Indro Montanelli

Indro Montanelli

Indro Montanelli in 1992.
Born Indro Alessandro Raffaello Schizogene Montanelli
(1909-04-22)22 April 1909
Fucecchio, Italy
Died 22 July 2001(2001-07-22) (aged 92)
Milan, Italy
Nationality Italian
Other names "Cilindro" ("Top Hat")[1]
Alma mater University of Florence
Occupation Historian, journalist, writer
Years active 1930 – 2001
Known for Famous journalist know for his liberal ideas and journalistic political independence
Notable work General Della Rovere (1959)
Religion None (Atheism)[2]
Spouse(s) Colette Rosselli (m. 1974–96); her death
Awards Order of the Lion of Finland,
Princess of Asturias Awards,
World Press Freedom Heroes

Indro Alessandro Raffaello Schizogene Montanelli Knight Grand Cross OMRI (Italian pronunciation: [ˈindro montaˈnɛlli]; 22 April 1909 – 22 July 2001) was an Italian journalist and historian. Generally considered one of the greatest Italian journalists of the 20th century, he was among the 50 World Press Freedom Heroes of the previous 50 years named by the International Press Institute in 2000.[3] He distinguished himself for his original approach to writing history in books such as History of the Greeks and History of Rome.


Indro Montanelli Bassi was born at Fucecchio, near Florence.

Throughout his career he retained an idiosyncratic and particularly undiplomatic style, even when this made him very unpopular among his peers and employers. This is well illustrated in his book La stecca nel coro (which translates as "The false note in the chorus" with the meaning of "Going against the current") which is a list of leading articles he composed between 1974 and 1994 in the newspaper Il Giornale which he founded and directed after being sacked from the prestigious Corriere della Sera, in October 1973. It was during this experience, in 1977 that the Red Brigade terrorists shot him four times in the legs in the streets of Milan.

The 1920s and 1930s

Montanelli's career began with a Law degree from the University of Florence in the early 1920s, where he wrote a thesis on the electoral reform of Benito Mussolini's fascism. Allegedly, in this thesis, he maintained that rather than a reform it amounted to the abolition of elections, which goes some way to illustrate the ambiguous nature of the Italian fascist censorship. According to him, it was a short experience of the French cultural atmosphere in Grenoble, while he was taking language lessons, that he realised that his true vocation was that of the journalist.

Montanelli began his journalistic career by writing for the fascist newspaper Il Selvaggio ("The Savage"), then directed by Mino Maccari, and in 1932 for the Universale, a magazine published only once fortnightly and which offered no pay. Montanelli admitted that in those days he saw in fascism the hope of a movement that could potentially create an Italian national conscience that would have resolved the economic and socioeconomic differences between the north and the south. This enthusiasm for the fascist movement began to wane when in 1935 Mussolini forced the abolition of the Universale along with other magazines and newspapers that expressed opinions on the nature of fascism.

But it was in 1934, in Paris that Montanelli began to write for the crime pages of the daily newspaper Paris Soir, then as foreign correspondent in Norway (where he fished for cod for a bit), and later in Canada (where he ended up working in a farm in Alberta).

From there he began a collaboration with Webb Miller of the United Press in New York. While working for the United Press he learned to write for the lay public in an uncomplicated style that would distinguish him within the realm of Italian journalism. One lesson he took to heart from Miller was to "always write as if writing to a milkman from Ohio". This open and approachable style was something he never forgot and he'd often recall that very quote during his long life. Another indelible American moment occurred while teaching a course. Someone had asked him to explain the composition that Montanelli had just read. Montanelli told him he'd repeat it since he clearly didn't understand... Hitting the table, the red-faced student cut him off and angrily told him, as a matter of fact, that if he hadn't understood Montanelli's composition, then it was Montanelli who was the imbecil! [and needed to change it]. It was then that he realized that he, who had come from the authoritarian regime of fascist Italy, had just had a confrontation with democracy. During this time Montanelli conducted his first interview with a celebrity: Henry Ford – who surprised him by admitting he did not have a driver's license. During the interview, surrounded by American art depicting pastoral and frontier subjects, Ford began to reverentially talk about the Founding Fathers. Looking at the decor, Montanelli astutely asked him how he felt about having destroyed their world. Puzzled, Ford asked what he meant. Undaunted, Montanelli pressed on that the automobile and Ford's revolutionary assembly line system had forever transformed the country. Ford looked shocked, and Montanelli realized that, like all geniuses, Ford hadn't had the slightest idea of what he'd really done.

