Japan (band)


Japan in 1981: Sylvian, Jansen, Karn, Barbieri
Background information
Also known as Rain Tree Crow (1990–1991)
Origin Catford, South London, England
Years active 1974–1982, 1990–1991
Associated acts
Past members David Sylvian
Mick Karn
Steve Jansen
Richard Barbieri
Rob Dean

Japan were an English music group formed in 1974 in Catford, South London by David Sylvian (vocals, guitar, keyboards), Steve Jansen (drums), Richard Barbieri (keyboards) and Mick Karn (bass guitar). Initially a glam-inspired group, Japan developed their sound and style to incorporate electronic music, foreign influences, and an androgynous image, eventually becoming an influence on the UK's early-1980s New Romantic scene.[4]

Japan achieved success in the late 1970s and early 1980s, releasing nine UK Top 40 hits, including the 1982 Top 10 hit "Ghosts", and scoring a UK Top 5 with the live album Oil on Canvas (1983). The band split in 1982, just as they were beginning to experience significant commercial success in the UK and abroad. Its members went on to pursue other musical projects, though they reformed briefly in the early 1990s under the name Rain Tree Crow, releasing an album in 1991.


The band began as a group of friends in 1974. Brothers David Sylvian (guitar and vocals) and Steve Jansen (drums), keyboardist Richard Barbieri and bassist Mick Karn studied at the same school, Catford Boys', Brownhill Road, South London. As youngsters they played Sylvian's two-chord numbers mainly as a means of escape; sometimes with Karn as the front man, sometimes with Sylvian at the fore.

The band, who were initially nameless, opted to call themselves Japan just before their first live gig in the mid-1970s. The name was intended by Sylvian to be temporary until they could think of something else, but ultimately became permanent.[6] The following year they were joined by lead guitarist Rob Dean, and signed a recording contract with the German disco label Hansa-Ariola in 1977, becoming an alternative glam rock outfit in the mould of David Bowie, T.Rex, and The New York Dolls although their initial material was guitar-based funk.[7]

After winning a label-sponsored talent contest, they were signed to Germany's Ariola-Hansa Records in 1977 and debuted a year later with a pair of LPs, Adolescent Sex and Obscure Alternatives, which received little notice at home or in the U.S. but did find favor among Japanese audiences.

The first song they recorded with Hansa, in 1977, was "State Line".

Early years

The band débuted with the 1978 album Adolescent Sex and followed up with their second album, Obscure Alternatives, the same year. Both albums, produced by Ray Singer, sold well in Japan (where the band's name helped them to gain a devoted cult following) and the Netherlands, where the single "Adolescent Sex" was a Top 30 hit. They also gained some popularity in Canada. However, in their native UK, those albums failed to garner public attention and did not chart.[8]

Though influenced by artists such as the New York Dolls, Roxy Music and David Bowie,[7] both albums were widely dismissed by the UK music press as being distinctly outmoded at a time when punk and new wave bands were in ascendence. The band was managed by Simon Napier-Bell who has also managed The Yardbirds, Marc Bolan, London and Wham!.


In 1979, the band briefly worked with the successful Euro disco producer Giorgio Moroder, who would co-write and produce a one-off single, "Life in Tokyo". The track was a significant change in musical style from their earlier guitar-laden recordings, moving them away from their glam rock roots and into electronic new wave style of dance music.

The electronic style continued on their third album, Quiet Life (1979), which was produced by the band with John Punter and Simon Napier-Bell. In a retrospective review of the band's work, The Quietus described Quiet Life as defining "a very European form of detached, sexually-ambiguous and thoughtful art-pop, one not too dissimilar to what the ever-prescient David Bowie had delivered two years earlier with Low.[9] It showcased Barbieri's synthesisers, Sylvian's now baritone style of singing, Karn's distinctive fretless bass sound and Jansen's odd-timbred and intricate percussion work, with Dean's guitar playing becoming somewhat sparser and atmospheric.[7] Quiet Life was their last studio album for Hansa-Ariola, although the label would later issue a compilation album (Assemblage) featuring highlights from the band's tenure on the label, followed by a series of remixed and re-released singles.

Japan perform in 1979 (Karn, left, and Sylvian).

