River (TV series)

River

River title card
Genre Drama
Created by Abi Morgan
Written by Abi Morgan
Starring
Composer(s) Harry Escott
Country of origin United Kingdom
Original language(s) English
No. of series 1
No. of episodes 6
Production
Executive producer(s)
  • Jane Featherstone
  • Manda Levin
  • Abi Morgan
  • Lucy Richer
Producer(s) Chris Carey
Running time 54–58 minutes
Production company(s) Kudos
Distributor Shine International
Release
Original network BBC One
Picture format 16:9 1080i
Original release 13 October (2015-10-13) – 17 November 2015 (2015-11-17)
External links
Website
Production website

River is a six-part British television drama series, created and written by Abi Morgan[1] and starring Stellan Skarsgård and Nicola Walker. It premiered on BBC One on 13 October 2015, and internationally on Netflix on 18 November 2015.[2]

Cast

Production

The series was commissioned by Charlotte Moore and Ben Stephenson.[7] The executive producers are Jane Featherstone, Manda Levin, Abi Morgan and Lucy Richer. Filming began in London in October 2014.[6] The series was made by Kudos and will be distributed globally by Shine International.[8] Vicki Power of The Daily Express reported Skarsgård saying of his role as DI River, "There’s not much research you can do because his condition doesn’t really exist as we know it. […] It’s a combination of problems, because he’s not like people who hear voices – they’re usually schizophrenic and lack empathy and he does not. But it doesn’t make it less truthful. What attracted me to the script is that it didn’t look like any other script I’ve ever read."[9] Power added, "The series is the brainchild of Emmy-winner Abi Morgan, who wrote The Hour and The Iron Lady. Abi freely admits she nicked the idea from the late Anthony Minghella, who directed the 1990 fantasy film Truly, Madly, Deeply, in which a grieving woman’s (Juliet Stevenson) dead boyfriend appears to come back to life".[9]

Describing how she addressed the subject of living with voices in your head, as River does, Morgan told the BBC, "I know from myself, I talk out loud. I've got children and they say to me 'mummy, you talk to yourself all the time'. I realised how much I do have other people in my head and what a comfort they are to me. It's not just about those who experience voices through mental health, it's the voices we carry from our past, our future or experiences, that we manifest and I hope that's something that an audience will identify with".[10]

Talking about recording the scenes involving manifests, Skarsgård said: "How we practically do it is we usually shoot the scene first with the actor who plays the manifest and then we shoot the same scene exactly the same way but without anybody there. It looks fantastic, because you walk around, you gesture and talk to somebody that isn't there and it's quite interesting visually. To me, I'm the kind of actor who doesn't want to act towards a mark beside the camera; I want the real actor to be there, and I feed so much off the other actors. So it's very unnatural to me to do it, but since we always do the scene with the actor first I have a very clear memory and then we do it with the real actor saying the lines, so I still get a response and it becomes more like playing a game of ping pong”.[11]

Episodes

No.TitleDirected byWritten byOriginal air dateUK viewers
(millions)
1"Episode 1"Richard LaxtonAbi Morgan13 October 2015 (2015-10-13)3.88[12]
Detective Inspector John River is haunted by visions of his recently murdered colleague, Detective Sergeant Jackie 'Stevie' Stevenson. He continues in his attempts to find her killer although excluded from the case on the grounds of his proximity to the events surrounding it. River is told that he must undergo psychiatric evaluation, and his commanding officer makes it clear that he expects him to fail it. Meanwhile, River pursues a potential suspect who falls to his death and he is subsequently placed under increasing pressure from the media. Simultaneously, he faces demands from the mother of a missing teenager to find her daughter’s body.
2"Episode 2"Richard LaxtonAbi Morgan20 October 2015 (2015-10-20)2.67[12]
At Stevie’s wake, River has to deal with her brother Jimmy and other family members. Stevie had been estranged from them for many years because she had given crucial evidence in court against Jimmy, which resulted in a lengthy prison sentence for murder. Her subsequent decision to join the police had further deepened the rift with her family. River is assaulted by the pregnant girlfriend of the man he had chased to his death. River has begun to doubt the man’s guilt. Stevie had a second mobile phone. DNA evidence showed that she had previously been a passenger in the car driven by her killer. River and the pregnant woman begin to trust each other and he examines the history of the killer’s car.
3"Episode 3"Tim FywellAbi Morgan27 October 2015 (2015-10-27)N/A
River clashes with his new partner Ira, who wants to disclose the discovery of Stevie's second mobile phone to their superiors. River agrees to do so, but makes it clear that he wants to personally pursue the leads the phone has provided first. Simultaneously, he and Ira investigate the serious injury of a construction site's foreman in a suspicious workplace accident. To his surprise, River finds that the psychiatric report which was commissioned by his commanding officers following Stevie's death has concluded that he is fit to continue working.
4"Episode 4"[13]Tim FywellAbi Morgan3 November 2015 (2015-11-03)N/A
River investigates Stevie's relationship with a worker at a kebab shop, and has concerns about his perception of her private life. He and Ira spend an evening working at Read's home. River makes a surprising discovery—one of the people Stevie called from her second mobile phone on the night of her death is Read's husband. River attends a group run by Rosa for people who hear voices.
5"Episode 5"[14]Jessica HobbsAbi Morgan10 November 2015 (2015-11-10)N/A
River and Ira investigate the murder of kebab shop worker Haider Jamal Abdi in a public library. They focus on both a cleaner, who was captured on CCTV but who doesn’t appear on the books of the library's cleaning contractor, as well as on the lawyer who represented Haider at an immigration tribunal. Their findings lead them to a possible understanding of what Stevie herself may have been investigating, and which might have led to her death.
6"Episode 6"[15]Jessica HobbsAbi Morgan17 November 2015 (2015-11-17)N/A
River and Ira continue to follow the leads resulting from Stevie's earlier personal investigations. She had been examining both how undocumented migrants were able to easily obtain official immigration status and how they were then exploited by particular businesses. They find a connection between these companies, as well as evidence of corruption, but River also uncovers major secrets concerning Stevie's private life. He resolves to find her killer, despite knowing that in doing so he will lose her forever.

