Shmuel Yosef Agnon

Shmuel Yosef Agnon

Shmuel Yosef Agnon, 1945
Born Shmuel Yosef Halevi Czaczkes
(1888-07-17)July 17, 1888
Buczacz, Austrian Poland
(now Buchach, Ukraine)
Died February 17, 1970(1970-02-17) (aged 81)
Jerusalem, Israel
Resting place Mount of Olives Jewish Cemetery
Occupation writer
Language Hebrew
Nationality Israeli
Ethnicity Jewish
Genre Novels
Notable awards Nobel Prize in Literature
Spouse Esther Marx

Shmuel Yosef Agnon (Hebrew: שמואל יוסף עגנון) (July 17, 1888 – February 17, 1970)[1] was a Nobel Prize literature writer and was one of the central figures of modern Hebrew fiction. In Hebrew, he is known by the acronym Shai Agnon (ש"י עגנון). In English, his works are published under the name S. Y. Agnon.

Agnon was born in Polish Galicia, then part of the Austro-Hungarian Empire, and later immigrated to Mandatory Palestine, and died in Jerusalem, Israel.

His works deal with the conflict between the traditional Jewish life and language and the modern world. They also attempt to recapture the fading traditions of the European shtetl (village). In a wider context, he also contributed to broadening the characteristic conception of the narrator's role in literature. Agnon shared the Nobel Prize with the poet Nelly Sachs in 1966.


Buczacz, Agnon's hometown

Shmuel Yosef Halevi Czaczkes (later Agnon) was born in Buczacz (Polish spelling, pronounced Buchach) or Butschatsch (German spelling), Polish Galicia (then within the Austro-Hungarian Empire), now Buchach, Ukraine. Officially, his date of birth on the Hebrew calendar was 18 Av 5648 (July 26), but he always said his birthday was on the Jewish fast day of Tisha B'Av, the Ninth of Av.

His father. Shalom Mordechai Halevy, was ordained as a rabbi, but worked in the fur trade, and had many connections among the Hasidim, His mother's side had ties to the Mitnagdim.

He did not attend school and was schooled by his parents.[2] In addition to studying Jewish texts, Agnon studied writings of the Haskalah, and was also tutored in German. At the age of eight, he began to write in Hebrew and Yiddish, At the age of 15, he published his first poem – a Yiddish poem about the Kabbalist Joseph della Reina. He continued to write poems and stories in Hebrew and Yiddish, which were published in Galicia.

Literary career

Agnon's study

In 1908, he moved to Jaffa in Ottoman Palestine. The first story he published there was "Agunot" ("Forsaken Wives"), which appeared that same year in the journal Ha`omer. He used the pen name "Agnon," derived from the title of the story, which he adopted as his official surname in 1924. In 1910, "Forsaken Wives" was translated into German. In 1912, at the urging of Yosef Haim Brenner, he published a novella, "Vehaya Ha'akov Lemishor" ("The Crooked Shall Be Made Straight").

In 1913, Agnon moved to Germany, where he met Esther Marx (1889-1973). They married in 1920 and had two children. In Germany he lived in Berlin and Bad Homburg vor der Höhe (1921–24). Salman Schocken, a businessman and later also publisher, became his literary patron and freed him from financial worries. From 1931 on, his work was published by Schocken Books, and his short stories appeared regularly in the newspaper Haaretz, also owned by the Schocken family. In Germany, he continued to write short stories and collaborated with Martin Buber on an anthology of Hasidic stories. Many of his early books appeared in Buber's Jüdischer Verlag (Berlin). The mostly assimilated, secular German Jews, Buber and Franz Rosenzweig among them, considered Agnon to be a legitimate relic, being a religious man, familiar with Jewish scripture. Gershom Scholem called him "the Jews' Jew".[3]

In 1924, a fire broke out in his home, destroying his manuscripts and rare book collection. This traumatic event crops up occasionally in his stories. Later that year, Agnon returned to Palestine and settled with his family in the Jerusalem neighborhood of Talpiot. In 1929, his library was destroyed again during anti-Jewish riots.[4]

When his novel Hachnasat Kalla ("The Bridal Canopy") appeared in 1931 to great critical acclaim, Agnon's place in Hebrew literature was assured.[5] In 1935, he published "Sippur Pashut" ("A Simple Story"), a novella set in Buczacz at the end of the 19th century. Another novel, "Tmol Shilshom" ("Only Yesterday"), set in Eretz Yisrael (Israel) of the early 20th century, appeared in 1945.

