James Baylis Allen

James Baylis Allen
Born (1803-04-18)18 April 1803
Birmingham, England
Died 10 January 1876(1876-01-10) (aged 72)
London, England
Nationality United Kingdom
Occupation Line-engraver

James Baylis Allen (1803–1876) was an English line-engraver. Allen, together with William and Edward Radclyffe and the Willmores, belonged to a school of landscape-engravers which arose in Birmingham, where there were numerous engravers working on iron and steel manufactures.

Biography

Allen was born in Birmingham, 18 April 1803, the son of a button-manufacturer. As a boy he followed his father's business; then about age 15 he was articled to Josiah Allen, an elder brother and general engraver in Birmingham. Three years later he began his artistic training by attending the drawing classes of John Vincent Barber and Samuel Lines.[1]

In 1824 Allen went to London, and found employment in the studio of the Findens, for whose Royal Gallery of British Art he engraved at a later period "Trent in the Tyrol", after Augustus Wall Callcott.

Allen died after a long illness at Camden Town, London, 10 January 1876.

Works

St Martin Ongar, London, an 1831 Steel line engraving on paper engraved by Allen from the original pencil drawing Thomas Hosmer Shepherd (1793-1864)

Allen's best known plates are those after J. M. W. Turner's drawings for the ‘Rivers of France,’ 1833–5, consisting of views of Amboise, Caudebec, Havre, and St. Germain; and for the ‘England and Wales,’ 1827–32, for which he engraved the plates of Stonyhurst, Upnor Castle, Orfordness, Harborough Sands, and Lowestoft Lighthouse. Other works were ‘The Falls of the Rhine,’ after Turner, for the Keepsake of 1833; some plates after Clarkson Stanfield and Thomas Allom for Charles Heath's Picturesque Annual, and others after Samuel Prout, Roberts, Holland, and James Duffield Harding, for Robert Jennings's Landscape Annual; and ‘The Grand Bal Masqué at the Opera, Paris,’ after Eugène Lami for Allom's France Illustrated.

His larger works were executed chiefly for The Art Journal:

He engraved also a set of five views on the coasts of Suffolk and Kent, and plates for William Henry Bartlett's ‘Ireland,’ 1835, Bartlett's ‘Switzerland,’ 1839, Bartlett's ‘Canadian Scenery,’ 1840, Beattie's ‘Scotland,’ 1836, Finden's ‘Views of the Ports and Harbours of Great Britain,’ 1839, and George Newenham Wright's ‘Rhine, Italy, and Greece,’ 1843.

References

Notes

  1. Hunnisett, B. "Allen, James Baylis". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/374. (Subscription or UK public library membership required.)

External links

Attribution

 This article incorporates text from a publication now in the public domain: "Allen, James Baylis". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. 

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