Luba people

Luba people
Total population
(7 million[1])
Regions with significant populations
Democratic Republic of the Congo
Luba languages (Luba-Kasai and Luba-Katanga); French
Christianity, African Traditional Religion
Related ethnic groups
other Bantu peoples
Person Mulubà
People Balubà
Language Cilubà, Tshiluba, Kiluba
Country Lubaland

The Luba people, or Baluba, are one of the Bantu peoples of Central Africa, and a major ethnic group found in the south-central parts of the Democratic Republic of the Congo.[2] They are widely distributed in this country, but most concentrated in its Katanga, Kasai, and Maniema provinces. The Luba people consist of many sub-groups with distinct Luba language dialects, of which three are main: the Luba-Kasai, Luba-Katanga, and Swahili languages.

The Luba people founded an ancient culture by about the 5th century, and later a well organized, pre-colonial Kingdom of Luba in the Upemba Depression region of Central Africa.[3][4] They had developed the knowledge and means to extracts various metals from the rich mineral resources close to them, as well as the skills in wood carving, pottery, sophisticated metal objects, ivory artwork and jewelry.[5][6] Their success and wealth grew in relative isolation given their forested mountainous inland location, then attracted traders, raids and wars in second half of the 19th century.[7] The Luba people were a victim of the slave and ivory trade, both to the Atlantic coast by Portuguese slave traders, as well as to the East African coast by Swahili-Arab slave traders particularly in the 19th-century.[5][8]


Geographical distribution of the Luba people (approx).

Archaeological evidence suggests that the Luba people had, by the middle of 5th century AD, settled around the lakes and marshes of the Upemba Depression, in what is now the southeastern portion of the Democratic Republic of the Congo.[4] The evidence suggesting an advanced Iron Age society by then comes from multiple sites, and these are among the best developed archaeological records in Central Africa. The Kamilambian, Kisalian and Kabambian series of evidence has been dated to be from 5th to 14th-century, suggesting a settled stable Luba culture over many centuries.[4][9] Of these, the Kisalian period (8th to 11th century) pottery and utensils found, were crafted with extraordinary excellence.[9] The finds dated to pre-8th century by modern dating methods are iron objects or pottery, thereafter copper objects appear.[9]

The archaeological studies suggest that the Luba people lived in villages, in homes made of reeds and wattle, around the shores of numerous streams and lakes found in the Upemba Depression of Central Africa.[9] This Depression has been historically flooded from the water runoff from southern Shaba highlands for parts of the year, its water bodies filled with papyrus islands and floating vegetation, the region drying out after rains ended. As a community, the Luba people constructed dams and dikes as high as 6 to 8 feet using mud, papyrus and other vegetation, to improve the marshy soil conditions for agriculture and stock fish during the long dry season.[4]

With settled communities, states Thomas Reefe – a professor of History, the Luba people had developed metal extraction techniques, skills to make utilitarians products from them and "high degree of craft specialization".[10] The metal working techniques in use by the early Luba people included drawing out thin wires, twisting and laminating them, plaiting them into complex well designed shapes such as necklaces, bracelets and hooks for fishing, needles for sewing and such.[10]

These products attracted interest and demand from far off ethnic groups, creating trade opportunities and traders amongst the Luba people. This trade and all economic activity in the villages of Luba people had a tribute system, where a portion of the hunt, fish or produce was given to the lineage head or the people guarding the borders. These were natural borders, such as that created by waters of Lake Upemba, where passage across required channels and bridges. The movement into and out of the Luba people lands was thus controlled and taxed.[10]

Luba Empire

Around 1500, possibly earlier, the Luba people began to coalesce into a single, unified state which historians now call the Kingdom of Luba or Luba Empire.[3] The kingdom grew and became more sophisticated over time, reaching its peak between 18th to 19th-century.[3][11] The demands, raids and violence of the 19th-century slave and ivory trade by the European colonial empires such as Belgium and the Arab-Swahili chiefs such as Tippu Tip and Msiri, states Thomas Reefe, "tore the Empire apart" and ended it.[11][12]

