Imaginism was a poetic flow inside Russian avant-garde which came about after the Revolution of 1917.


Imaginism was founded in 1918 in Moscow by a group of poets including Anatoly Marienhof, Vadim Shershenevich, and Sergei Yesenin, who wanted to distance themselves from the Futurists; the name may have been influenced by imagism.

Stylistically, they were heirs to Ego-Futurism. Imaginists created poetry based on sequences of arresting and uncommon images. They widely used metaphors, sometimes producing long chains of them in their poems. On the hyperkinetic side the Imaginists created a sense of dynamism in verbless poems.[1]

Other members of the group were the poets Rurik Ivnev, Alexander Kusikov, Ivan Gruzinov, Matvey Royzman, and the prominent Russian dramatist Nikolay Erdman. In January 1919 they issued a manifesto, whose text was largely written by Shershenevich.

Most of the imaginists were freethinkers and atheists. Imaginism had its main centres in Moscow and St. Petersburg. There were also smaller centres of imaginism in Kazan, Saransk, and Ukraine. Imaginists organised four poetry publishing houses, one of which was called Imaginism, and published the poetry magazine Gostinitsa dlya puteshestvuyuschih v prekrasnom ("Guesthouse for travellers in the beautiful").

The group broke up in 1925, and in 1927 it was liquidated officially. Its heritage, though, is still strong in Russia. Poems by Yesenin and Shershenevich, memoirs by Marienhof, and plays by Erdman are still in print and always in demand.

After the disappearance of the group, the "young imaginists" declared themselves followers of this trend in the early 1930s, and so did the "meloimaginists" in the 1990s.[2]


See also


  1. Hirsch , Edward, 'A Poet's Glossary' 2014
  2. Kudryavitsky, "Popytka zvuka."

External links

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