Literary themes and influences

Agnon's writing has been the subject of extensive academic research. Many leading scholars of Hebrew literature have published books and papers on his work, among them Baruch Kurzweil, Dov Sadan, Nitza Ben-Dov, Dan Miron, and Dan Laor. Agnon writes about Jewish life, but with his own unique perspective and special touch. In his Nobel acceptance speech, Agnon claimed "Some see in my books the influences of authors whose names, in my ignorance, I have not even heard, while others see the influences of poets whose names I have heard but whose writings I have not read." He went on to detail that his primary influences were the stories of the Bible.[6] Agnon acknowledged that he was also influenced by German literature and culture, and European literature in general, which he read in German translation. A collection of essays on this subject, edited in part by Hillel Weiss, with contributions from Israeli and German scholars, was published in 2010: Agnon and Germany: The Presence of the German World in the Writings of S.Y. Agnon. The budding Hebrew literature also influenced his works, notably that of his friend, Yosef Haim Brenner. In Germany, Agnon also spent time with the Hebraists Hayim Nahman Bialik and Ahad Ha'am.

The communities he passed through in his life are reflected in his works:

Nitza Ben-Dov writes about Agnon's use of allusiveness, free-association and imaginative dream-sequences, and discusses how seemingly inconsequential events and thoughts determine the lives of his characters.[7]

Some of Agnon's works, such as The Bridal Canopy, And the Crooked Shall Be Made Straight, and The Doctor's Divorce, have been adapted for theatre. A play based on Agnon's letters to his wife, "Esterlein Yakirati", was performed at the Khan Theater in Jerusalem.


Agnon's writing often used words and phrases that differed from what would become established modern Hebrew. His distinct language is based on traditional Jewish sources, such as the Torah and the Prophets, Midrashic literature, the Mishnah, and other Rabbinic literature. Some examples include:

Bar-Ilan University has made a computerized concordance of his works in order to study his language.

Awards and critical acclaim

Agnon (left), receiving the Nobel Prize, 1966

Agnon was twice awarded the Bialik Prize for literature (1934[8] and 1950[8][9]). He was also twice awarded the Israel Prize, for literature (1954[10] and 1958[11]).

In 1966, he was awarded the Nobel Prize in Literature "for his profoundly characteristic narrative art with motifs from the life of the Jewish people".[12] The prize was shared with German Jewish author Nelly Sachs. In his speech at the award ceremony, Agnon introduced himself in Hebrew: "As a result of the historic catastrophe in which Titus of Rome destroyed Jerusalem and Israel was exiled from its land, I was born in one of the cities of the Exile. But always I regarded myself as one who was born in Jerusalem".[13]

In later years, Agnon's fame was such that when he complained to the municipality that traffic noise near his home was disturbing his work, the city closed the street to cars and posted a sign that read: "No entry to all vehicles, writer at work!"[14]

Death and legacy

Shmuel Yosef Agnon Memorial in Bad Homburg, Germany
First day cover for Ukrainian commemorative stamp
Agnon featured on the fifty-shekel bill, second series
Exposition in Bouchach museum

Agnon died in Jerusalem on February 17, 1970. His daughter, Emuna Yaron, has continued to publish his work posthumously. Agnon's archive was transferred by the family to the National Library in Jerusalem. His home in Talpiot, built in 1931 in the Bauhaus style, was turned into a museum, Beit Agnon.[15] The study where he wrote many of his works was preserved intact.[16] Agnon's image, with a list of his works and his Nobel Prize acceptance speech, appeared on the fifty-shekel bill, second series, in circulation from 1985 to 2014. The main street in Jerusalem's Givat Oranim neighborhood is called Sderot Shai Agnon, and a synagogue in Talpiot, a few blocks from his home, is named after him. Agnon is also memorialized in Buchach, now in Ukraine, where he was born. There is an extensive (relative to the size of the museum) exhibition in the Historical Museum in Buchach and, just a few yards away, a bust of Agnon is mounted on a pedestal in a plaza across the street from the house where he lived. The house itself is preserved and marked as the home where Agnon lived from birth till the age of (approximately) 19; the street that runs in front of the house is named "Agnon Street" (in Ukrainian).

