Oliver Goldsmith

This article is about the 18th century Irish writer. For the 19th century Canadian poet, see Oliver Goldsmith (Canadian poet).
Oliver Goldsmith

Portrait 1769–70 by Joshua Reynolds
Born (1728-11-10)10 November 1728
Either Ballymahon, County Longford, Ireland, or Elphin, County Roscommon, Ireland
Died 4 April 1774(1774-04-04) (aged 45)
London, England
Resting place Temple Church, London
Occupation Playwright, poet, busker, apothecary's assistant
Language English
Education BA
Alma mater Trinity College, Dublin
Literary movement The Club
Notable works The Vicar of Wakefield, "The Deserted Village", The Good-Natur'd Man, She Stoops to Conquer

Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Irish novelist, playwright and poet, who is best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur'd Man (1768) and She Stoops to Conquer (1771, first performed in 1773). He is thought to have written the classic children's tale The History of Little Goody Two-Shoes (1765).

Biography

Goldsmith's birth date and year are not known with certainty. According to the Library of Congress authority file, he told a biographer that he was born on 10 November 1728. The location of his birthplace is also uncertain. He was born either in the townland of Pallas, near Ballymahon, County Longford, Ireland, where his father was the Anglican curate of the parish of Forgney, or at the residence of his maternal grandparents, at the Smith Hill House near Elphin in County Roscommon, where his grandfather Oliver Jones was a clergyman and master of the Elphin diocesan school, and where Oliver studied.[1] When Goldsmith was two years old, his father was appointed the rector of the parish of "Kilkenny West" in County Westmeath. The family moved to the parsonage at Lissoy, between Athlone and Ballymahon, and continued to live there until his father's death in 1747.

In 1744 Goldsmith went up to Trinity College, Dublin. His tutor was Theaker Wilder. Neglecting his studies in theology and law, he fell to the bottom of his class. In 1747, along with four other undergraduates, he was expelled for a riot in which they attempted to storm the Marshalsea Prison.[2] He was graduated in 1749 as a Bachelor of Arts, but without the discipline or distinction that might have gained him entry to a profession in the church or the law; his education seemed to have given him mainly a taste for fine clothes, playing cards, singing Irish airs and playing the flute. He lived for a short time with his mother, tried various professions without success, studied medicine desultorily at the University of Edinburgh from 1752 to 1755, and set out on a walking tour of Flanders, France, Switzerland and Northern Italy, living by his wits (busking with his flute).

Dr Samuel Johnson - author James Boswell - biographer Sir Joshua Reynolds - host David Garrick - actor Edmund Burke - statesman Pasqual Paoli - Corsican independent Charles Burney - music historian Thomas Warton - poet laureate Oliver Goldsmith - writer prob. ''The Infant Academy'' (1782) Puck by Joshua Reynolds unknown portrait servant - poss. Dr Johnson's heir Use button to enlarge or use hyperlinks
'A literary party at Sir Joshua Reynolds's'.[1] Use a cursor to see who is who.
  1. ^ 'A literary party at Sir Joshua Reynolds's, D. George Thompson, published by Owen Bailey, after James William Edmund Doyle, published 1 October 1851
A plaque to Oliver Goldsmith at Temple Church

He settled in London in 1756, where he briefly held various jobs, including an apothecary's assistant and an usher of a school. Perennially in debt and addicted to gambling, Goldsmith produced a massive output as a hack writer for the publishers of London, but his few painstaking works earned him the company of Samuel Johnson, with whom he was a founding member of "The Club". There, through fellow Club member Edmund Burke, he made the acquaintance of Sir George Savile, who would later arrange a job for him at Thornhill Grammar School. The combination of his literary work and his dissolute lifestyle led Horace Walpole to give him the epithet "inspired idiot". During this period he used the pseudonym "James Willington" (the name of a fellow student at Trinity) to publish his 1758 translation of the autobiography of the Huguenot Jean Marteilhe.

Goldsmith was described by contemporaries as prone to envy, a congenial but impetuous and disorganised personality who once planned to emigrate to America but failed because he missed his ship. At some point around this time he worked at Thornhill Grammar School, later basing Squire Thornhill (in The Vicar of Wakefield) on his benefactor Sir George Savile and certainly spending time with eminent scientist Rev. John Mitchell, whom he probably knew from London. Mitchell sorely missed good company, which Goldsmith naturally provided in spades. Thomas De Quincey wrote of him "All the motion of Goldsmith's nature moved in the direction of the true, the natural, the sweet, the gentle".[3]

His premature death in 1774 may have been partly due to his own misdiagnosis of his kidney infection. Goldsmith was buried in Temple Church in London. The inscription reads; "HERE LIES/OLIVER GOLDSMITH". There is a monument to him in the centre of Ballymahon, also in Westminster Abbey with an epitaph written by Samuel Johnson.[4]

Works

See The Vicar of Wakefield, The Good-Natur'd Man, The Traveller, and She Stoops to Conquer.