The war in Abyssinia

When Mussolini declared war on Abyssinia with the intent of making Italy an empire (Second Italo–Abyssinian War), Montanelli immediately abandoned his collaboration with the United Press and became a voluntary conscript for this war. He believed then, along with many Italians of the time, that this was the chance for Italy to bring civilization to the 'savage' world of Africa, an enthusiasm that Montanelli blamed also on his passion for the works of Rudyard Kipling. In spite of these initial passions, it was this very experience that led to Montanelli's biggest change of mind with regards to Italian fascism.

This amounted to the realisation that the Abyssinia experience was none other than a pretext to elevate Mussolini on an ever-higher pedestal, a show more than the substance of a revolutionary change of the colonization and civilization of Africa. With few exceptions, such as the defense of Gondar, the conquest had been uneven and uneventful. One of the fascist leaders of the time, Farinacci, not finding enemies, began throwing hand grenades in the lake of Ascianghi: one exploded in his hand resulting in a silver medal award.

Montanelli began writing about the war to his father who – in Montanelli's total ignorance – sent the letters to one of the most famous journalists of those times, Ugo Ojetti, who published them regularly on the most prestigious Italian newspaper: Il Corriere della Sera.

The Spanish Civil War

On his return from Abyssinia, Montanelli became foreign correspondent in Spain for the daily newspaper Il Messaggero, where he experienced the Spanish Civil War on the side of Francisco Franco's troops. In this period he shared a room with Kim Philby, who, decades later, would reveal himself to the world as one of the greatest Soviet mole spies that ever existed. One day he disappeared. Years later Montanelli received a mysterious note saying: "Thanks for everything. Including your socks". It was Philby. After the capture of the city of Santander, Montanelli wrote that '(...) it had been a long military walk with only one enemy: the heat'. This judgement contrasted with the propaganda of the times that painted that 'battle' as a glorious bloodshed on the side of the Italian contingent. In fact the only casualty he noted, but never reported, by Montanelli was a single death in the Alpini regiment caused by a mule kick that threw the unfortunate trooper down into a dry river bed. For this article he was reimpatriated, tried and expelled from the Fascist party and from the 'journalist book'. When, in the trial, he was asked why he had written such an unpatriotic article, he replied: "Show me a single casualty of that battle: because a battle without casualties is not a real battle!" The trial ended with a full absolution.

Foreign correspondent with the Corriere della Sera

The position taken against fascism led him to first serious disagreements. He was taken off the ticket of the Party and he did nothing to get it back. So to avoid the worst, in 1938, the then minister of culture, Giuseppe Bottai, offered Montanelli the job of director of the Institute of Culture in Tallinn, Estonia, and lecturer in Italian at the University of Tartu. In this period the then director of the Corriere della Sera, Aldo Borelli, asked Montanelli to engage in a 'collaboration' as foreign correspondent (he could not be employed as journalist, because this had been forbidden by the fascist regime). Montanelli began to correspond for this newspaper from Estonia and Albania (during the Italian annexation of this country).

Invasions of Poland, Baltic countries and Finland

On 1 September 1939 Germany invaded Poland. Montanelli was sent to report from the front in a Mercedes accompanied by German state functionaries. In the vicinity to the city of Grudziądz the car was stopped by a convoy of German tanks. On one of these stood Hitler himself, but a few feet from Montanelli. When Hitler was told that the only person in casual clothes was Italian, he jumped out of the tank and eyeing Montanelli like a madman, began a ten-minute hysterical speech followed by military salute and exit. Albert Speer, who had also been in the convoy with fellow artist Arno Breker, corroborated the story in 1979. Apart from this episode – which Montanelli was forbidden to report – there had been little to report because the invasion of Poland was completed so rapidly that it was over within weeks. It was allegedly him who reported about the Skirmish of Krojanty and created a myth from it.

Montanelli was not welcome in Italy, and decided to move to Lithuania. The joint German-Russian invasion of Poland instinctively told him that more was brewing on the Soviet Union border. His instinct was correct because shortly after his arrival in Kaunas – the seat of Lithuanian government – the Soviet Union declared an Ultimatum to the Baltic Republics. At this point Montanelli continued to travel towards Tallinn as it was his wish to see the last of a free and democratic Estonia, which was soon invaded by Soviet Union. At this point, Montanelli was not popular in Italy, nor Germany because of his pro-Estonian and pro-Polish articles and had been expelled by the Soviet Union for being a foreigner. So he was forced by the events to cross the Baltic sea and reach Helsinki.

