|God of the sky and kingship|
|Major cult center||Nekhen, Edfu|
|Symbol||Eye of Horus|
|Consort||Serket (as Horus the Elder), Hathor (in one version)|
|Parents||Osiris and Isis|
|Siblings||Osiris, Isis, Set, and Nephthys (as Horus the Elder), Anubis (as Horus the Younger)|
|Offspring||Imset, Hapi, Duamutef, Qebehsenuef (as Haroeris)|
Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. These various forms may possibly be different perceptions of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The earliest recorded form of Horus is the tutelary deity of Nekhen in Upper Egypt, who is the first known national god, specifically related to the king who in time came to be regarded as a manifestation of Horus in life and Osiris in death. The most commonly encountered family relationship describes Horus as the son of Isis and Osiris, and he plays a key role in the Osiris myth as Osiris's heir and the rival to Set, the murderer of Osiris. In another tradition Hathor is regarded as his mother and sometimes as his wife. Horus served many functions, most notably being a god of the sky, war and hunting.
| ḥr "Horus"|
Horus is recorded in Egyptian hieroglyphs as ḥr.w "Falcon"; the pronunciation has been reconstructed as ħaːruw. Additional meanings are thought to have been "the distant one" or "one who is above, over". As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros (pronounced at the time as hoːɾos). It also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese "Horus, Son of Isis".
Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, with whom Horus was identified from early on.
Note of changes over time
Horus and the pharaoh
The Pyramid Texts (c. 2400–2300 BC) describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, where he was united with the rest of the gods. New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs.
The lineage of Horus, the eventual product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life. By identifying Horus as the offspring of these forces, then identifying him with Atum himself, and finally identifying the Pharaoh with Horus, the Pharaoh theologically had dominion over all the world.
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Horus was born to the goddess Isis after she retrieved all the dismembered body parts of her murdered husband Osiris, except his penis, which was thrown into the Nile and eaten by a catfish, or sometimes by a crab, and according to Plutarch's account used her magic powers to resurrect Osiris and fashion a golden phallus to conceive her son (older Egyptian accounts have the penis of Osiris surviving).
Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris and who she knew would want to kill their son. There Isis bore a divine son, Horus.
| rˁ-ḥr-3ḫty "Ra-Horakhty"|
Since Horus was said to be the sky, he was considered to also contain the sun and moon. It became said that the sun was his right eye and the moon his left, and that they traversed the sky when he, a falcon, flew across it. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. In this tale, it was said that Set, the patron of Upper Egypt, and Horus, the patron of Lower Egypt, had battled for Egypt brutally, with neither side victorious, until eventually the gods sided with Horus.
As Horus was the ultimate victor he became known as ḥr.w wr "Horus the Great", but more usually translated "Horus the Elder". In the struggle, Set had lost a testicle, explaining why the desert, which Set represented, is infertile. Horus' left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced.
Horus represented the eclipsing binary Algol in the Calendar of Lucky and Unlucky Days of papyrus Cairo 86637.
Horus was occasionally shown in art as a naked boy with a finger in his mouth sitting on a lotus with his mother. In the form of a youth, Horus was referred to as nfr ḥr.w "Good Horus", transliterated Neferhor, Nephoros or Nopheros (reconstructed as naːfiru ħaːruw).
The Eye of Horus is an ancient Egyptian symbol of protection and royal power from deities, in this case from Horus or Ra. The symbol is seen on images of Horus' mother, Isis, and on other deities associated with her. In the Egyptian language, the word for this symbol was "wedjat" (wɟt). It was the eye of one of the earliest of Egyptian deities, Wadjet, who later became associated with Bastet, Mut, and Hathor as well. Wadjet was a solar deity and this symbol began as her all-seeing eye. In early artwork, Hathor is also depicted with this eye. Funerary amulets were often made in the shape of the Eye of Horus. The Wedjat or Eye of Horus is "the central element" of seven "gold, faience, carnelian and lapis lazuli" bracelets found on the mummy of Shoshenq II. The Wedjat "was intended to protect the king [here] in the afterlife" and to ward off evil. Egyptian and Near Eastern sailors would frequently paint the symbol on the bow of their vessel to ensure safe sea travel.
God of war and hunting
Horus was also said to be a god of war and hunting. The Horus falcon is shown upon a standard on the prehistoric Hunters Palette in the "lion hunt". Thus he became a symbol of majesty and power as well as the model of the pharaohs, who were said to be Horus in human form.