The Citizen of the World

In 1760 Goldsmith began to publish a series of letters in the Public Ledger under the title The Citizen of the World. Purportedly written by a Chinese traveller in England by the name of Lien Chi, they used this fictional outsider's perspective to comment ironically and at times moralistically on British society and manners. It was inspired by the earlier essay series Persian Letters by Charles de Secondat, Baron de Montesquieu.

The Hermit

Goldsmith wrote this romantic ballad of precisely 160 lines in 1765. The hero and heroine are Edwin, a youth without wealth or power, and Angelina, the daughter of a lord "beside the Tyne." Angelina spurns many wooers, but refuses to make plain her love for young Edwin. "Quite dejected with my scorn," Edwin disappears and becomes a hermit. One day, Angelina turns up at his cell in boy's clothes and, not recognising him, tells him her story. Edwin then reveals his true identity, and the lovers never part again. The poem is notable for its interesting portrayal of a hermit, who is fond of the natural world and his wilderness solitude but maintains a gentle, sympathetic demeanor toward other people. In keeping with eremitical tradition, however, Edwin the Hermit claims to "spurn the [opposite] sex." This poem appears under the title of "A Ballad" sung by the character of Mr. Burchell in Chapter 8 of Goldsmith's novel, The Vicar of Wakefield.[5]

The Deserted Village

Main article: The Deserted Village

In the 1760s Goldsmith witnessed the demolition of an ancient village and destruction of its farms to clear land to become a wealthy man's garden.[6] His poem The Deserted Village, published in 1770, expresses a fear that the destruction of villages and the conversion of land from productive agriculture to ornamental landscape gardens would ruin the peasantry.[6]

Other works

Memorials concerning Oliver Goldsmith

A statue of Goldsmith at Trinity College, Dublin.

Goldsmith lived in Kingsbury, now in North-West London between 1771 and 1774 and Oliver Goldsmith Primary School and Goldsmith Lane there are named after him.

The Oliver Goldsmith Summer School is held every June Bank Holiday at Ballymahon with poetry and creative readings being held at Goldsmith's birthplace in nearby Pallas, Forgney.

In the play Marx in Soho by Howard Zinn, Marx makes a reference to Goldsmiths' poem, The Deserted Village.[7]

A statue of him by JH Foley stands at the Front Arch of Trinity College, Dublin (see image).

A statue of him stands in a limestone cell at the ruin of his birthplace in Pallas, Forgney, Ballymahon, County Longford. The statue is a copy of the Foley statue that stands outside Trinity college Dublin and is the focus point of the annual Oliver Goldsmith Summer School.

His name has been given to a new lecture theatre and student accommodation on the Trinity College campus: Goldsmith Hall.

Somerset Maugham used the last line from An Elegy on the Death of a Mad Dog in his novel The Painted Veil (1925). The character Walter Fane's last words are The dog it was that died.

Auburn, Alabama, and Auburn University were named for the first line in Goldsmith's poem: "Sweet Auburn, loveliest village of the plain." Auburn is still referred to as the 'loveliest village on the plain.'

Auburn in Sydney was also named for "Sweet Auburn".

There is a statue in Ballymahon County Longford outside the town library by Irish Sculptor Éamonn O' Doherty (1939 - 2011)which was unveiled in 1999.

London Underground locomotive number 16 (used on the Metropolitan line of the London Underground until 1962) was named Oliver Goldsmith.

Longford based band Goldsmith are named after the famous writer.

Athlone Institute of Technology library is named the Goldsmith Library

Two characters in the 1951 comedy The Lavender Hill Mob quote the same line from Goldsmith's poem "The Traveller" – a subtle joke, because the film's plot involves the recasting of stolen gold.

During the opening credits of the SKY One adaptation of Sir Terry Pratchett's Christmas story "The Hogfather", a portrait of Goldsmith is shown as part of a hall of memorials to those "exhumed" by the "Ankh-Morpork Assassins' Guild".

In the 1925 novel The Painted Veil by W. Somerset Maugham, the last words of the poem An Elegy on the Death of a Mad Dog, "The dog it was that died", are the dying words of bacteriologist Walter Fane, one of the primary characters in the novel.

Notes

  1. "History". Sligo Grammar School.
  2. Craig, Maurice (1952). Dublin 1650–1860. Allen Figgis & Co. Ltd. p. 184.
  3. De Quincey Writings (ed) James Thomas Fields 1850–1855
  4. "Oliver Goldsmith: A Poet, Naturalist, and Historian, who left scarcely any style of writing untouched, and touched nothing that he did not adorn. Of all the passions, whether smiles were to move or tears, a powerful yet gentle master. In genius, vivid, versatile, sublime. In style, clear, elevated, elegant." Epitaph written by Dr. Johnson, translated from the original Latin.
  5. Dyachok, 2012, pages 341–342
  6. 1 2 Rowley, 1978, page 132
  7. Marx in Soho, Howard Zinn 1999, South End Press

References

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Oliver Goldsmith


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