Final years

After leaving Hansa-Ariola, the band signed with Virgin Records who released their last studio albums, Gentlemen Take Polaroids (1980) and Tin Drum (1981). The albums continued to expand their audience as the band refined its new sound, however the combination of their newer sound and the band's stylised visual appearance led to them unintentionally becoming associated with the early-1980s New Romantic scene. The band had always worn make-up since their inception in the mid 1970s at the tail end of the glam rock era, many years before the New Romantic movement had begun. In an October 1981 interview, Sylvian commented "There's a period going past at the moment that may make us look as though we're in fashion."[6] In another interview, he stated "I don't like to be associated with them [New Romantics]. The attitudes are so very different." Of Japan's fashion sense, Sylvian said "For them [New Romantics], fancy dress is a costume. But ours is a way of life. We look and dress this way every day."[10] Regardless, it had a positive effect on the band's record sales in the UK and they slowly began to gain chart success.

After a couple of lower charting singles, their first UK Top 40 hit was a re-release of the "Quiet Life" single, which peaked at No. 19 in October 1981. Three of the singles from the Tin Drum album also peaked in the UK Top 40, with its unconventional single "Ghosts" reaching No. 5, becoming Japan's biggest domestic hit.[8] The Tin Drum album itself peaked just outside the UK Top 10,[11] and was the band's first record to be certified by the BPI, being awarded a Silver disc within a month of release, and reaching Gold status within four months. The album, produced by Steve Nye, is often regarded as one of the most innovative of the 1980s, with its fusion of occidental and oriental sounds. In 2011, thirty years after its release, Tin Drum was awarded BBC Radio 6 Music's 'Goldie Award' posthumously for the Best Album of 1981.

With personality conflicts leading to rising tensions within the band, Tin Drum was to be the band's final studio album. Long-simmering differences among the bandmembers came to a head when Karn's girlfriend, photographer Yuka Fujii, moved in with Sylvian and the individual members proceeded with their own projects. Rob Dean had already departed (in May 1981) after the release of the Gentlemen Take Polaroids album, as his electric guitar work was increasingly regarded as superfluous. Dean subsequently formed the band Illustrated Man. Karn released his first solo album, Titles, at the same time the band announced their split in late-1982.

During the early 1980s, Japanese multi-instrumentalist and experimental keyboardist Ryuichi Sakamoto, of Yellow Magic Orchestra (YMO), briefly collaborated with the band, and worked directly alongside Sylvian on tracks such as "Taking Islands in Africa". In addition, Steve Jansen was influenced by YMO's drummer Yukihiro Takahashi.[12] Sakamoto would continue to work with Sylvian both before and after the band split, and the pair would achieve the hit singles "Bamboo Houses" (1982) and "Forbidden Colours" (1983).

The group's final UK performances came in November 1982, culminating in a six-night sell-out stint at London's Hammersmith Odeon (which would be recorded and filmed to produce Oil on Canvas, a live album and video released in June 1983). During this period, guitarist and keyboardist Masami Tsuchiya performed with the band on stage. Japan's last ever performance was on 16 December 1982 in Nagoya, Japan.

Japan in November 1982.

The band decided to split just as they were beginning to achieve major commercial success both in the UK and internationally, with Oil on Canvas becoming their highest charting UK album, reaching No. 5 on the UK Albums Chart,[8] a rare feat for a live album. By this time, the band's back catalogue had begun to sell steadily and both Hansa-Ariola and Virgin Records continued to release Japan singles into 1983,[8] ultimately earning the band a total of nine Top 40 hits in the UK.[13]

Post break-up

All of the band members went on to work on other projects, with varying degrees of success. After his collaborations with Sakamoto, Sylvian's first solo album Brilliant Trees reached #4 in the UK Album Charts in 1984. Meanwhile, Karn had become a sought-after session musician and worked with artists such as Gary Numan, Kate Bush, and Joan Armatrading. He also had a Top 40 hit ("After a Fashion") with Midge Ure in 1983, and collaborated with Peter Murphy of Bauhaus as the duo Dalis Car, releasing an album in 1984. Jansen and Barbieri worked together as The Dolphin Brothers, and Rob Dean went on to work with Gary Numan and Sinead O'Connor.

