Jerry Finn

Jerry Finn

Finn in 2001
Background information
Birth name Jerry Finn
Born (1969-03-31)March 31, 1969
Died August 21, 2008(2008-08-21) (aged 39)
Los Angeles, California, U.S.
  • Vocals
  • guitar
  • bass
  • drums
Years active 1992–2008
Associated acts

Jerry Finn (March 31, 1969 – August 21, 2008) was an American record producer and mix engineer. He worked with numerous punk rock and pop-punk bands, such as Blink-182, AFI, Sum 41, Alkaline Trio, Green Day, Morrissey, MxPx, and Rancid. Finn was known for the warm guitar tone present on albums he produced, as well as the "punchy" sound of his mixes. He was instrumental in developing the polished sound of pop-punk in its second wave of popularity between the mid-1990s and early 2000s.

A graduate of the Dick Grove School of Music, Finn began his career in the early 1990s as an assistant engineer at various Hollywood-based studios. He began an association with producer Rob Cavallo, with whom he engineered and mixed Green Day's Dookie (1994). Finn's career subsequently prospered, as he moved being an engineer to producing albums with the likes of Pennywise and Rancid. Finn forged a strong bond with Blink-182, producing four albums with them beginning with Enema of the State (1999). He also worked extensively with Sum 41 and Alkaline Trio. Over the course of the 2000s, Finn worked on numerous albums with Morrissey, before his death in 2008.

Known for his kind manner and technical expertise, Finn was valued by engineers and musicians alike. Scott Heisel of Alternative Press wrote that Finn often "helped rough punk bands refine their sound, and helped them discover the power of a good vocal hook."[1]

Life and career

Finn attended Dick Grove School of Music. He became an assistant at The Music Grinder in Hollywood in the early 1990s, and was later hired as a second engineer. Finn then moved to Devonshire Sound Studios,[2] where he met Rob Cavallo.[3] He became a "right-hand man" to Cavallo, who at the time was producing Green Day's major-label debut, Dookie (1994). When the band declared themselves dissatisfied with the original mix, Finn and Cavallo set to work again and came up with a brighter mix.[4] "Anyone who heard Green Day's first two records knew the breakout potential was there, but it took Cavallo and Finn to draw it out," wrote Alternative Press.[1]

Afterwards, Finn worked as an assistant at Conway Recording Studios, which he regarded as his favorite studio to work in. He left the job after several months to pursue work independently because of the success of Dookie. "Being realistic about the music business, I thought I'd have a red hot career for six months and then be back assisting, so when I left I made them promise that when my career fell apart they'd hire me back as an assistant," Finn joked in 2006.[5] According to engineer Ed Cherney, its success made Finn "the great hope of every assistant engineer everywhere."[3] Finn began a fruitful association with Epitaph Records in 1995, and he co-produced Pennywise's About Time alongside the label's founder, Bad Religion guitarist Brett Gurewitz. Finn's first solo production endeavor, Rancid's …And Out Come the Wolves, came the same year.[4] He also produced the "landmark punk album" Dear You by Jawbreaker in 1995, and also mixed The Suicide Machines' Destruction by Definition (1996), described as "a watershed moment for ska-punk."[1]

Finn forged a particularly strong bond with Blink-182 in the late 1990s. He first worked with the band to record "Mutt" for the American Pie soundtrack, after which he produced their breakthrough album Enema of the State and they chose to "never work with anyone else again."[6] According to writer James Montgomery, "[Finn] served as an invaluable member of the Blink team: part adviser, part impartial observer, he helped smooth out tensions and hone their multiplatinum sound."[7] When recording sessions became contentious, Finn would often smooth over differences with humor, advice, and a new perspective, according to bassist Mark Hoppus.[8] "Recording can get pretty monotonous, but at least we could laugh with Jerry. A pretty typical day would involve multiple takes for one part of one song, and then everyone would get naked and jump on Jerry," he said.[6] He subsequently returned to produce The Mark, Tom, and Travis Show (2000), Take Off Your Pants and Jacket (2001) and Blink-182 (2003). He also produced the 2002 self-titled debut album by Box Car Racer, which featured guitarist Tom DeLonge and drummer Travis Barker, and co-produced and mixed When Your Heart Stops Beating (2006) by +44, which featured Hoppus and Barker.[4]

