Joel Meyerowitz

Joel Meyerowitz
Joel Meyerowitz in 2004
Born	(1938-03-06) March 6, 1938 New York, New York, U.S.
Occupation	Photographer

Joel Meyerowitz (born March 6, 1938) is a street photographer and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of today's renowned color photographers studied with him.

His work is in the collections of the International Center of Photography, Museum of Modern Art, and New York Public Library, all in New York, and the Museum of Contemporary Photography in Chicago.

Career

In 1962, inspired by seeing Robert Frank at work, Meyerowitz quit his job as an art director at an advertising agency^[1][2][3] and took to the streets of New York City with a 35 mm camera and black-and-white film. Garry Winogrand,^[3] Tony Ray-Jones, Lee Friedlander, Tod Papageorge and Diane Arbus were photographing there at the same time. Meyerowitz was inspired by Henri Cartier-Bresson, Robert Frank and Eugène Atget — he has said "In the pantheon of greats there is Robert Frank and there is Atget."^[4]

After alternating between black-and-white and color, Meyerowitz "permanently adopted color" in 1972,^[5]:182 well before John Szarkowski's promotion in 1976 of color photography in an exhibition of work by the then little-known William Eggleston.^{[5]:167–169} Meyerowitz also switched at this time to large format,^[5]:182 often using an 8×10 camera to produce photographs of places and people.

Meyerowitz appears extensively in the 2006 BBC Four documentary series The Genius of Photography^[2] and in the 2013 documentary film Finding Vivian Maier. In 2014 the documentary Sense of Time (ISBN 978-3-86335-605-7) by German filmmaker Ralph Goertz (IKS) was published.

He is the author of 16 books including Cape Light, considered a classic work of color photography.^[6] Meyerowitz photographed the aftermath of the September 11, 2001 attack on the World Trade Center, and was the only photographer allowed unrestricted access to its Ground Zero immediately following the attack.^[7] This resulted in his book Aftermath: World Trade Center Archive (2006),^[8] which Parr and Badger include the 2011 edition of, in the third volume of their photobook history.^[9]

Publications

Publications by Meyerowitz

• Cape Light: Color Photographs by Joel Meyerowitz.
  • Boston: Museum of Fine Arts, Boston, 1979. ISBN 0-87846-132-9, ISBN 0-87846-131-0.
  • New York: Aperture, 2015. ISBN 978-1-59711-339-7. With a transcript of an interview between Meyerowitz and Bruce K. MacDonald. "Remastered".^[10]
• St. Louis and the Arch. New York: New York Graphic Society, 1980. ISBN 0-82121-093-9.
• Wild Flowers. Boston: Bulfinch, 1983. ISBN 0-82121-528-0.
• A Summer's Day. New York: Crown, 1985. ISBN 0-81291-182-2.
• Creating a Sense of Place. Washington, DC: Smithsonian Institution Press, 1990. ISBN 1560980044.
• Redheads. New York, NY: Rizzoli, 1991. ISBN 0-84781-419-X.
• Bay/Sky. Boston: Bulfinch, 1993. ISBN 0-82122-037-3.
• At the Water's Edge. Boston: Bulfinch, 1996. ISBN 0-82122-310-0.
• Joel Meyerowitz. Text by Colin Westerbeck. 55. London: Phaidon, 2001. ISBN 0-7148-4021-1.
• Tuscany: Inside the Light. New York: Barnes & Noble, 2003. ISBN 1-40274-321-1.
• Aftermath
  • Aftermath. London: Phaidon, 2006. ISBN 0-71484-655-4.
  • Aftermath: World Trade Center Archive. London: Phaidon, 2011. ISBN 0-71486-212-6.
• Out of the Ordinary 1970-1980. Rotterdam: Episode, 2007. ISBN 90-5973-067-4.
• Legacy: The Preservation of Wilderness in New York City Parks. New York: Aperture, 2009. ISBN 1-59711-122-8.
• Between the Dog and the Wolf. Kamakura, Japan: Super Labo, 2013. ISBN 978-4905052616. Edition of 500 copies.
• Joel Meyerowitz - Retrospective. Cologne / New York: Koenig Books / D.A.P., 2014. ISBN 978-3-86335-588-3.

Publications with contributions by Meyerowitz

• Bystander: A History of Street Photography. With Colin Westerbeck.
  • Bystander: A History of Street Photography. Boston: Bulfinch, 1994. ISBN 0-82121-755-0. Hardback.
  • Bystander: a History of Street Photography: with a new afterword on street photography since the 1970s. Boston: Bulfinch, 2001. 440 pages. ISBN 0-8212-2726-2. Paperback.
• Street Photography Now. London: Thames & Hudson, 2010. ISBN 978-0-500-54393-1 (hardback). London: Thames & Hudson, 2011. ISBN 978-0-500-28907-5 (paperback). Edited by Sophie Howarth and Stephen McLaren.

Awards

• Guggenheim Fellow (twice)^[11]
• National Endowment for the Arts award^[11]
• National Endowment for the Humanities award^[12]
• Deutscher Fotobuchpreis (the German photobook prize) for Aftermath^[13]
• The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2012.^[12]

Exhibitions

• 2015: Joel Meyerowitz - Retrospective, KUNST HAUS WIEN, curated by Verena Kaspar-Eisert^[14]
• 2014: Joel Meyerowitz Retrospective, NRW-Forum Düsseldorf, curated by Ralph Goertz,^[15]
• 2012: Joel Meyerowitz - 50 Years of Photographs Part I: 1962 - 1977, November–December 2012;^[16] and Joel Meyerowitz - 50 Years of Photographs Part II: 1976 - 2012, December 2012 – January 2013,^[17] Howard Greenberg Gallery, New York.

Collections

• International Center of Photography, New York^[18]
• Museum of Contemporary Photography, Chicago^[19]
• Museum of Modern Art, New York – Photography Collection^[20]
• New York Public Library, New York – Photography Collection^[21]

In popular culture

Meyerowitz's photograph "New York City, 1963" is used in Taking Back Sunday's third album, Louder Now.

References

External links

• Official website
• Joel Meyerowitz and Maggie Barrett blog about preparing new Provence book
• Joel Meyerowitz on the Howard Greenberg Gallery website