Pseudo-Jacquemart

The Pseudo-Jacquemart was an anonymous master illuminator active in Paris and Bourges between 1380 and 1415. He owed his name to his close collaboration with painter Jacquemart de Hesdin.

Biographical and stylistic elements

The artist designated under the name Pseudo-Jacquemart was a French painter perhaps of Flemish origin. It is Millard Meiss who, for the first time, distinguished his work from the works of Jacquemart de Hesdin. He worked essentially in the service of John, Duke of Berry, in the shadow of the great illuminators whom the Duke of Berry employed: besides Jacquemart, Jean Pucelle or the Limbourg brothers at the end of his career, from whom he borrowed his style. He generally realized for them the decorations annexed to miniatures: marginal scenes, small miniatures of calendar or initials.[1][2] In parallel, he also worked for other anonymous sponsors for whom he realized books of hours, collaborating with other Parisian painters.[3]

For Meiss, the style of the anonymous master is a purely servile imitation of the great painters he served. Other art historians have distinguished, from a more theatrical sense of composition than from his master, a more assured stroke and a more intense palette of colors.[2]

He is sometimes identified with Jean Petit, brother-in-law of Jacquemart de Hesdin himself. In the texts, the two painters are mentioned in the decoration of the Palace of Poitiers at the request of John, Duke of Berry. On this occasion, in January 1398, another painter named Jean de Holland accused them of having stolen pigments and models from his box. The painter was finally killed and the two painters took refuge in the abbay of Montierneuf at Poitiers where they obtained the right of asylum. The Duke of Berry ended up obtaining them a letter of remission in May 1398.[4]

Manuscripts attributed

December on the calendar Les Grandes Heures du duc de Berry, f.6v

Bibliography

References

  1. Grove Dictionnary
  2. 1 2 Notice Getty
  3. 'Paris 1400, p. 276.
  4. Avril, François; Reynaud, Nicole; Cordellier, Dominique (2011). Les Enluminures du Louvre, Moyen Âge et Renaissance. Hazan - Louvre éditions. p. 384. ISBN 978-2-75410-569-9.
  5. Notice de la BL
  6. Notice du catalogue de la BNF
  7. Catalogue des manuscrits de la Bible historiale (2/3), in L’Atelier du Centre de recherches historiques, Revue électronique du CRH
  8. Notice on the site of the Getty Museum
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