Terry Waldo

Terry Waldo
Born (1944-11-26)November 26, 1944
Ironton, Ohio, U.S.
Origin New York City
Genres Ragtime, jazz
Occupation(s) Musician, composer
Instruments Piano
Years active 1963–present
Labels Delmark, Stomp Off, Waldo/Lee Music, Metronome, Musical Heritage Society
Website www.terrywaldo.com

Terry Waldo (born November 26, 1944, Ironton, Ohio) is an American pianist, composer, and historian of early jazz, blues, and stride music, and is best known for his contribution to ragtime and his role in reviving interest in this form, starting in the 1970s. Says Wynton Marsalis in his introduction to Waldo's book: "He teaches Ragtime, he talks about Ragtime, he plays it, he embodies it, he lives it, and he keeps Ragtime alive." [1] The book, This is Ragtime, published in 1976, grew out of the series of the same title that Waldo produced for NPR in 1974. Waldo is also a theatrical music director, producer, vocalist, and teacher. He is noted for his wit and humor in performance, as "a monologist in the dry, Middle Western tradition."[2] Eubie Blake describes his first impression of Waldo's performance thus: "I died laughing...that's one of the hardest things to do—make people laugh. Terry's ability to do this, combined with his musicianship, actually reminds me of Fats Waller."[3]

Early life

The Waldo family moved to Columbus, Ohio, when he was about five years old. His neighbor, John Baker, owned a large collection of jazz recordings, piano rolls,[4] and jazz films. Baker's film collection was eventually acquired by the American Jazz Museum in Kansas City, Missouri, and is considered one of the most extensive in the world.[5] As a child, Waldo listened to Spike Jones and Dixieland records, and became a record collector himself.

At around the age of eight he began studying classical piano. The formal lessons continued for three years; in a short time he moved from classical to jazz and ragtime. He also learned how to play trumpet, tuba, string bass, cello, tympani drums, banjo, and organ.

By 1961, he had organized his first band: The Fungus Five Plus Two ("our music grows on you"), which appeared on Ted Mack's Original Amateur Hour in 1963 after Waldo graduated from high school. In 1969 Waldo met Eubie Blake at the St. Louis Ragtime Festival. Blake became his mentor and lifelong friend. Waldo studied piano with Blake from 1971 through 1983, although Blake qualifies their arrangement: "Now, I'm not going to say I taught Terry how to play, because he already knew his stuff when I met him...He has become not only a fine musician, but an excellent entertainer." [6] Waldo also studied piano with Roland Hanna, Dick Wellstood, Jaki Byard, and Peter Howard.

Career

In 1963, Waldo began playing with Gene Mayl's Dixieland Rhythm Kings from Dayton, Ohio. Mayl's band was one of a few select hold-outs dotting the country from the traditional jazz revival of the 1940s. The twenty-year-old Waldo then appeared in New Orleans in 1964, playing with such notables as Kid Valentine and Johnny Wiggs. The Red Garter, home to various banjo bands, was one of his venues. In 1965 and 1966 he played in San Francisco at another Red Garter and at Earthquake Mcgoon's with West Coast jazz revival musicians. Waldo played with Turk Murphy's Jazz Band and studied with other prominent jazz musicians such as Pops Foster, Lu Watters, Wally Rose, and Clancy Hayes, while living in a room above Mcgoon's for one dollar per day.

Returning to Ohio, Waldo formed the Gutbucket Syncopators in 1969. This traditional jazz group included Frank Powers, Roy Tate, and Jim Snyder, among others. The Syncopators performed at festivals and clubs and made a number of recordings. This band attracted top musicians from Chicago and New York and featured such notable guest performers as Susan LaMarche, George Rock (of Spike Jones fame), Ruth Brisbane, and Edith Wilson.

