Samson Kambalu

Samson Kambalu (born 1975) is a Malawi-born, London-based artist and author, who trained as a fine artist and ethnomusicologist at the University of Malawi's Chancellor College.

Life and work

Kambalu was born in Malawi, where he attended Kamuzu Academy, the so-called "Eton of Africa".[1] He graduated from the University of Malawi's Chancellor College, Zomba in 1999. Kambalu completed his MA in Fine Art at Nottingham Trent University in 2003 and wrote his PhD at Chelsea College of Art and Design, looking at how the problematic of the gift and the general economy animates various aspects of his art practice.[2]

Kambalu's work, which references Situationism and the Chewa Nyau culture of his native Malawi,[3][4] manifests in various media, from drawing, painting, installation, video to literature and performance.[5]

One of his most well known artworks is Holy Ball, a football plastered in pages of the Bible.[6] Kambalu held an exhibition of 24 "Holy Balls" at Chancellor College in 2000 at which he invited the visitors to “exercise and exorcise”.[7] He has since shown his work internationally.[8] In 2015 he was included in Okwui Enwezor's All the World's Futures at the 56th Venice Biennale.[9] In November 2015 a judge in Venice dismissed a complaint[10] filed by the Italian situationist Gianfranco Sanguinetti against the Venice Biennale and Kambalu with regard to one of his installations, Sanguinetti Breakout Area.[11]

Kambalu's Nyau Cinema is a series of short film clips of psychogeographical performances, shared as interventions on social networking sites and as installations in galleries.[12] These have been described as "cinematic fragments that blend slapstick and spiritual ritual".[13]

His first book, an autobiographical narrative entitled The Jive Talker or How to Get a British Passport, was published by Jonathan Cape (Random House) in July 2008, and in August 2008 by Free Press (Simon & Schuster).[14] His second novel, Uccello's Vineyard, published in 2012,[15] is in The Book Lovers, a collection of artist novels at the Museum of Contemporary Art in Antwerp.[16]

Kambalu is represented by Kate MacGarry in London.[17]

Exhibitions

Selected solo exhibitions

Selected group exhibitions

Bibliography

Books

Articles

Residencies, fellowships and awards

Notes and references

  1. Kamuzu Academy
  2. Chelsea College of Arts blog: interview with Samson Kambalu
  3. Aloisia Leopardi, Game Changers: Samson Kambalu and his idea of play in art and life, Griot, 31 March 2016
  4. Roxana Azimi, L’Afrique à Venise (3) : sombres et majestueux « futurs » d’Okwui Enwezor, Le Monde, 7 May 2015
  5. Blouin ArtInfo art listing
  6. Massa Lemu, Play and the Profane in Samson Kambalu's Holyballs, Holyballism and (Bookworm) The Fall of Man
  7. Virtual Museum of Contemporary African Art
  8. Kate MacGarry: Samson Kambalu biography
  9. Biennale Arte 2015: Samson Kambalu
  10. Raffaella Pelligrino, "Gianfranco Sanguinetti contro la Biennale di Venezia", Artribune, 28 December 2015
  11. Roxana Azimi, "L’écrivain italien Sanguinetti porte plainte contre la Biennale de Venise", Le Monde, 19 October 2015
  12. Eric Loret, "Samson Kambalu, souverain du cinéma «nyau»", Cafe des Images, 8 September 2015
  13. Louisa Buck, "Venice Biennale: highlights and best of the rest", The Telegraph, 29 May 2015
  14. Bookforum Review
  15. Uccello's Vineyard by Samson Kambalu
  16. M HKA Ensembles: Uccello's Vineyard
  17. SAMSON KAMBALU – Kate MacGarry
  18. Liverpool Biennial 2016: Samson Kambalu
  19. L’exposition internationale
  20. Thuli Gamedze, Giving renewed attention to old voices?, Arthrob, 1 February 2016
  21. La Biennale di Venezia: Artists: Samson Kambalu
  22. Sean O'Toole, Africa from afar, Contemporary And, 29 May 2015
  23. New Contemporaries 2014
  24. Art in Culture, June 2015
  25. Entering the Arena, Contemporary And, 11 June 2015
  26. Tate: Viewpoint: Samson Kambalu

External links

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