Finn co-produced AFI's major-label debut Sing the Sorrow (2003), which has been called a "landmark in the post-hardcore genre."[4] Alternative Press wrote that "None of it would've been possible had Jerry Finn not manned the boards and polished the band's previously metallic sound into spike-covered punk-rock candy cane."[1] In his later years, Finn worked with Morrissey on his best-selling You Are the Quarry (2004) and Years of Refusal (2009), Finn's last completed production work before his death.[4]


In July 2008, Finn suffered a cerebral hemorrhage followed by a massive heart attack.[4] He was taken off of life support on August 9 after never regaining consciousness and died on August 21, 2008.[9]

Recording style

Finn was known for his dynamic, warm guitar sound, featured prominently on Blink-182 albums and Sum 41's All Killer No Filler (2001).[4] "Whenever I could corner him at a party, I harassed him about how he gets guitar sounds and how he gets his mixes to sound so punchy," said producer John Feldmann.[10] Finn achieved the sound by recording instruments through more than one amplifier at the same time.[4] "Many engineers try to keep everything separate and add effects later," said Finn. "Players play to the sound, so you just have to get a sound and go with it. This allows you to mix tones together to get just the right sound."[4] Finn owned reportedly over 100 guitars,[3] and would often bring large collections of instruments and amplifiers to the studio.[4]

He estimated that it took him between 10-12 days to mix an album, though some took less or more.[11] Upon reviewing rough mixes, Finn would attempt to craft the mix around the "sound in [his] head" he created.[12] In mixing songs, Finn preferred to first "get the drums happening to where they have some ambience," followed by the vocal tracks. In terms of mixing bass and drums—often considered "perhaps the most difficult task of a mixing engineer," according to Bobby Owsinski—Finn preferred to have the "kick [drum] and the bass are occupying their own territory and not fighting each other."[13] He felt the "sound of modern records today is compression. Every time I try to be a purist and go, 'You know, I'm not gonna compress that,' the band comes in and goes, 'Why isn't that compressed?'"[14] When setting the compressor, Finn would set the attack slow and the release fast so that "all the transients are getting through and initial punch is still there, but it releases instantly when the signal drops below threshold." Finn called this "the sound of my mixes. It keeps things kinda popping the whole time."[15]

Blink-182 bassist Mark Hoppus called Finn "meticulous in getting great sounds".[8] Considering recording drums to be a "lost art," Finn took great interest in this step of the process. He often focused on room microphones to capture drum ambience naturally.[12] This proved frustrating to Blink drummer Travis Barker: "For hours and hours, Jerry would be adjusting microphones. [...] I'd sit around drinking coffee and smoking cigarettes, just praying that I'd be able to start playing soon."[16] As for Finn's producing style, Barker wrote, "[Jerry] was more about giving us ideas and lending an extra set of ears. He’d say, 'Hey, that sounds cool—why doesn’t that part at the end go a little longer?' Or 'What if this song had an intro?'"[17] Frequent collaborators to Finn included drum technician Mike Fasano, and engineers Sean O'Dwyer, Ryan Hewitt and Joe McGrath.[3] He was also known for working with keyboardist Roger Joseph Manning Jr., whom he brought into Blink-182, Alkaline Trio and Morrisey sessions.[4]


Finn was known for his genial demeanor and technical prowess. According to Pierre Perrone of The Independent, "He could act as a sounding board or confidant and push musicians and singers to perform at their best. He would order food and shoot the breeze with his clients and generally create a relaxed atmosphere."[4] Finn would occasionally mix albums for independent bands or friends "from anywhere from free to half [his] rate" because he enjoyed the music.[11] Bobby Owsinksi, author of The Mixing Engineer's Handbook, wrote that Finn "represented one of the new generation of mixers who knows all the rules but is perfectly willing to break them."[18] After his death, Alternative Press compiled a list of nine "classic" albums helmed by Finn, writing that "Finn's bread and butter during the past decade was helping rough punk bands refine their sound, and helping them discover the power of a good vocal hook."[1]

