Signals (Rush album)

Signals
Studio album by Rush
Released	September 9, 1982
Recorded	April–July 1982 at Le Studio, Morin Heights, Quebec
Genre	Hard rock, progressive rock
Length	43:12
Label	Anthem (Canada) Atlantic (Japan) Epic/Sony (Japan) Mercury
Producer	Rush, Terry Brown
Rush chronology
Exit...Stage Left (1981) Signals (1982) Grace Under Pressure (1984)
Singles from Signals
"New World Man" Released: 1982 "Subdivisions" Released: May 1982 "The Analog Kid" Released: 1982 "The Weapon" Released: 1982 "Countdown" Released: February 1983

Signals is the ninth studio album by Canadian rock band Rush, released in 1982. It was the follow-up to the successful Moving Pictures. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as synthesizers, sequencers, and electric violin. The album reached No. 10 on the Billboard album charts and was certified platinum (one million copies sold) by the RIAA in November 1982.^[1]

Writing and recording

The writing of the album began in 1981, during soundchecks on the Moving Pictures Tour, which they taped. Coincidentally, parts of "Chemistry" were written by the band at once while they were separated from each other. Geddy Lee wrote the keyboard melody for the bridge section, Alex Lifeson wrote the guitar riff for the verse and Neil Peart wrote the drum beat for the chorus, and in a move unusual for Rush, Lee and Lifeson came with the concept and title for the song and presented rough lyrics for Peart to polish. In April, in Orlando, Florida, the band attempted to watch a launch of the Space Shuttle Columbia. It was cancelled because of a computer malfunction, and they finally observed the launch a few days later for inspiration in writing "Countdown".

In September, at Le Studio, Quebec, Peart jammed with the road crew on a song, and was joined by Lee and Lifeson. It was recorded later and temporarily titled "Tough Break". Afterward, Peart wrote lyrics for the song, retitled "Subdivisions", while Lifeson and Lee came up with additional parts. Lee began experimenting with sequencers and drum machines while at home in Toronto, and came up with "The Weapon".

In January 1982, on a docked schooner in the Virgin Islands, Peart presented his lyrics for "The Analog Kid" to Lee and they both agreed that it would make a great up-tempo rocker, with a soft chorus. At Muskoka Lakes, Ontario in March at the Grange, "Digital Man" was put together and at Le Studio, the ska style bridge was created along with the sequencer pattern with the guitar and bass. Producer Terry Brown was not impressed and initially refused to record it. In May, the band set out to record a song that had a time limit of 3:57 to keep both sides of the record equal. The result, "New World Man", was written and recorded on the same day. In June, Ben Mink from the band FM was invited to play electric violin on "Losing It".^[2][3]

Signals represented the band's last collaboration with Brown, who had co-produced every Rush album since 1975's Fly by Night, and had engineered their eponymous first album in 1974.

Songs

	"Subdivisions" "Subdivisions" from Signals.
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The opening track from Signals is "Subdivisions", which has become one of Rush's live staples.

"The Analog Kid" and "Digital Man" served as the inspiration for writer Troy Hickman to create the comic book heroes of the same names in the 2004 comic Common Grounds.^[4]

The lyrics for "Chemistry" were written by all three band members. To date, it is the last time either Lee or Lifeson has written lyrics for a Rush song.

"Digital Man", a slightly reggae-based song, ultimately led to the end of the band's relationship with Brown. He was reluctant to leave behind the band's progressive rock past, while the band members, especially Lee, wanted to explore new musical directions. The instrumental break of the song has been compared with the song "Walking on the Moon" by the Police.^[5] The song was performed during the 2007 Snakes & Arrows Tour, marking the first time Rush performed it live in nearly 23 years.

"The Weapon" (Part II of the "Fear" series) would be featured in the album's supporting tour and would include a video opening hosted by Count Floyd of SCTV fame.

"New World Man" became a surprise hit single for the band, peaking at No. 21 on the Billboard Hot 100 singles chart for three weeks in October and November 1982. It is the band's highest charting single in the US, and the only one to have reached the top 40.

The lyrics for "Losing It" include references to the latter years of writer Ernest Hemingway: "for you the blind who once could see, the bell tolls for thee". The song was not played live until 2015, when it was performed at four concerts on the R40 Live Tour.

The lyrics in the final track, "Countdown", describe the launch of the Space Shuttle Columbia in 1981, which the band was present for. The song features samples of radio communications recorded before and during the flight. It was a minor UK chart hit in early 1983.

Critical reception

Professional ratings
Review scores
Source	Rating
AllMusic	[6]
Rolling Stone	[7]

AllMusic retrospectively praised the album, complimenting the band for not simply making Moving Pictures, Pt. II, continuing their exploration of the synthesizer and introducing more contemporary themes into the lyrics.^[6]

Track listing

All lyrics written by Neil Peart except where noted; all music composed by Alex Lifeson and Geddy Lee.

Personnel

Rush

• Geddy Lee – Vocals, Rickenbacker 4001 and Fender Jazz Bass, Minimoog, Oberheim OB-X and OB-Xa, Roland Jupiter-8, Moog Taurus pedals, Oberheim DSX and Roland TR-808
• Alex Lifeson – Fender Stratocaster electric guitars, Moog Taurus pedals, vocals
• Neil Peart – Tama drums, Avedis Zildjian cymbals, Wuhan China Type Cymbals, percussion

Additional personnel

• Ben Mink – Violin on "Losing It"

Production

• Arranged and produced by Rush and Terry Brown
• Engineered and mixed by Paul Northfield
• Mastered and remastered By Bob Ludwig
• Hugh Syme – artwork

Charts

Sales certifications

Singles

Remaster details

Mobile Fidelity Sound Lab issued a Gold CD remaster in 1994 that is currently out of print.^[10]

• In "The Weapon", one line of lyrics that appears on all other pressings is missing from the MFSL release (at 3:12). MFSL has stated that this was the case on the master delivered to them by the band.
• The ending of "New World Man" is a few seconds longer than the Mercury Records issues.
• The ending of "Digital Man" is significantly longer and contains lyrics not originally heard on the album version.

A Mercury Records remaster was issued in 1997.

• The tray has a picture of three fingerprints, light blue, pink, and lime green (left to right) with "The Rush Remasters" printed in all capital letters just to the left. All remasters from Moving Pictures through A Show of Hands feature this logo, originally found on the cover art of Retrospective II.
• Includes the infrared pictures of the band that were missing from the original CD issue.
• Includes the lyrics and credits.

Signals was remastered again in 2011 by Andy VanDette as part of the three-volume "Sector" box sets, which re-released all of Rush's albums recorded for Mercury. In addition to the standard audio CD, Signals was also included on an audio DVD in the Sector 3 set, remixed into 5.1 surround sound.^[11]

Signals was remastered for vinyl in 2015 by Sean Magee at Abbey Road Studios as a part of the official "12 Months of Rush" promotion.^[12] The high definition master prepared for this release was also made available for purchase in a 24-bit/48 kHz digital format at several high-resolution audio online music stores. These remasters have significantly less dynamic range compression than the 1997 remasters and the "Sector" remasters by Andy VanDette. Sean Magee remastered the audio from an analogue copy of the original digital master, using a 192 kHz sample rate. But since Signals was originally mixed on digital equipment at 16-bit/44.1 kHz, no audio above 22 kHz exists in the original digital master or any of the remasters, which is why many digital music stores are only selling the album at a maximum sample rate of 48 kHz.^[13]

References