The political sophistication of the Luba Empire was the adoption of two layers of power, one of Balopwe (hereditary kingship) and another a council of royals or elders. These provided governance stability through mutual balancing, when there were disputes of succession from death or other causes. This idea was adopted by the neighboring Lunda people and other ethnic groups.[6]

The development and evolution of the Luba Empire, and the life of Luba people therein, has been unclear.[12][13] This is in part because the Luba people were an entirely oral tradition culture where knowledge and records were verbally preserved without a written script. The orthography for the Luba language, called kiLuba, was invented in the 19th-century, and thus early information about the Luba Empire has been derived from documents written by others usually hostile and only aware of the communities at the Luba Empire's border, or by the Luba people only in the late 19th-century and the 20th-century after the best decades of the Empire were long over.[13] The later written texts suggest that the Luba people had developed sophisticated literary traditions around their concepts of good and evil, and integrated these concepts and their religious ideas into their legends about morality and people with power.[14] For example, one legend relates to two kings, one called the red king Nkongolo Mwamba and other called the black king Ilunga Mbidi Kiluwe. According to the Luba people's oral history,

There are two kings, the Nkongolo Mwamba or red king, and Mbidi Kiluwe or black king. Nkongolo Mwamba is the violent, cruel and drunken despot; Mbidi Kiluwe is the gentle, just and refined one. Nkongolo is one who gets drunk, is ruthless, mocking, raping, robbing other, seen without manners. Mbidi Kiluwe is the opposite, one obsessed with good manners, thoughtful, who speaks carefully, is compassionate, keeps his distance, one with self control. Mbidi marries the sister of Nkongolo, and they have a son named Kalala. Nkongolo gets jealous and fearful of Kalala, and schemes to murder him. The guardian spirits, knowing the scheme, protect Kalala by (...)

The rainbow legend, Luba people[15][16]

The Luba people were a part of a large state in the 16th and 17th centuries, ruled by a Balopwe through delegation to regional chiefs.[15] According to the oral tradition by inabanza Kataba, the empire expanded over time, with a major consolidation in the 18th century, partly triggered by the desire by rivals to control the salt and iron mines in the south.[17] The Luba Empire was shielded from Portuguese and other colonial interests by the Lunda Empire, which lay to their southeast. This shielding was noted by David Livingstone in his travel memoirs, and likely blocked the Angolan traders from regular contact with the Luba people.[18] Around the start of the 19th-century, the oral traditions of both the Luba and Kanyok people suggest a major conflict, led by mutual raids.[18] This conflict helped the Luba Empire grow, as its king Ilunga Sungu entered into new territories and formed marriage alliances.[18] By 1810 when he died, his fame and reverence among the Luba people had peaked and the site of his royal court had become Kitenta (royal sacred village) where his spirit was venerated.[19]

The Luba Empire (up left) in relationship to others and major trade routes, in the 19th-century.

After the death of Ilunga Sungu, Kumwimbe Ngombe came to power leading his warriors to expand southeast with contacts with traders from East Africa. After his victory, in accordance with Luba traditions, the conquered chiefs and rulers had to marry sisters or daughters from the Luba ruling family in order to tie them into a relationship and loyalty with the Luba Empire capital.[20]

The ivory and slave trade had grown to the east of Luba Empire by mid 19th-century, the natural supplies of ivory exhausted while the international demand for it was increasing. The region under Luba people then had abundantly preserved herds of elephants with their tusk. Kanyembo region, states Thomas Reefe, for example had no ivory to sell.[21] In 1840, after Kumwimbe Ngombe died of old age, king Ilunga Kabale succeeded to rule the Luba people. He expanded the empire further, till 1870 when he died. By then, the region of Luba people and their Empire covered much of what is now southeastern Democratic Republic of Congo, extending for hundreds of kilometers from their early 19th-century heartland.[21]