Conflict between Horus and Set
Horus was told by his mother, Isis, to protect the people of Egypt from Set, the god of the desert, who had killed Horus' father, Osiris. Horus had many battles with Set, not only to avenge his father, but to choose the rightful ruler of Egypt. In these battles, Horus came to be associated with Lower Egypt, and became its patron.
According to The Contendings of Horus and Seth, Set is depicted as trying to prove his dominance by seducing Horus and then having sexual intercourse with him. However, Horus places his hand between his thighs and catches Set's semen, then subsequently throws it in the river so that he may not be said to have been inseminated by Set. Horus then deliberately spreads his own semen on some lettuce, which was Set's favorite food. After Set had eaten the lettuce, they went to the gods to try to settle the argument over the rule of Egypt. The gods first listened to Set's claim of dominance over Horus, and call his semen forth, but it answered from the river, invalidating his claim. Then, the gods listened to Horus' claim of having dominated Set, and call his semen forth, and it answered from inside Set.
However, Set still refused to relent, and the other gods were getting tired from over eighty years of fighting and challenges. Horus and Set challenged each other to a boat race, where they each raced in a boat made of stone. Horus and Set agreed, and the race started. But Horus had an edge: his boat was made of wood painted to resemble stone, rather than true stone. Set's boat, being made of heavy stone, sank, but Horus' did not. Horus then won the race, and Set stepped down and officially gave Horus the throne of Egypt. After the New Kingdom, Set was still considered lord of the desert and its oases.
In many versions of the story, Horus and Set divide the realm between them. This division can be equated with any of several fundamental dualities that the Egyptians saw in their world. Horus may receive the fertile lands around the Nile, the core of Egyptian civilization, in which case Set takes the barren desert or the foreign lands that are associated with it; Horus may rule the earth while Set dwells in the sky; and each god may take one of the two traditional halves of the country, Upper and Lower Egypt, in which case either god may be connected with either region. Yet in the Memphite Theology, Geb, as judge, first apportions the realm between the claimants and then reverses himself, awarding sole control to Horus. In this peaceable union, Horus and Set are reconciled, and the dualities that they represent have been resolved into a united whole. Through this resolution, order is restored after the tumultuous conflict.
Egyptologists have often tried to connect the conflict between the two gods with political events early in Egypt's history or prehistory. The cases in which the combatants divide the kingdom, and the frequent association of the paired Horus and Set with the union of Upper and Lower Egypt, suggest that the two deities represent some kind of division within the country. Egyptian tradition and archaeological evidence indicate that Egypt was united at the beginning of its history when an Upper Egyptian kingdom, in the south, conquered Lower Egypt in the north. The Upper Egyptian rulers called themselves "followers of Horus", and Horus became the tutelary deity of the unified nation and its kings. Yet Horus and Set cannot be easily equated with the two halves of the country. Both deities had several cult centers in each region, and Horus is often associated with Lower Egypt and Set with Upper Egypt. Other events may have also affected the myth. Before even Upper Egypt had a single ruler, two of its major cities were Nekhen, in the far south, and Nagada, many miles to the north. The rulers of Nekhen, where Horus was the patron deity, are generally believed to have unified Upper Egypt, including Nagada, under their sway. Set was associated with Nagada, so it is possible that the divine conflict dimly reflects an enmity between the cities in the distant past. Much later, at the end of the Second Dynasty (c. 2890–2686 BCE), Pharaoh Seth-Peribsen used the Set animal to writing his serekh name in place of the falcon hieroglyph representing Horus. His successor Khasekhemwy used both Horus and Set in the writing of his serekh. This evidence has prompted conjecture that the Second Dynasty saw a clash between the followers of the Horus king and the worshippers of Set led by Seth-Peribsen. Khasekhemwy's use of the two animal symbols would then represent the reconciliation of the two factions, as does the resolution of the myth.
Heru-pa-khered (Horus the Younger)
Horus the Younger, Harpocrates to the Ptolemaic Greeks, is represented in the form of a youth wearing a lock of hair (a sign of youth) on the right of his head while sucking his finger. In addition, he usually wears the united crowns of Egypt, the crown of Upper Egypt and the crown of Lower Egypt. He is a form of the rising sun, representing its earliest light.
