Raymond Wilson Chambers

Not to be confused with Robert William Chambers.
Portrait of Raymond Wilson Chambers by Walter Stoneman, 1933

Raymond Wilson Chambers (12 November 1874 23 April 1942) was a British literary scholar, author, and academic; throughout his career he was associated with University College London (UCL).


Chambers was educated at University College, studying under such eminent scholars as W.P. Ker and A. E. Housman; he was Librarian at that institution from 1901 to 1922, and Assistant Professor in the English Department, 1904-14. He served in World War I, with the Red Cross in France, and in Belgium with the YMCA/B.E.F. Chambers became Quain Professor of English at UCL in 1922. Chambers wrote on a wide variety of subjects relating to English literature, history, and culture; notably, he worked on the Shakespearean additions to the play Sir Thomas More, with Alfred W. Pollard and other scholars. His acclaimed 1935 biography, Thomas More, was awarded the James Tait Black Memorial Prize.

Chambers and Tolkien

Chambers was a friend of J.R.R. Tolkien and their careers parallel each other at many points: both were Catholics (Tolkien a Roman and Chambers an Anglo-Catholic[1]), scholars of Old English literature, both experienced the horrors of trench warfare in World War I (Chambers was too old to be an enlisted man, however), and both wrote influentially on Beowulf (Chambers' writings were one of the inspirations for Tolkien's "Beowulf: The Monsters and the Critics"). Thomas Shippey described Chambers as "a patron and supporter of Tolkien in his early years."[2]

John Garth writes that the title of The Book of Lost Tales "recalls R.W. Chambers’ reference 'to the lost Tale of Wade,'" in a chapter of his study of the Old English poem Widsith that focuses on the old sea-legends of the ancient Germanic tribes of the north-western European coastlands (and which also deals with Éarendel). Chambers criticized the Romans for disdaining the Germanic peoples and failing to record their songs and tales, and laments the fact that, despite King Alfred’s love for the old lays, the Anglo Saxons wrote too few of them down: "‘So this world of high-spirited, chivalrous song has passed away,’ says Chambers. ‘It is our duty then to gather up reverently such fragments of the old Teutonic epic as fortune has preserved in our English tongue and to learn from them all we can of that collection of stories of which these fragments are the earliest vernacular record.’"[3][4] This passage suggests that Chambers' work had inspired the broad outlines of Tolkien’s original project—the piecing together of a mythology for England.

Selected Chambers works

See also


  1. “Housman once complained to [Arthur] Platt that I had an unfair advantage over him in these bouts, because, as a member of the Church of England, I could treat the Almighty with an irreverence that would be resented in him, a professing Atheist.” Man’s Unconquerable Mind, p. 377.
  2. Shippey, p. 62.
  3. Garth, p.229
  4. Chambers, 1912, p 3-4.


This article is issued from Wikipedia - version of the 9/17/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.