Star-Crossed Lovers (film)

Königskinder
Directed by Frank Beyer
Produced by Hans Mahlich
Written by Edith and Walter Gorrish
Starring Annekathrin Bürger, Armin Mueller-Stahl
Music by Joachim Werzlau
Cinematography Günter Marczinkowsky
Edited by Hildegard Conrad
Production
company
Distributed by PROGRESS-Film Verleih
Release dates
 7 September 1962
Running time
 85 minutes
Country East Germany
Language German

Star-Crossed Lovers[1] (German: Königskinder, King's Children; also known as Invincible Love)[2] is a 1962 East German film directed by Frank Beyer.

Plot

Magdalena and Michael are two children from working-class families in Berlin, who have sworn to marry each other. When they grow older, after the Nazis rose to power, Michael is arrested for being a member of the Communist Party of Germany. Magdalena joins the underground party to continue his work. Jürgen, a friend of the two who is now a storm trooper, tries to convince her not to become a communist. During the Second World War, Michael is sent a penal battalion on the Eastern Front, where he meets Jürgen again as a commanding officer. Michael overpowers him, defects to the Red Army and returns to the battalion once more to convince the soldiers to surrender, thus saving their lives. He reaches Moscow, where he sees Magdalena board a plane. He tries to call out for her, but she does not hear him. They will never meet again.

Cast

Production

The work on Star-Crossed Lovers began even before the principal photography of Beyer's previous pictures, Five Cartridges, was completed.[3] Most of the crew of Five Cartridges, mainly writers Edith and Walter Gorrish, collaborated again to create the new picture, as well as actor Armin Mueller-Stahl. The producers employed the technique of a story board, which was pioneered by Beyer in his last film.[4] He also used several expressionist motiffs during the shooting, to recreate the atmosphere of Germany in the 1930s.[5]

Reception

Star-Crossed Lovers won Frank Beyer a special Medal of Honor in the 13th Karlovy Vary International Film Festival.[6]

Daniela Berghahn considered the picture as a "prominent example" to the DEFA films that "transgressed the aesthetic boundaries of Social Realism."[7] Axel Geiss wrote that the film was a representative of "DEFA's most important tradition: the dealing with the Nazi past."[8] Paul Cooke and Marc Silberman commented that the antifascist cause was shown by the picture to be ultimately more important than the romantic ideals.[9]

At 1985, the film was withdrawn from circulation by the DEFA Commission, after Armin Mueller-Stahl and other members of the crew emigrated to West Germany.[10]

References

  1. ↑ Official English-language title on DEFA Foundation's website.
  2. ↑ Königskinder on berlinale.de.
  3. ↑ Ingrid Poss. Spur der Filme: Zeitzeugen über die DEFA. ISBN 978-3-86153-401-3. p. 180.
  4. ↑ Frank Beyer. Wenn der Wind sich Dreht. ISBN 978-3-548-60218-9. pp. 102-103.
  5. ↑ Miera Liehm, Antonin J. Liehm. The Most Important Art: Soviet and Eastern European Film After 1945. ISBN 0-520-04128-3. p. 265.
  6. ↑ Königskinder on film-zeit.de.
  7. ↑ Daniela Berghahn. Hollywood behind the Wall: the cinema of East Germany. ISBN 978-0-7190-6172-1. p. 39.
  8. ↑ Axel Geiss. Zwischen Anspruch und Auftrag. Freie Universität Berlin (1997). OCLC 43472006.
  9. ↑ Paul Cooke, Marc Silberman. Screening War: Perspectives on German Suffering. ISBN 978-1-57113-437-0. p. 169.
  10. ↑ Copy of the Commission's protocol on filmportal.de.
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