From left to right:
(1) Hypnos and Thanatos carrying the body of Sarpedon from the battlefield of Troy; detail from an Attic white-ground lekythos, ca. 440 BC;
(2) a red-figure pottery (terracotta) "kerch" style lekythos depicting a nymph and satyr playing a game of knucklebones, with two Eros figures (standing between Aphrodite) offering laurel wreaths of vitory too the nymph and to a youth, c. 350 BC;
(3) a lekythos in Gnathia style with Eros depicted playing with a ball, Apulian vase painting, third quarter of the 4th century BC

A lekythos (plural lekythoi) is a type of Ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists.[1] They are normally in pottery, but there are also carved stone examples.

Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were normally only decorated with one image, on the other side from the handle;[2] they are often photographed with the handle hidden, to show the painted image.


Attic white ground lekythos, c. 490 BC, Achilles dragging the body of Hector

The lekythos was used for anointing dead bodies of unmarried women and many lekythoi are found in tombs. The images on lekythoi were often depictions of daily activities or rituals. Because they are so often used in funerary situations, they may also depict funerary rites, a scene of loss, or a sense of departure as a form of funerary art. These drawings are usually outline drawings that are quite expressionless and somber in appearance. The decoration of these ceramic vessels consists of a dull red and black paint. These colors may have been derived from the Bronze Age, but were not used until 530 BC in Athens. Many artists of these vessels attempted to add more color to the figures, but later abandoned the idea, which provides more of a contrast. These vessels were very popular during the 5th century BC, however there are many that have been found dating all the way back to 700 BC.

They contained a perfumed oil which was offered either to the dead person or to the gods of the underworld. Some lekythoi were fitted with a small, inner chamber so that they might appear full, while in reality they contained only a small amount of the expensive oil.[3] The Lekythos was used to smear perfumed oil on a woman's skin before getting married and were placed in tombs to allow the unmarried woman to prepare for a wedding in the afterlife.


Lekythoi can be divided into five types:

There are also "plastic" lekythoi, with bodies formed in the shape of a head, animal, or other form.

See also


  1. Beazley
  2. Woodford, 12-13
  3. Beazley
  4. Beazley
  5. Beazley


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