Guns, trade and colonial era

The success and wealth of Luba people grew in relative isolation because they were far from the eastern and western coasts of Africa, living in difficult to reach terrain.[7] The forests and mountains protected them, as did their neighbors who blocked traders from direct and regular contact with distant international traders, in order to monopolize the gains from trade with international operators.[7] This originally shielded them the ill effects of the earlier slave trade. Later, however, the Luba people became victims of the slave demand and trading, in some cases selling people from their own lands as slaves.[22] But, by the 1850s, the traders began intruding into the Luba people lands. Despite a ban on slave trading in the Western world, the eastern and northern parts of Africa, led by Arab-Swahili slave and ivory traders entered into the eastern and northeastern regions of the Luba Empire.[7][23] These intruders came with guns, experience of running caravans, other tools of raids and wars. The weapons of the Luba people were primitive, such as bows and arrow. David Livingstone in his memoir wrote how amazed the Luba people were with the guns, thought they were tobacco pipes and the gun was the weapon that mowed down large populations of the Luba. The notorious slave and ivory trader,[23] Tippu Tip for example wrote, translates Thomas Reefe, "Luba had no guns, their weapons were bows and arrows; guns they did not know. The guns we have with us, they asked us, "Are they pestles?" The conquest of the Luba people was swift.[24][25]

Msiri, a Tanzanian operator supplying ivory and slaves to the Sultan of Zanzibar, raided and took over the southeastern Shaba region of Luba people.[7] Its other side, the southwestern borders were breached by the Ovimbundu ivory and slave hunters for the Portuguese interests. While slaves could no longer be exported to the Americas, they were used for work and caravan operations within Africa. Breaches from all sides, by better equipped armies, weakened the Luba Empire rapidly between 1860 and 1880s, and accelerated its demise.[7] In parallel, the news of disarray and confusion from many corners of the Luba Empire, led to internal disputes on succession and strategy when the Luba king Ilunga Kabale died in 1870.[7]

By 1868, Said bin Habib el-Afifi had raided Luba operations and with force taken 10,500 pounds of copper.[26] By 1874, another Arab-Swahili trader Juma bin Salum wad Rakad, and a friend of Tippu Tip, had entered into an agreement with one of the Ilunga Kabale's son and established the base of his elephant hunting and ivory trade operations in the heart of the Luba people's lands.[27] The Arab-Swahili raids, such as those by Tippu Tip, into Luba people's lands were organized with Nyamwezi subordinates and slave armies.[28][29] These raids and attacks by the outsiders also introduced smallpox into the Luba population.[1]

Baluba leaders, c. 1905

In 1885 Leopold II, king of Belgium, secured European recognition of his right over the territories that became what is now the Democratic Republic of the Congo. The first Belgian expedition into the Luba people's region arrived in 1891.[7] The king of Belgium, impressed with the accomplishments of Tippu Tip in getting resources from central Africa, appointed him the governor of the region that included the Luba people's territory.[30]

The Luba people were forced to work in the copper mines of the Katanga province during the Belgian rule, causing numerous mining-related deaths. They rebelled in 1895, then again from 1905 to 1917, and these insurrection was crushed militarily.[1]

Post-colonial era

In 1960 the Belgians, faced with rising demand for independence and an end to colonial rule, granted independence to the Democratic Republic of the Congo. That same year Katanga Province and Lunda people attempted to secede under Moise Tshombe.[31] The Luba were divided, with one faction under Ndaye Emanuel supporting the secession, and another under Kisula Ngoye supporting the central government. When Tshombe's breakaway regime collapsed in 1965, Kisula Ngoye became the liaison between the Luba people and the central government.[1]


The artwork of Lubo people

The traditional religious beliefs of the Luba people included the concept of a Shakapanga or a Universal Creator, a Leza or the Supreme Being, a natural world and a supernatural world.[15][32] The supernatural world was where Bankambo (ancestral spirits) and Bavidye (other spirits) lived, and what one joined the afterlife if one lived an Mwikadilo Muyampe (ethical life).[32] The Luba religions accepts the possibility of communion between the living and the dead.[32]