Her-ur (Horus the Elder)
In this form he represented the god of light and the husband of Hathor. He was one of the oldest gods of ancient Egypt. He became the patron of Nekhen (Hierakonpolis) and the first national god (God of the Kingdom). Later, he also became the patron of the pharaohs, and was called the son of truth. – signifying his role as an important upholder of Maat. He was seen as a great falcon with outstretched wings whose right eye was the sun and the left one was the moon. In this form, he was sometimes given the title Kemwer, meaning (the) great black (one).
Celebrations of Horus
Gallery of images
- Horus, patron deity of Hierakonpolis (near Edfu), the predynastic capital of Upper Egypt. Its head was executed by means of beating the gold then connecting it with the copper body. A uraeus is fixed to the diadem which supports two tall openwork feathers. The eyes are inlaid with obsidian. Sixth Dynasty.
- Horus relief in the Temple of Edfu
- "The Oxford Guide: Essential Guide to Egyptian Mythology", Edited by Donald B. Redford, Horus: by Edmund S. Meltzer, p164–168, Berkley, 2003, ISBN 0-425-19096-X
- "The Oxford Guide: Essential Guide to Egyptian Mythology", Edited by Donald B. Redford, p106 & p165, Berkley, 2003, ISBN 0-425-19096-X
- Wilkinson, Richard H. (2003). The Complete Gods and Goddesses of Ancient Egypt. Thames & Hudson. p. 202.
- Meltzer, Edmund S. (2002). Horus. In D. B. Redford (Ed.), The ancient gods speak: A guide to Egyptian religion (pp. 164). New York: Oxford University Press, USA.
- Allen, James P. (2005). The Ancient Egyptian Pyramid Texts. Society of Biblical Literature. ISBN 978-1-58983-182-7.
- Samuel Noah Kramer. Mythologies of the Ancient World. Quadrangle Books: Chicago, 1961. pp. 35–43
- New York Folklore Society (1973). "New York folklore quarterly". 29. Cornell University Press. p. 294.
- Ian Shaw (2003). The Oxford History of Ancient Egypt. Oxford University Press. ISBN 0-19-815034-2.
- Piotr O. Scholz (2001). Eunuchs and castrati: a cultural history. Markus Wiener Publishers. p. 32. ISBN 1-55876-201-9.
- Roy G. Willis (1993). World mythology. Macmillan. p. 43. ISBN 0-8050-2701-7.
- Jetsu, L.; Porceddu, S. (2015). "Shifting Milestones of Natural Sciences: The Ancient Egyptian Discovery of Algol's Period Confirmed". PLOS ONE. 10(12): e.0144140 (23pp). doi:10.1371/journal.pone.0144140.
- Jetsu, L.; Porceddu, S.; Lyytinen, J.; Kajatkari, P.; et al. (2013). "Did the Ancient Egyptians Record the Period of the Eclipsing Binary Algol - The Raging One?". The Astrophysical Journal. 773 (1): A1 (14pp). arXiv:1204.6206. Bibcode:2013ApJ...773....1J. doi:10.1088/0004-637X/773/1/1.
- Pommerening, Tanja, Die altägyptischen Hohlmaße (Studien zur Altägyptischen Kultur, Beiheft 10), Hamburg, Helmut Buske Verlag, 2005
- M. Stokstad, "Art History"
- "Lady of the West". hethert.org. Retrieved 18 January 2015.
- Silverman, op. cit., p.228
- Charles Freeman, The Legacy of Ancient Egypt, Facts on File, Inc. 1997. p.91
- "The Contendings of Horus and Seth". reshafim.org.il.
- Ancient Egyptian Culture
- "Ancient Egypt: the Mythology - Horus". egyptianmyths.net.
- Scott David Foutz. "Theology WebSite: Etext Index: Egyptian Myth: The 80 Years of Contention Between Horus and Seth". theologywebsite.com. Retrieved 18 January 2015.
- Fleming, Fergus, and Alan Lothian. The Way to Eternity: Egyptian Myth. Duncan Baird Publishers, 1997. pp. 80–81
- "Figure of a Horus Falcon". The Walters Art Museum.
- Mythology, published by DBP, Chapter: Egypt's divine kingship
- Set, God of Confusion, by TeVelde
- Te Velde, pp=59–63
- Meltzer in Redford, pp. 165–166
- Wilson, Erasmus (January 1, 1877). Cleopatra's needle: With brief notes on Egypt and Egyptian obelisks. London: Brain & Company. p. 208. Retrieved 6 December 2014.
- Patricia Turner, Charles Russell Coulter, Dictionary of ancient deities, 2001
- "MACROBIUS, Saturnalia - Loeb Classical Library". Loeb Classical Library.
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