Roger de La Fresnaye
|Roger de La Fresnaye|
Self portrait, c. 1906
11 July 1885|
Le Mans, France
27 November 1925 40) (aged|
Early years and education
La Fresnaye was born in Le Mans where his father, an officer in the French army, was temporarily stationed. The La Fresnayes were an aristocratic family whose ancestral home, the Château de La Fresnaye, is in Falaise. His education was classically based, and was followed from 1903 to 1904 by studies at the Académie Julian in Paris, and from 1904 to 1908 at the École des Beaux-Arts. From 1908 he studied at the Académie Ranson under Maurice Denis and Paul Sérusier, whose joint influence is evident in early works such as Woman with Chrysanthemums, 1909. This demonstrates the dreamlike symbolist ambience and stylistic character of work by the Les Nabis group.
From 1912 to 1914 La Fresnaye was a member of the Section d'Or group of artists, and his work demonstrates an individual response to cubism. He was influenced by Georges Braque and Pablo Picasso, but his work has a more decorative than structural feel and his prismatic colours reflect the influence of Robert Delaunay. He was a member of the Puteaux Group, an orphist offshoot of cubism led by Jacques Villon. His most famous work is The Conquest of the Air, 1913, which depicts himself and his brother outdoors with a balloon in the background.
La Fresnaye enlisted in the French army in World War I but contracted tuberculosis and was discharged in 1918. His health deteriorated rapidly after the war. He never recovered the physical energy to undertake sustained work. In the later paintings that he did create, he abandoned cubist spatial analysis for a more linear style. He ceased painting in 1922 but continued to draw. De la Fresnaye died in Grasse in 1925 at the age of 40.
- Self Portrait, ca. 1908-09
- L'Homme barbu assis, circa 1909, Musée d'art moderne de Troyes
- Deux nus dans un paysage, 1910, MNAM, Centre Georges Pompidou, Paris
- Nu debout de face, 1910–11, Musée d'art moderne de Troyes
- Cuirassier, 1912, Musée des Beaux-Arts, Lyon
- Artillery, 1911, Metropolitan Museum of Art, New York
- Jeanne d'Arc, 1912, Musée d'art moderne de Troyes
- The Bathers (Les Baigneuses), 1912, National Gallery of Art, Washington DC.
- La conquete de l'air, 1913, Musée d'art moderne de Troyes
- The Conquest of the Air, 1913, Museum of Modern Art, New York
- Homme assis, 1914, Musée des Beaux-Arts de Rouen
- La table Louis-Philippe, 1922, Musée d'art moderne de Troyes
- Random House Dictionary: "la fresnaye."
- "Roger de La Fresnaye", Oxford Art Online
- Germain Seligman: Roger de La Fresnaye, Thames & Hudson Ltd (1969) ISBN 0-500-09052-1
- Tom Slevin: '"The Catastrophe of my Existence": Facing Death in Roger de La Fresnaye's Self-Portraiture' (Angelaki: Journal of Theoretical Humanities, Vol. 16 No.1, 2011)
See article by Niccolo Caldararo on research concerning the paintings by de la Fresnaye, especially one owned by George de Batz, "The Mysterious Case of an Art Collector Extraordinary Found by Examination of a Painting," e_conservation, the online magazine, No. 4, April 2008, pp. 52-68/94.
- Artcyclopedia - Links to Fresnaye's works
- Roger de La Fresnaye in American public collections, on the French Sculpture Census website
|Wikimedia Commons has media related to Roger-Noël-François de La Fresnaye.|