Waldo went to New York City in the early 1970s, where he began playing at jazz clubs including The Cookery, The Village Gate, Hanratty's, and The Knickerbocker. Waldo's twenty-six part NPR series, This is Ragtime, aired in 1974 and helped fuel the 1970s ragtime revival. The book of the same title grew out of that series: first published in 1976, and subsequently republished in 1991 and 2009. Eubie Blake, who wrote the introduction, credits his protégé: "Terry's love of Ragtime goes back a long way, long before its 'rediscovery.' People then were always trying to talk him out of playing that 'corny old stuff.'"[7]

Waldo continued to support the music scene of his native Ohio, forming Waldo's Ragtime Orchestra in 1980. This group, composed largely of members of Columbus Jazz Arts Group, performed concerts and recorded two albums for Stomp Off Records, which were later reissued by the classical record labels Musical Heritage Society and Sine Qua Non.

In 1984, The Gotham City Jazz Band was born. The band remains active through the present day, having recorded several albums, and headlining regularly at festivals, concerts, and venues in New York City, including Michael's Pub, Symphony Space and The Museum of Modern Art. Peter Ecklund, Dan Barrett, Howard Alden, Eddy Davis, Brian Nalepka, Chuck Wilson, and Arnie Kinsella, longtime associates, are but a few of the many superlative jazz and ragtime musicians who have been part of the group in its many incarnations over the years. Notable guests of the band include Odetta, Leon Redbone, Maurice Hines, Susan La Marche, and Colleen Hawks.

To date, Waldo has produced and arranged more than 40 albums for many labels including Sony BMG, Blackbird, GHB, Stomp Off, Musical Heritage Society, Sine Qua Non, Metronome, and Delmark.

Television and film work include performances and compositions on The Tonight Show, the PBS documentary Storyville: The Naked Dance, and Ken Burns's PBS documentary, Unforgivable Blackness: The Rise and Fall of Jack Johnson. Waldo has also worked as a composer for a number of his own albums as well as others, including Leon Redbone. His TV work has included a year as music director, talent and producer for the two-way television operation Warner Qube in 1978.

His work in New York City theatre includes credits as Music Director for shows such as Mr. Jelly Lord (directed by Vernel Bagneris), Playwrights Horizons production of Heliotrope Bouquet (directed by Joe Morton), Ambassador Satch (directed by André DeShields), and Warren G (directed by Tom O'Horgan), the Off-Broadway production of Shake That Thing! and Waldo's 1927 Revue.

Waldo's work as a teacher began in Ohio at Denison University in the 1970s, with courses in jazz and ragtime history and in film, and continues to the present day with ragtime courses for Swing University for Jazz at Lincoln Center in 2009, and a course in early jazz piano styles in 2010.

Waldo's range of expertise (composing, arranging, writing, directing, and performing) has been evidenced across a wide spectrum of media and performing arts, as well as in his one-man shows: Eubie and Me, and The Naked Dance: The Music of Storyville. He continues to produce his own shows and recordings with his partner, Janice Lee, through Waldo/Lee Music Productions, Inc. Waldo/Lee recently provided production assistance for the latest revised edition of Waldo's book, This Is Ragtime for Jazz at Lincoln Center Library Editions, as well as reissuing the radio series of the same title made for NPR. The company is now developing a new Off-Broadway musical show for Waldo. Meanwhile, he continues a series of live performances in diverse venues including The Supreme Court, The Smithsonian Institution, The Kennedy Center, Carnegie Hall[8] (as a featured guest with the New York Pops) and The National Gallery of Arts in Washington.

Discography

References

  1. ↑ Marsalis "Introduction" This Is Ragtime xx.
  2. ↑ Wilson "Waldo Plays Ragtime" New York Times July 1, 1984.
  3. ↑ Blake "Foreword" This is Ragtime xxiii.
  4. ↑ "Columbus lawyer's rare historical videos displayed in Kansas City museum". The Columbus Dispatch. September 17, 2009.
  5. ↑ "Jazz museum opens up rare film footage". The Kansas City Star. September 14, 2009.
  6. ↑ Blake xxiii.
  7. ↑ Blake xxiv.
  8. ↑ Wilson, John S. (July 1, 1984). "TERRY WALDO PLAYS RAGTIME". The New York Times.

Bibliography

Further reading

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