.[12]

The band's debut album Inside In/Inside Out was touted as a typical Britpop record, and was influenced by The Libertines, Thin Lizzy, The Police and containing elements of the 60s British pop movement.[2] Pritchard’s lyrical style was compared to that of a "younger, less pathetic version of Pete Doherty's mush-mouth style".[2] The band themselves felt the album was not consistent in its direction. "The first record was definitely genre-hopping. [...] The first album was finding its feet, it was gadabout", said Harris in an interview for The Sunday Business Post.[14]

On the follow-up Konk, the band attempted to find a more mature and polished sound. Drawing on a much wider choice of material for the album (about 80 to 90 new songs had been accumulated within the band's repertoire by this stage), the band began to incorporate more a hard-edged rock focus into their music.[43] Critics drew comparisons to the work of The Kinks throughout the album, it being recorded at the studio owned by Ray Davies.[44] Also noted were the band’s growing similarities in musical direction to The Fratellis and the Arctic Monkeys.[45] "I think we've made a dynamic album", Pritchard said. "Every song has its own character. It's a good pop album."[29]

The most recent album, Listen, includes much more percussion and cross rhythms than previous material.[46] Pritchard described the band's most recent album Listen as “percussion sonnets”.[46] “The first couple albums I made I never really thought about rhythms, I focused on the recording and the lyrics”, Pritchard said.[46]

Band members

Current members

Former members




Main article: The Kooks discography


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