In Finland Montanelli began writing articles about the Lapps and the reindeer, although this was not for long as Molotov had made requests on the Finnish government for the annexation of part of the Finnish land to the Soviet Union. The Finnish delegation, headed by Paasikivi, had refused to give in to these requests and on their return it was clear that war was in the air. Montanelli was not able to write about the details of the talks between the Soviet and Finnish delegations, as they were shrouded in strict secrecy, although he was able to interview Paasikivi, who was happy to fill him in on everything except for the content of the talks.

Throughout the so-called Winter War which ensued, Montanelli wrote hotly pro-Finnish articles both from the front and from bomb-stricken Helsinki writing about the almost mythical enterprises of the battle of Tolvajärvi, and of men like captain Pajakka who with 200 Lapps successfully confronted 40,000 Russians in the region of Petsamo. Back in Italy Montanelli's stories had been followed with great enthusiasm by the public, but not so enthusiastic was the response of the fascist leaders who were committed to an alliance with the Soviet Union. When Borelli, director of the Corriere della Sera, had been ordered to censor Montanelli's articles, he had had the courage to reply that "thanks to his articles the Corriere increased its sales from 500,000 to 900,000 copies: are you going to reimburse me?". When the Winter War was over, and the non-aggression pact was signed between the Soviet Union and Finland, Montanelli was personally thanked by the elusive Mannerheim himself, for writing in favour of the Finnish cause.

Invasion of Norway

Before his return to Italy Montanelli witnessed the invasion of Norway, and was arrested by the German army for his hostility towards the German-Italian alliance. He escaped with the help of his friend Vidkun Quisling, and made a run for the north of the country where the English and the French were disembarking their troops at Narvik. He was met by the one-eyed, one-armed Major Carton de Wiart who explained that there were no more than 10,000 Allied troops in Norway – many of them not even trained for battle. Nobody seemed to know where their garrison was. The British wanted to go inland and attack the Germans, but the French wanted to stay put and consolidate their positions. After having seen the clockwork invasion of Poland by the German troops, this disarray was a worrying sight. When the Germans began bombing these positions the Allies were forced to embark once again and beat a hasty withdrawal to England.

The Balkans and Greece

With Italy's entrance in the war (June 1940), Montanelli was sent to France and the Balkans; then he was assigned the responsibility of following the Italian military campaign from Greece and Albania as correspondent. Here he recounted to have written little:

I remained at that front various months, writing almost nothing, a small reason was because I fell ill with typhus and a huge one because I refused to push as a glorious military campaign the quaking pummeling that we caught down there.[4]

An article published on the 12 September 1940 issue of Panorama was considered "defeatist" by the censors of Minculpop (Ministero della Cultura Popolare), who in turn ordered the closure of the periodical.

Condemned to death

After witnessing war and destruction in the Balkans, and the disastrous Italian invasion of Greece, Montanelli decided to join the partisan movement against the fascist regime, by joining the Partito d'Azione. Here he met with socialist Sandro Pertini (who would be president of Italy from 1978 to 1985).

He was eventually once again captured by the Germans, tried and condemned to death. In the Milan prison of San Vittore he met with Mike Bongiorno, who would later become one of the most famous quizmasters of Italian TV. In the prison he also made the acquaintance of General della Rovere, who was said to have been arrested while on a secret mission on behalf of the Allies. The reality was that this man was a thief called Giovanni Bertoni, a spy for the Germans. But Bertoni was so taken in by the military character he was playing that he refused to relay any information to his German masters and was executed like a real general. After the war Montanelli was to devote a book to this incident (Il generale Della Rovere, 1959, later turned into an award winning movie directed by Roberto Rossellini and starring Vittorio De Sica).

Salvation came at the end of 1944 with the help of unknown conspirators who arranged for his transfer to a prison in Verona. The transfer was then transformed into a dash for the Swiss border. The identity of these conspirators remained a mystery until decades later, when it appeared that it had been the result of collusion by several agencies. Among them, Marshall Mannerheim allegedly put pressure on his German allies ("You are executing a gentleman" he said to von Falkenhorst, the commander of the German troops stationed in Finland) resulting in Berlin's opening of an inquiry.