The religious life included prayers, community singing, dances, offerings, rites of passage rituals and invocations.[32] These rituals and services had intermediaries for rites such as Nsengha or Kitobo (priests). In addition, for anxiety and ailments, a Nganga or Mfwintshi (healer) were in service who would perform Lubuko (divination).[32] The religious thought did not limit itself to rituals, but included ideas of a good personhood, good heart, dignity for others and self-respect. The religious code of civil life and goodness affected the Luba social life.[32]

Christianity was introduced to the Luba people by missionaries who came with the Belgium colonial rule. Some of these missionaries, such as William Burton, performed ethnographic research, starting with an aggressive projective research and teaching the Luba people, but ultimately became sympathetic as he learnt and understood their traditional beliefs and cultural richness.[33]

Society and culture

The Luba people tended to cluster in single street villages, with homes with rectangular thatched roofs on both sides of the street whose lineage is usually related.[15] These homes were in the savanna and forests. They hunted, fished in abundant waters near them, gathered food such as fruits from the wild, and had mastered agriculture. In contemporary era, they grow cassava, corn, raise livestock. Some Luba carve wood and produce artist handicrafts.[15]

Art works

Artwork was well developed among the Luba people. Pottery, articles crafted from iron such as axes, bows and spears, wooden staff and carvings, parts clad in sheets of copper were routinely produced. A notable art of the Luba people was the Mwadi, where the male ancestors were represent in their female incarnations of the ancestral kings.[34][35]

According to scholars such as Daniel Kabozi, some of the intricate art works of the Luba people were mnemonic devices, a form of symbolic coded script, that aided preserving information and recalling the history and knowledge of the Luba people.[22][36] The Luba people, states Mary Roberts, developed "one the most complex and brilliant mnemonic systems in Africa for recording royal history, king lists, migrations, initiation esoterica and family genelogies", such as the Lukasa memory board.[37][38] These artworks are now found in numerous museums of the world.[22]

