Máel Dúin

For other people named Máel Dúin, see Máel Dúin (disambiguation).

Máel Dúin is the protagonist of Immram Maele Dúin or the Voyage of Máel Dúin, a tale of a sea voyage written in Old Irish around the end of the first millennium. He is the son of Ailill Edge-of-Battle, whose murder provides the initial impetus for the tale.


The story belongs to the group of Irish romances, the Navigations (Imrama), the common type of which was possibly drawn in part from the classical tales of the wanderings of Jason, Ulysses, and Aeneas.

The text exists in an 11th-century redaction, by a certain Aed the Fair, described as the "chief sage of Ireland," but it may be gathered from internal evidence that the tale itself dates back to the 8th century. Imram Curaig Mailduin is preserved, in each case imperfectly, in the Lebor na hUidre, a manuscript in the Royal Irish Academy, Dublin; and in the Yellow Book of Lecan, MS. H. 216 in the Trinity College Library, Dublin; fragments are in Harleian MS. 5280 and Egerton MS. 1782 in the British Museum.


Early life

Máel Dúin was the son of warrior chieftain Ailill Ochair Aghra. His mother was a nun raped by Ailill. Shortly after, Ailill was killed by marauders from Leix who burned a church down on him. His mother then fostered Máel Dúin with the Queen of Eoganacht. He grew into an attractive warrior who was "victorious over everyone in every game they used to play, both in running and leaping and spear casting and casting stones and racing horses." A jealous youth exposed to him the truth of his unknown kindred, saying to Máel Dúin "whose clan and kindred no one knows, whose mother and father no one knows, vanquish us in every game." All this time Máel Dúin thought he was the son of the king and queen. He refused to eat or drink with the king and queen until he was told who his birth mother was. The queen sent him to his biological mother who told him about the death of his father.

He travelled to the graveyard of the church of Dubcluain where Briccne, a poison-tongued man of the community of the church, tells him that it is Máel Dúin's duty to go out and avenge his father's murder. Máel Dúin seeks the advice of a druid named Nuca at Corcomroe who tells him how to find the murderers. She instructs him to take only 17 companions.[1]

Mael Duin and his Foster Brothers

Shortly after Máel Dúin and his crew set off on their voyage, they came across the harbour of his three stepbrothers. They call out to Máel Dúin, in hopes that Máel Dúin would allow them to enter his boat. Knowing he could not exceed the number of people on his boat per the druid's advice, Máel Dúin responds, "Get you home, for even though we should return (to land), only the number we have here shall go with me." Upon hearing Máel Dúin's call, his foster brothers cried out, "We will go after thee into the sea and be drowned therein, unless thou come unto us." Suddenly the foster brothers jumped out into the sea and began swimming far from land. Mael Duin, turned his boat around and allowed them on board, violating the number allotted people on his boat. They first encounter two bare islands with forts on them. From the forts can be heard, "noise and the outcry of drunkenness." Máel Dúin then hears one man say, "It was I who slew Ailill Ochair of Agha and burned Dubcluain on him and no evil has been done to me for it yet by his kindred..." Máel Dúin and his crew cannot venture to the island due to wind. He suggests that God will bring the boat where it needs to go. However, the boats sails into the limitless ocean. The presence of the foster brothers are blamed for the unfavorable winds.

Islands encountered

The crew voyaged on and came across a sea like a green crystal. Here, there were no monsters but only rocks. They continued on and came to a sea of clouds with underwater fortresses and monsters.

They find a man in the sea from Tory (Toraigh). He was cast there as punishment. He asks them to throw their wealth into the ocean. He prophesies that they will "reach their country, it will be sage thus; though you will meet your enemies, you will not slay them."


They finally make it back to the original island of the murderers. Máel Dúin recounts the marvels that God has revealed to them on their journey. They all make peace.


Intertextuality is the relationship between texts, in the way similar or related texts influence, reflect, or differ from each other. The Voyage of Máel Dúin, contains motifs elected in other immrama such as: the Voyage of Bran and the Voyage of Saint Brendan.

Christian Elements

The numbers three (associated with the Holy Trinity), seven, and forty (is the number of days it rained during Noah's flood) appear throughout the voyage. It often takes three days for the ship to travel from one island to the next. They remain at some islands for three days.

During his immram, Máel Dúin has a Christian conversion experience. He also loses his three foster brothers at different points along the way, allowing him to finally reach the marauders who killed his father and whom he initially set out to kill in revenge. However, as he has incorporated a new, Christian element into his personality he does not kill them but instead forgives them before returning home.

Hans Oskamp suggests that Mael Duin is the earliest imramm to use Christian and non-Christian elements indiscriminately.[5] Elva Johnston pointed out that the delay caused by the extra passengers gives Máel Dúin time to reconsider his intended revenge, and is therefore instrumental in his salvation.[6] Mael Dúin's gratitude to God for preserving him in the face of the many dangers encountered on the voyage transcends his need for vengeance.[7]

"The mill of Grudging". Illustration by John D. Batten, in Joseph Jacobs' The Book of Wonder Voyages

Modern influence

Tennyson's Voyage of Maeldune, suggested by the Irish romance, borrows little more than its framework. Irish writer Patricia Aakhus wrote a novel recounting the story in 1989, entitled, The Voyage of Mael Duin's Curragh.[8] A Celtic Odyssey by Michael Scott is a modern retelling of this story.[9]


  1. Higginson, Thomas Wentworth. Tales of the Enchanted Islands of the Atlantic, The Minerva Group, Inc., 2001 ISBN 9781589636583
  2. 1 2 Mackley, Jude S. "The Legend of St. Brendan: A Comparative Study of the Latin and Anglo-Norman Versions", BRILL, 2008 ISBN 9789004166622
  3. O'Meara, John (1981). The Voyage of Saint Brendan: Journey to the Promised Land. Dolmen Pr. ISBN 0851055044.
  4. Mac Máthuna, Séamus (1985). Immram Brain - Bran's Journey to the Land of the Women. Max Niemeyer Verlag.
  5. Oskamp, H. P. A. The Voyage of Mael Dunn Wolters-Noordhoff Publishing Company, Groningen. 1970. p. 43
  6. Johnston, Elva. "A Sailor on the Seas of Faith: The Individual and the Church in The Voyage of Mael Duin", European Encounters: Essays in Memory of Albert Lovett (Judith Devlin and Howard B. Clarke, eds.), Dublin, University College Dublin Press, 2003
  7. Visser, Margaret. The Gift of Thanks: The Roots and Rituals of Gratitude, Houghton Mifflin Harcourt, 2009 ISBN 9780547428444
  8. Aakhus, Patricia. Story Line Press, 1989 ISBN 9780934257312
  9. http://www.dillonscott.com/adult-books/a-celtic-odyssey.htm
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Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "article name needed". Encyclopædia Britannica (11th ed.). Cambridge University Press. 

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