In 1945 while hiding in Switzerland, he published the novel Drei Kreuze (Three Crosses), later appeared in Italian with the title Qui non riposano (Here they do not rest). Inspired by Thornton Wilder's The Bridge of San Luis Rey, the story begins on 17 September 1944 when a Val d’Ossola priest buries three unknown corpses and commemorates them with three anonymous crosses.

Last years

Montanelli continued his career at the Corriere della Sera newspaper in Milan, famously authoring deeply sympathetic articles from Hungary, during the 1956 Hungarian Revolution. His first hand reportages inspired him to write the play, I sogni muoiono all'alba (Dreams Die at Dawn), later adapted to film. From the mid-1960s, after the death of the paper's proprietors, Mario and Vittorio Crespi, and the serious illness of the third brother, Aldo, ownership of the paper was vested upon Aldo's daughter, Giulia Maria. Under her tight control (earning her Montanelli's moniker the czarina), the daily took a sudden turn to the left. This new launch took place in 1972 with the abrupt dismissal of the director Giovanni Spadolini. Montanelli expressed a cutting indictment of the procedure in an interview on L'espresso, declaring: "A director is not sent away like a thieving domestic" and, turning to the Crespi family, he branded their "authoritarian, bullying junta ways that they have chosen in order to impose their decision".

After subsequently breaking definitely with Corriere della Sera he founded and directed the Milan daily Il Giornale in 1973, together with Enzo Bettiza.

On 2 September 1977, Montanelli was shot four times in the legs by a two-man commando of the Red Brigades, outside the Milanese head-office of the Corriere della Sera. His friend and surgeon was amazed on how "four shots could hit those [long, thin] chicken legs of his and still completely miss a major artery or nerve bundle". He credited his indoctrination as a child in the Balilla fascist youth and its mantra, "to die on your feet", for saving his life. He maintained that had he not held on to the railing during the incident the fourth shot would have surely hit him in the stomach. In his typical ironical and satirical vein he also thanked Il Duce. In a petty instance of insult to injury the "Corriere della Sera" dedicated an article to the incident omitting his name from the title ("Milan [...] journalist kneecapped").

When Silvio Berlusconi, the then proprietor of Il Giornale, entered politics and founded a new right-wing party Forza Italia, Montanelli came under heavy pressure to switch his editorial line to a position favourable to Berlusconi. Montanelli never hid his bad opinion of Berlusconi: "He lies as he breathes", the journalist declared. In the end, protesting his independence, he founded a new daily, for which he resurrected the name La Voce ("The Voice"), which had belonged to an historical newspaper run by Giuseppe Prezzolini. La Voce, always an elitist paper, folded after about a year, and Montanelli returned to Corriere della Sera. In 1994, Montanelli was awarded the International Editor of the Year Award from the World Press Review.

From 1995 to 2001 he was the chief letters editor of Corriere della Sera, answering a letter a day on a page of the newspaper known as "La Stanza di Montanelli" ("Montanelli’s Room"). Montanelli spent his last years vigorously opposing Silvio Berlusconi’s politics. He was mentor to a significant group of colleagues, followers and students including Mario Cervi, Marco Travaglio, Paolo Mieli, Roberto Ridolfi, Andrea Claudio Galluzzo, Beppe Severgnini and Roberto Gervaso.

He died on 22 July 2001 at the La Madonnina clinic in Milan. The following day, Corriere della Sera published a letter on its front page: "Indro Montanelli's farewell to his readers".

Awards and decorations

Knight Grand Cross of the Order of Merit of the Italian Republic – awarded on 15 December 1995[5]


  1. Daniele Abbiati (6 February 2010). "La Treccani riparte ma scivola su "Cilindro" Montanelli". il Giornale.
  2. Antonio Socci (14 September 2005). "Montanelli non si può arruolare". il Giornale.
  3. "World Press Freedom Heroes: Symbols of courage in global journalism". International Press Institute. 2012. Retrieved 26 January 2012.
  4. Abate, Tiziana; Montanelli, Indro, Soltanto un giornalista [Only a Journalist].
  5. "Presidential Awards". Quirinal Palace. Retrieved 14 September 2013.

External links

Media offices
Preceded by
Ernesto Libenzi
Editor in chief of La Domenica del Corriere
Succeeded by
Eligio Possenti
New title
Editor in chief of Il Giornale
Succeeded by
Vittorio Feltri
New title
Editor in chief of La Voce
Newspaper failed
Preceded by
Isabella Bossi Fedrigotti
Letters editor of Corriere della Sera
Succeeded by
Paolo Mieli
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