Finn's impact on Blink-182 lead bassist Mark Hoppus to dub him the "fourth member" of the band.[19] "Every day I spent with Jerry over the past 10 years, I feel like he taught me something new about music, or recording, or life," he wrote after his passing.[4] "Jerry wasn't some asshole rolling up to the studio in a Bentley—he was one of us. He could be honest with us, and we would listen to him," drummer Travis Barker remembered in his memoir Can I Say (2015).[17] When the band reconvened to work on their reunion album Neighborhoods (2011), the band found it very difficult to work without Finn.[7] They continued to work alone until 2016, when they recruited producer John Feldmann for their seventh album California. Feldmann considered himself a disciple of Finn, commenting, "the sound of my records was influenced by the records Jerry made."[10]

Production discography

This list does not include greatest hits compilations.

Name of artist, release, details, and year released.
Year Artist Release Details Ref.
1992 Color Me Badd Young, Gifted & Badd: The Remixes Assistant engineer, remix assistant
PH Factor PH Factor Assistant engineer
1993 Everette Harp Common Ground Mixing [20]
Ill Repute Big Rusty Balls Engineer and mixing
León Gieco Mensajes del Alma Assistant
Lea Salonga Lea Salonga Assistant engineer
Man "Chocolate Rocket"
The Muffs The Muffs Assistant engineer
Taj Mahal Dancing the Blues Engineer
999 You Us It! Engineered
1994 Alvin and the Chipmunks A Very Merry Chipmunk Assistant engineer
Body Count Born Dead Assistant engineer
Front Page Front Page Second engineer
Green Day Dookie Mixing
Woodstock '94 Mixing ("When I Come Around")
Matthew SweetSon of Altered Beast Assistant mixing
Maria Muldaur Meet Me at Midnite Engineer, assistant engineer
Patrice Rushen Anything But Ordinary Assistant engineer
Peter Rodgers Melnick Arctic Blue Engineer
1995 Ash "Kung-Fu / Jack Names the Planets" Mixing
Dance Hall Crashers LockjawMixing
Goo Goo Dolls A Boy Named GooEngineer and mixing
"Don't Change"
Green Day Insomniac Mixing
The Jerky Boys Remix ("2000 Light Years Away")
IV Xample For Example Engineer
Jawbreaker Dear You Mixing
Love Spit Love Angus: Music from the Motion Picture Mixing ("Am I Wrong")
The Muffs Blonder and Blonder Engineer and mixing
Pennywise About Time Producer and engineer
Rancid ...And Out Come the Wolves Producer and mixing
Slash's Snakepit It's Five O'Clock Somewhere Engineer
That DogTotally Crushed Out!Mixing
Weezer Angus: Music from the Motion Picture Engineer ("You Gave Your Love to Me Softly")
1996 Daredevils "Hate You"
Fastball Make Your Mama Proud
Goo Goo Dolls "Hit or Miss"
Green Day Bowling Bowling Bowling Parking Parking Mixing ("Dominated Love Slave")
"Brain Stew / Jaded" Mixing ("Do Da Da")
Jawbreaker Jabberjaw...Pure Sweet Hell Mixing ("Sister")
Magnapop Fire All Your Guns at Once Mixing
N.Y. Loose Year of the Rat Mixing
The Presidents of the United States of America IIMixing
Schleprock (America's) Dirty Little Secret Mixing
The Suicide Machines Destruction By Definition Mixing
Sukia Contacto Especial con el Tercer Sexo
Van Gogh's Daughter Shove Mixing
1997 Coward Coward Producer and mixing
Green Day "Nimrod" Mixing
"Good Riddance (Time of Your Life)" Mixing ("Rotting")
Kara's Flowers The Fourth World Engineer
Millencolin "Lozin' Must" Remix ("The Story of My Life")
Smoking Popes Destination Failure
1998 Liars Inc. Superjaded Mixing
The Living End The Living End Mixing
Madness Universal Madness Mixing
The Presidents of the United States of America "Tiki God" Mixing ("Tiki Lounge God")
Rancid Life Won't Wait Mixing
Superdrag Head Trip in Every Key
The Vandals Hitler Bad, Vandals Good Mixing
Blink-182 Enema of the State Producer
"Family Reunion" Producer and mixing
Fenix*TX Fenix*TX
The Offspring "Beheaded"
"The Kids Aren't Alright" Mixing
2000 Blink-182 The Mark, Tom, and Travis Show (The Enema Strikes Back) Producer
Green Day 86 (Live from Prague) Mixing
Marvelous 3 "Reelin' in the Years"
MxPx The Ever Passing Moment
New Found Glory "Hit or Miss" Mixing [upper-alpha 1]
Sum 41 Half Hour of Power Mixing
2001 Alkaline Trio From Here to Infirmary Mixing
Blink-182 Take Off Your Pants and Jacket Producer
Fenix*TX Lechuza
MxPx Fat Club
Sum 41 All Killer No Filler
2002 Bad Religion The Process of Belief Mixing
Box Car Racer Box Car Racer
MxPx "Christmas Party" Mixing
Sparta Wiretap Scars
2003 AFI Sing the Sorrow
Alkaline Trio Good Mourning Co-producer and mixing
Blink-182 Blink-182 Producer
The Offspring "I Wanna Be Sedated"
Vendetta Red Between the Never and the Now
2004 Marjorie Fair Self Help Serenade
Morrissey You Are the Quarry
Nancy Sinatra "Let Me Kiss You" Mixing
The Vandals Hollywood Potato Chip Mixing
2005 Alkaline Trio Crimson
Blink-182 "Not Now" Producer
Eisley Room Noises Mixing
The Offspring "Can't Repeat"
2006 AFI Decemberunderground
+44 When Your Heart Stops Beating Co-producer and mixing
2007 Tiger Army Music from Regions Beyond
2009 Morrissey Years of Refusal