Critical reception

After the first episode, Sam Wollaston wrote in The Guardian, "Stevie’s not the only person haunting him (ghosts, or whatever – he calls them 'manifests'). Mondeo man (who may have been involved in Stevie's murder or may just be a drug dealer) turns up at a press conference. A tragic girl – a modern-day Juliet Capulet – whose disappearance River is working on, turns up around the copper's flat. 'How do you let go of a person if you don’t know why they've gone?' the girl's mother asks River. This, you suspect, is the key to why these people aren’t properly leaving when they die." Finding River to be "Kinda Wallander meets Sixth Sense." Wollaston added, "It's more than just crime drama – it's about personal tragedy, demons; it's a study of loss and grief (which it shares with the greatest Nordic noir of them all: the first series of The Killing). It's also a study of that – killing – and why people do it. And why they did it – Mr Cream brings a historical perspective to it. And Abi Morgan, the creator of the series, brings a characteristic humanness to it all; it's as much about who the people are as about what they do to each other. Good enough for me."[16]

The first episode also impressed The Daily Telegraph's Tim Martin, who gave it a full five stars in his review and called it "superlatively creepy TV" and "a dense and thoughtful police procedural". Martin found that, "Much of the credit also belongs to Skarsgård […] His performance here was a revelation, switching in seconds from remoteness to fury, from twinkling avuncularity to withering scorn – and the emotional punch at the end of this episode, when River finally admitted the extent of his psychological distress, was the most moving thing I've seen on television for some time. Then he went home to find a dead man sitting on his bed. Personally, I can't wait for next week."[17]

And Daisy Wyatt, in The Independent, found, "This one is slightly different from the likes of Broadchurch and The Missing. It is still well-written and shot beautifully, but the criminal investigation is not the crux of the drama. River's mind becomes the crime scene as he struggles with psychotic hallucinations – or 'manifests' as he calls them – of past victims, namely colleague Detective Jackie 'Stevie' Stevenson, played by Walker". Wyatt found the lead character, River, to "[cut] a relentlessly sullen figure with his big, puffy face. He is so emotionally distant that it's hard to even begin to feel sorry for him", adding, "It's not quite clear what brought the Swedish officer to London. Perhaps it was the chance to fill his Scandi-chic flat with Seventies knock-backs from vintage shops in Brick Lane ... there might be more than meets the glazed-over eyes to this solemn character after all."[18]

Reviewing Episode Two for The Daily Telegraph, Gerard O'Donovan gave it 4 out of 5 stars, saying, "Two episodes in, River (BBC Two) is proving a most intriguing piece of television. It takes the shape – and tropes – of a standard police drama yet appears to be expanding, flowing even, into something quite different". He noted that, "Detective John River may not be the most original of characters, emerging as a composite of TV cop stereotypes: a white, middle aged, lonely, retro-styled, music-loving, disgruntled policeman out of kilter with everyone around him", but found that this was redeemed by the "extraordinarily expressive Stellan Skarsgård, a man with a face like sun-softened butter who can switch from dark depression to humour-laden empathy with just the twitch of an eyelid." O'Donovan also praised the screenwriting, finding that, "Abi Morgan's well-honed script kept the pace high and maintained the constant sense of dislocation with moments of deliberately overwrought dialogue and action that suddenly downshifted into hard-as-rock reality," before concluding that, "River – so far at least […] offers a richer emotional landscape than most crime drama on TV."[19]