In 1990, Sylvian, Karn, Jansen and Barbieri reunited under the name Rain Tree Crow. They released an eponymously titled album in April 1991, which was well received by music critics and reached the UK Top 25. However, once again, the band dissolved following frictions between Sylvian and the other members.[8]

Richard Barbieri moved on to become the keyboardist for progressive rock band Porcupine Tree, a role he has filled since 1995's The Sky Moves Sideways. Although band members would work with each other again on various individual projects (including Sylvian and Jansen's Nine Horses project), no further full Japan reunions were planned in any form.

Throughout the 1990s Karn, Jansen and Barbieri reunited in instrumental projects with different guitarists such as David Torn and Steve Wilson.

Twenty years after their reunion as Rain Tree Crow, Mick Karn died from cancer in January 2011.[14]

Band members

Live personnel



Studio albums

Year Album Peak chart positions Certifications
1978 Adolescent Sex 20
1978 Obscure Alternatives 21 41
1979 Quiet Life 53 24
1980 Gentlemen Take Polaroids 51 51
1981 Tin Drum 12 38 16 33
1991 Rain Tree Crow
(Japan under the name Rain Tree Crow)
24 49 61 33
"—" denotes releases that did not chart or was not released

Live albums

Year Album Peak chart positions Certifications
1983 Oil on Canvas 5 11


Singles and EPs

Videos and DVDs


In 2003, Virgin Records re-issued remastered editions of Gentlemen Take Polaroids, Tin Drum and Oil on Canvas. BMG followed suit next year, and re-issued Adolescent Sex, Obscure Alternatives, Quiet Life, and Assemblage. All of these re-releases came in the 'digipak' format, collecting many bonus tracks. In 2006 all were repackaged in jewel cases to allow sale at a lower price point.

The Tin Drum digipak re-issue was of particular interest as it was packaged in a cardboard box and contained a bonus 5-inch single The Art of Parties, which comprised The Art of Parties (12" single and live versions), Ghosts (single version) and Life Without Buildings (B-side to The Art of Parties single). The package also included a booklet with black-and-white photos of the band members.

See also


  1. Buckley, Peter (2003). The Rough Guide to Rock (3rd ed.). Rough Guides. p. 264. ISBN 1-84353-105-4.
  2. Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Zero Books, May 30, 2014. 978-1-78099-226-6
  3. Lenig, Stuart (2010). The Twisted Tale of Glam Rock. Santa Barbara, CA: Praeger. p. 88.
  4. 1 2 Ankeny, Jason. "Japan | Biography | AllMusic". AllMusic. Retrieved 7 July 2015.
  5. Ohanesian, Liz. "Mick Karn, Bassist for Synth Heroes Japan and Peter Murphy's Dalis Car, Dead at 52". LA Weekly. Retrieved 29 March 2016.
  6. 1 2 Rimmer, Dave (October 1981). "Japanese Boys (an interview with David Sylvian and Mick Karn)". Smash Hits. Vol. 3 no. 22. EMAP Metro. pp. 42–43.
  7. 1 2 3 Ola's Kool Kitchen with interview of Robert Dean from Japan, from the Internet Archive
  8. 1 2 3 4 5 6 Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 496–498. ISBN 1-84195-017-3.
  9. Burnett, Joseph. "Thirty Years On: Japan's Oil On Canvas Revisited". The Quietus. Retrieved 14 March 2016.
  10. "Rolling Stone Random Notes", The Tuscaloosa News, Tuscaloosa, AL, p. 6, 17 July 1981
  11. 1 2 3 4 5 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 279. ISBN 1-904994-10-5.
  12. "The Japanese Connection". Japan: Life in Tokyo. July 1982. Retrieved 1 April 2011.
  13. Chart Stats UK (Japan)(Link redirected to OCC website)
  14. Meikle, James (5 January 2011). "Former Japan bass player Mick Karn loses battle with cancer". The Guardian. London. Retrieved 31 March 2012.
  15. 1 2 Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.
  16. "dutchcharts.nl – Discographie Japan" (in Dutch). Hung Medien. Retrieved 17 February 2013.
  17. "norwegiancharts.com – Discography Japan". Hung Medien. Retrieved 17 February 2013.
  18. "swedishcharts.com – Discography Japan" (in Swedish). Hung Medien. Retrieved 17 February 2013.
  19. 1 2 3 4 "Certified Awards". British Phonographic Industry.
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