Max de Esteban

Max de Esteban is a Spanish fine-art photographer. De Esteban holds a graduate degree from UPC, a Master from Stanford University and a PhD from URL. He is a Fulbright Alumni.

De Esteban's work is organized in two distinct bodies: Elegies of Manumission and Propositions. The four elegies produced between 2010 and 2011 raise social and political questions through symbolic portraiture. Propositions, initiated in 2011, deal with contemporary political and art issues through photography and video. Propositions pose uncomfortable questions. In "Proposition One," translucent X-ray images magnify mechanical devices that have become outdated, although they continue to function perfectly according to their purpose. In "Proposition Three," de Esteban examines the cold, gray inner life of cell phones or tablets and the increasing enmeshment of the body and digital technology.

In "Heads Will Roll," part four of the series, he uses seductive photo collages made of film stills, flower photos, and fragments of text to convey the essence of the parameters that are penetrated by the postmodern patchwork of our lives. The media define everyday life: we are permanently made to feel insecure by the wars and disasters that are always happening in the world; the individual is in danger of drowning in the masses; genuine and fake have become almost indistinguishable; and a vague fear of the East pervades political policy. Reality is largely conveyed as a media experience. Heads will Roll, published by Hatje Cantz, was listed as a photobook of the year by LensCulture magazine; its New York exhibition was shown on the cover of Photograph Magazine in its September–October, 2015 issue; and Artslant said it was a "must see exhibitions in North America".

De Esteban is included in the Dictionary of Spanish Photographers from XIX to XXI century, La Fabrica (2014).

Publications

Exhibitions

Solo exhibitions

Group exhibitions

Awards

References

    External links

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