The final episode earned a five-star review from The Daily Telegraph's Michael Hogan, who noted that, "Skarsgård delivered a powerhouse performance: sad and soulful in one scene, sardonically spiky and manically energetic in the next. With his craggy face and crumpled demeanour, the haunted detective has prowled the streets of east London like a wounded bear, pawing at thin air as he pursued his prey". Hogan praised the production, writing: "This series was beautifully written by Abi Morgan, stylishly directed, and most of all, superbly acted. The quieter, less showy supporting players also shone. Not just stalwarts such as Lesley Manville, Eddie Marsan, Jim Norton, Sorcha Cusack and Michael Maloney, but fresher faces: Adeel Akhtar as River's endlessly patient sidekick and Georgina Rich as his psychiatrist," before adding that, "With its illegal immigration subplot, it has proved timely too". He concluded by saying, "I'm torn between wanting River to get recommissioned […] and wanting this series to stand alone as six near-perfect episodes. Creepy yet ultimately uplifting, River stands alongside London Spy, Humans and Wolf Hall as one of the year's best home-grown TV dramas. If it was Scandinavian like its star, the box-set brigade would be falling over themselves to heap praise upon it. The fact that it was British-made shouldn’t mean we overlook its brilliance. As this climax reminded us, close to home is often the answer."[20]

References

  1. "Abi Morgan to pen new detective series for BBC". The Daily Telegraph. 24 September 2013. Retrieved 25 January 2014.
  2. "Netflix Acquires BBC's 'River' Starring Stellan Skarsgård". Deadline.com. 13 October 2015. Retrieved 14 October 2015.
  3. "BBC One River, Episode 1: Credits". BBC. Retrieved 13 October 2015.
  4. Jeffery, Morgan (28 February 2014). "Stellan Skarsgård to star in BBC One crime drama from The Hour creator". Digital Spy. Retrieved 28 February 2014.
  5. "Skarsgård gör brittisk deckarserie". Svenska Dagbladet. 28 February 2014. Retrieved 28 February 2014.
  6. 1 2 "Production starts on BBC One's River starring Stellan Skarsgard". BBC. 6 October 2014. Retrieved 27 March 2015.
  7. "BBC One announces brand-new drama series RIVER, by Emmy award-winning writer Abi Morgan". BBC. 24 September 2013. Retrieved 25 January 2014.
  8. White, Peter (24 September 2013). "BBC1 orders Abi Morgan crime series". Broadcast Now. Retrieved 25 January 2014.
  9. 1 2 Power, Vicki (10 October 2015). "Mamma Mia! star Stellan Skarsgård on playing a TV cop: I was really yearning for this role". Daily Express. London. Retrieved 27 November 2015.
  10. "Writing 'River' for BBC One". BBC. 13 October 2015. Retrieved 29 November 2015.
  11. "River" (PDF). BBC. Retrieved 29 November 2015.
  12. 1 2 "Weekly Top 30s". Broadcasters' Audience Research Board.
  13. "BBC One - River, Episode 4". BBC. Retrieved 26 October 2015.
  14. "BBC One - River, Episode 5". BBC. Retrieved 3 November 2015.
  15. "BBC One - River, Episode 6". BBC. Retrieved 8 November 2015.
  16. Wollaston, Sam (13 October 2015). "River review – pairing personal demons with a peculiar police partnership". The Guardian. London. Retrieved 13 October 2015.
  17. Martin, Tim (13 October 2015). "River, review: 'superlatively creepy'". The Daily Telegraph. London. Retrieved 11 November 2015.
  18. Wyatt, Daisy (13 October 2015). "River, BBC1 - TV review: It's hard to feel sorry for Stellan Skarsgard's Scandi-chic police officer". The Independent. Retrieved 13 October 2015.
  19. O'Donovan, Gerard (20 October 2015). "River, episode two, review: 'a superb central performance'". The Daily Telegraph. London. Retrieved 3 November 2015.
  20. Hogan, Michael (17 November 2015). "River, episode six, review: 'one of the year's best home-grown TV dramas'". The Daily Telegraph. London. Retrieved 17 November 2015.
This article is issued from Wikipedia - version of the 9/30/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.