Agnotherapy is a method developed in Israel to help elderly people express their feelings.[17]

Beit Agnon

After Agnon's death, the former mayor of Jerusalem Mordechai Ish-Shalom initiated the opening of his home to the public. In the early 1980s, the kitchen and family dining room were turned into a lecture and conference hall, and literary and cultural evenings were held there. In 2005, the Agnon House Association in Jerusalem renovated the building, which reopened in January 2009. The house was designed by the German-Jewish architect Fritz Korenberg, who was also his neighbor.[4]

Published works

Novels and novellas

Short stories

English translations


Posthumous publications

In 1977 the Hebrew University published Yiddish Works, a collection of stories and poems that Agnon wrote in Yiddish during 1903–1906.

See also


  1. Laor, Dan, Agnon's Life, Tel Aviv, Schocken, 1998 [Hebrew]; Falk, Avner, "Agnon and Psychoanalysis," Iton 77, No. 156, pp. 28–39, 1993 [Hebrew]. Also see Arnold Band, "Shai Agnon by Dan Laor", AJS Review, Vol. 35 (2011), pp. 206—208. Band says that Agnon invented the commonly cited date July 17, 1888 in the 1920s.
  2. Agnon bio.
  3. Weiss, Hillel, et al., (2010). Agnon and Germany: The Presence of the German World in the Writings of S.Y. Agnon. Bar Ilan University. p. 8.
  4. 1 2 "Beit Agnon". Retrieved September 1, 2011.
  5. Fisch, Harold (Autumn 1970). "The Dreaming Narrator in S. Y. Agnon". Novel: A Forum on Fiction. Duke University Press. 4 (1): 49–68. doi:10.2307/1345251. JSTOR 1345251.
  6. "Nobel Speech". December 10, 1966. Retrieved September 1, 2011.
  7. Nitza Ben-Dov. Agnon's art of indirection: Uncovering latent content in the fiction of S.Y Agnon. Retrieved September 1, 2011.
  8. 1 2 "Biography of Shmuel Yosef Agnon".
  9. "List of Bialik Prize recipients 1933–2004 (in Hebrew), Tel Aviv Municipality website" (PDF). – which omits the award in 1934
  10. "Israel Prize recipients in 1954 (in Hebrew)". Israel Prize Official Site. Archived from the original on February 11, 2010.
  11. "Israel Prize recipients in 1958 (in Hebrew)". Israel Prize Official Site. Archived from the original on January 17, 2010.
  12. "Nobel Prize in Literature 1966". Nobel Foundation. Retrieved October 17, 2008.
  13. Horst Frenz, ed. Nobel Lectures, Literature 1901–1967. Amsterdam: Elsevier Publishing Company, 1969. Nobel Prize acceptance speech
  14. Mintz, Alan, et al., Introduction to A Book That Was Lost, pp. 29
  15. "About section". Agnon House Website.
  16. A little modesty goes a long way
  17. Therapy through S.Y. Agnon stories helps the elderly face their realities


  • Arnold J. Band, Nostalgia and nightmare : a study in the fiction of S.Y. Agnon, Berkeley and Los Angeles : University of California Press, 1968.
  • Gershon Shaked, Shmuel Yosef Agnon: A Revolutionary Traditionalist. New York University Press, 1989.
  • Anne Golomb Hoffman, Between Exile and Return: S.Y. Agnon and the Drama of Writing, New York: SUNY, 1991. ISBN 0-7914-0541-9.
  • Nitza Ben-Dov, Agnon's art of indirection: Uncovering latent content in the fiction of S.Y Agnon, Brill, (Leiden). 1993. ISBN 90-04-09863-1.
  • Amos Oz, The Silence of Heaven: Agnon's Fear of God, Princeton University Press, 2000.
  • Abramson, Glenda (2008). Hebrew Writing of the First World War. Valentine Mitchell. 
  • Yaniv Hagbi, Language, Absence, Play: Judaism and Superstructuralism in the Poetics of S. Y. Agnon, Syracuse: Syracuse University Press, 2009.
  • Ilana Pardes, Agnon's Moonstruck Lovers: The Song of Songs in Israeli Culture, Seattle: University of Washington Press, 2013.
  • Ahuva Feldman, "Consciousness of time and mission in S. Y. Agnon's Shira. Hebrew Studies 50 (2009) 339-381.
  • Marc Bernstein, Midrash and marginality: The Agunot of S. Y. Agnon and Devorah Baron. Hebrew Studies 42:7-58.
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