For other uses, see Kylix (disambiguation).
Kylix by Euergides (circa 500 BC) in the British Museum
Kylix from below
Double view of a late 6th-century cup

In the pottery of ancient Greece, a kylix (Ancient Greek: κύλιξ, pl. κύλικες; pronounced /ˈklɪks/, "KEYE-liks" or /ˈkɪlɪks/, "KIL-liks", also spelled cylix; pl.: kylikes /ˈklɪˌkz/, "KEYE-luh-keez" or /ˈkɪlɪˌkz/, "KIL-luh-keez") is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the kantharos, with a narrower and deeper cup and high vertical handles.

The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed.

The word comes from the Greek kylix "cup," which is cognate with Latin calix, the source of the English word "chalice" but not related to the similar Greek word calyx which means "husk" or "pod". The term seems to have been rather more generally used in ancient Greece. Individual examples and the many named sub-varieties of kylix are often called names just using "cup". Like all other types of Greek pottery vessels, they are also covered by the general term of "vase".


The primary use for the kylix was drinking wine (usually mixed with water, and sometimes other flavourings) at a symposium or male "drinking party" in the ancient Greek world, so they are often decorated with scenes of a humorous, light-hearted, or sexual nature that would only become visible when the cup was drained. Dionysos, the god of wine, and his satyrs or related komastic scenes, are common subjects. On the external surface sometimes, large eyes were depicted, probably also with humorous purposes (Eye-cup). The shape of the kylix enabled the drinker to drink whilst recumbent, as was the case in the symposia.[1] It also enabled them to play kottabos, a game played by flinging wine lees at targets.

A typical bowl held roughly 8 oz/250ml of fluid, though this varied greatly with size and shape.[2]


There are many sub-types of kylix, variously defined by their basic shape, the location or subject of their painting, or their main place of production, or often a combination of these. Several of these are grouped under the term of Little-Master cup. The sub-types include:


Detail of a Kylix depicting a young warrior running.[4] The Walters Art Museum.

After the kylikes were formed, an artisan drew a depiction of an event from Greek mythology or everyday life with a diluted glaze[5] on the outer surface of the formation.

Inside the drinking bowl was often a portrait of dancing and/or festive drinking.[1] Unique compositional skills were necessary for the artisans to attain due to the lack of verticals and horizontals on the surface. Onesimos, Makron, and Douris were famous painters in this field, renowned for their works.[6]

Famous individual kylixes

Individual kylixes with articles include:

See also


  1. 1 2 Allen, Douglas. Attic Red-Figure Kylix, Utah Museum of Fine Arts, 2008-02-19.
  2. 1 2 Beazley, Cups
  3. "Running Warrior". The Walters Art Museum.
  4. Timeline of Art History, The Metropolitan Museum of Art, Retrieved on 2008-03-18.
  5. Ancient Greek Pottery, Young Aggressive Sincere Organized and United, 2005-01-10.
  6. Inventory number 8729 (formerly 2044); evaluation of worth by John Boardman, Schwarzfigurige Vasen aus Athen. Mainz 1977, p. 64 and Thomas Mannack: Griechische Vasenmalerei. Stuttgart 2002, p. 121
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