See also


  1. 1 2 3 4 Elizabeth Heath (2010). Anthony Appiah; Henry Louis Gates, eds. Encyclopedia of Africa. Oxford University Press. pp. 88–89. ISBN 978-0-19-533770-9.
  2. Elizabeth Heath (2010). Anthony Appiah; Henry Louis Gates, eds. Encyclopedia of Africa. Oxford University Press. pp. 88–89, 14–15. ISBN 978-0-19-533770-9.
  3. 1 2 3 Toyin Falola; Daniel Jean-Jacques (2015). Africa: An Encyclopedia of Culture and Society. ABC-CLIO. pp. 285–286. ISBN 978-1-59884-666-9.
  4. 1 2 3 4 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 67–72. ISBN 978-0-520-04140-0.
  5. 1 2 Anthony Appiah; Henry Louis Gates (2010). Encyclopedia of Africa. Oxford University Press. pp. 88–89, 106, 130–131, 309–310. ISBN 978-0-19-533770-9.
  6. 1 2 Kingdoms of the Savanna: The Luba and Lunda Empires, Alexander Ives Bortolot (2003), Department of Art History and Archaeology, Columbia University, Publisher: The Metropolitan Museum of Art
  7. 1 2 3 4 5 6 7 8 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 159–168, 172–175, 183–190. ISBN 978-0-520-04140-0.
  8. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 146–154, 162–168, 172–175, 183–190. ISBN 978-0-520-04140-0.
  9. 1 2 3 4 Pierre de Maret (1979), Luba Roots: The First Complete Iron Age Sequence in Zaire, Current Anthropology, University of Chicago Press, volume 20, number 1 (Mar., 1979), pages 233-235
  10. 1 2 3 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 70–73. ISBN 978-0-520-04140-0.
  11. 1 2 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. xiv, 3–4, 120, 118–194. ISBN 978-0-520-04140-0.
  12. 1 2 Wilson, Ann (1972). "Long Distance Trade and the Luba Lomami Empire". The Journal of African History. Cambridge University Press. 13 (04): 575–589. doi:10.1017/s0021853700011944.
  13. 1 2 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 10–11, 14–19. ISBN 978-0-520-04140-0.
  14. Newell S. Booth, Jr. (1976), Civil Religion in Traditional Africa, Africa Today, Vol. 23, No. 4 (Oct. - Dec., 1976), pages 59-66
  15. 1 2 3 4 5 Luba people, Encyclopedia Britannica
  16. Mary Nooter Roberts; Allen F. Roberts (1997). Luba. The Rosen Publishing Group. pp. 19–24, 33–38. ISBN 978-0-8239-2002-0.
  17. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 116–121. ISBN 978-0-520-04140-0.
  18. 1 2 3 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 120–127. ISBN 978-0-520-04140-0.
  19. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 127–128. ISBN 978-0-520-04140-0.
  20. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 132–137. ISBN 978-0-520-04140-0.
  21. 1 2 Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 140–141, 148–152. ISBN 978-0-520-04140-0.
  22. 1 2 3 Daniel Kabozi (2015). Steven L. Danver, ed. Native Peoples of the World: An Encyclopedia of Groups, Cultures and Contemporary Issues. Routledge. pp. 52–53. ISBN 978-1-317-46400-6.
  23. 1 2 Giacomo Macola (2015). Luba–Lunda states, in The Encyclopedia of Empire. John Wiley & Sons. doi:10.1002/9781118455074.wbeoe060. ISBN 978-1118455074.
  24. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 161–162, 165–167. ISBN 978-0-520-04140-0.
  25. Francois Renault (1988), "The structures of the Slave trade in Central Africa in the 19th century." Slavery and Abolition, volume 9, number 3, pages 146-165
  26. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 173–174. ISBN 978-0-520-04140-0.
  27. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 164–165. ISBN 978-0-520-04140-0.
  28. Thomas Q. Reefe (1981). The Rainbow and the Kings: A History of the Luba Empire to 1891. University of California Press. pp. 167–169. ISBN 978-0-520-04140-0.
  29. Wilson, Ann (1972). "Long Distance Trade and the Luba Lomami Empire". The Journal of African History. Cambridge University Press (CUP). 13 (04): 575–587. doi:10.1017/s0021853700011944.
  30. Matthew G. Stanard (2015), Belgium Empire, in The Encyclopedia of Empire, John Wiley & Sons, ISBN 978-1118455074, DOI 10.1002/9781118455074.wbeoe074
  31. Melvin Page (2003). Colonialism: An International Social, Cultural, and Political Encyclopedia. ABC-CLIO. p. 356. ISBN 978-1-57607-335-3.
  32. 1 2 3 4 5 6 Molefi Kete Asante; Ama Mazama (2009). Encyclopedia of African Religion. SAGE Publications. pp. 98–99. ISBN 978-1-4129-3636-1.
  33. Maxwell, David (2008). "The Soul of the Luba: W.F.P. Burton, Missionary Ethnography and Belgian Colonial Science". History and Anthropology. 19 (4): 325–351. doi:10.1080/02757200802517216.
  34. Alexander Ives Bortolot (2003), Kingdoms of the Savanna: The Luba and Lunda Empires The Metropolitan Museum of Art
  35. François G Richard; Kevin C MacDonald (2016). Ethnic Ambiguity and the African Past: Materiality, History, and the Shaping of Cultural Identities. Routledge. pp. 200–205. ISBN 978-1-315-42900-7.
  36. Roberts, Mary Nooter; Roberts, Allen F. (1996). "Memory: Luba Art and the Making of History". African Arts. 29 (1): 22. doi:10.2307/3337444. JSTOR 3337444.
  37. Roberts, Mary Nooter (1998). "The Naming Game: Ideologies of Luba Artistic Identity". African Arts. 31 (4): 56. doi:10.2307/3337649. JSTOR 3337649.
  38. Lynne Kelly (2015). Knowledge and Power in Prehistoric Societies: Orality, Memory, and the Transmission of Culture. Cambridge University Press. pp. 78–80. ISBN 978-1-107-05937-5.

Further reading

External links

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