  1. Finn's mix of "Hit or Miss", unreleased at the time, was later included on a 2010 reissue of New Found Glory.



  1. 1 2 3 4 5 Scott Heisel (October 20, 2008). "The List on AP: 9 classic albums Jerry Finn left his mark with". Alternative Press. Retrieved July 30, 2013.
  2. Owsinski 2006, p. 155.
  3. 1 2 3 4 Matt Gallagher (September 30, 2008). "Remembering Jerry Finn". Mix. Archived from the original on March 28, 2012. Retrieved July 30, 2013.
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 Pierre Perrone (September 15, 2008). "Jerry Finn: Empathetic record producer". The Independent. Retrieved July 30, 2013.
  5. Owsinski 2006, p. 158.
  6. 1 2 Hoppus 2001, p. 92–95.
  7. 1 2 James Montgomery (April 8, 2011). "Blink-182's Mark Hoppus Talks Moving On Without Late Producer Jerry Finn". MTV News. Retrieved July 15, 2011.
  8. 1 2 Take Off Your Pants and Jacket (2013 Vinyl Reissue) (liner notes). Blink-182. US: Geffen / Universal Music Special Markets. 2013. SRC025/SRC026/SRC027/SRC028. This reference primarily cites the Mark Hoppus foreword.
  9. Chris Harris (August 25, 2008). "Blink-182, AFI Producer Jerry Finn Dead At 39". MTV News. Retrieved July 15, 2011.
  10. 1 2 Claire Davies (July 21, 2016). "Blink-182 producer John Feldmann on the band's triumphant return and the music that inspired him". MusicRadar. Retrieved August 23, 2016.
  11. 1 2 Owsinski 2006, p. 152.
  12. 1 2 Owsinski 2006, p. 153.
  13. Owsinski 2006, p. 31–32.
  14. Owsinski 2006, p. 52.
  15. Owsinski 2006, p. 63.
  16. Barker & Edwards 2015, p. 170.
  17. 1 2 Barker & Edwards 2015, p. 123.
  18. Owsinski 2006, p. xviii.
  19. Hughes, Hilary (April 29, 2016). "Blink-182 Q&A: Why Their New 'California' Album 'Feels Like Home'". Retrieved April 27, 2016.
  20. Common Ground (booklet). Everette Harp. Blue Note Contemporary. 1993. 7 89297 2.


  • Owsinski, Bobby (2006). The Mixing Engineer's Handbook (2nd ed.). Thomson Course Technology. ISBN 1-59863-251-5. 
  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums. William Morrow. ISBN 978-0-062-31942-5. 
  • Hoppus, Anne (2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN 0743422074. 

External links

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