|Official name||Gawai Dayak|
|Also called||Ari Gawai (Iban people), Andu Gawai (Bidayuh)|
|Observed by||Sarawak, West Kalimantan|
|Type||Religious, social, traditional ethnic festival|
|Next time||1 June 2017|
Gawai Dayak is an annual festival celebrated by the Dayak people in Sarawak, Malaysia and West Kalimantan, Indonesia on 31 May and 1 June. It is a public holiday in Sarawak and is both a religious and a social occasion recognised since 1957.
Gawai Dayak was the concept of the radio producers Tan Kingsley and Owen Liang taken up by the Dayak community. The British colonial government refused to recognise Dayak Day until 1962. They called it Sarawak Day for the inclusion of all Sarawakians as a national day, regardless of ethnic origin.
On 1 June 1963, Datuk Michael Buma, a Betong native, hosted the celebrations of the first Gawai Dayak at his home at Siol Kandis, Kuching.  On 25 September 1964, Sarawak Day was gazetted as a public holiday acknowledging the formation of the Federation of Malaysia. The holiday was first celebrated on 1 June 1965 and it became a symbol of unity, aspiration and hope for the Dayak community. It is an integral part of Dayak social life. It is a thanksgiving day marking a bountiful harvest and a time to plan for the new farming season or other endeavours ahead.
Gawai Dayak comes from Gawai meaning festival and Dayak a collective name for the indigenous peoples of Sarawak, Indonesian Kalimantan and the interior of Borneo. The population estimate is two to four million people. The Dayaks, previously known as the Sea Dayak are mostly Iban people. Other ethnic groups such as the Bidayuh people (Land Dayak and Orang Ulu) are recognised. The Orang Ulu include the Kayans, Kenyahs and Lun Bawangs. There are over 200 riverine and hill-dwelling ethnic subgroups in the region. Although these peoples have common traits, each have their own dialect, customs, laws, territory and culture. Dayak languages are categorised as part of the Austronesian languages. The Dayaks embraced animism and paganism but in recent times, many have converted to Christianity.
As the festival day approaches, everyone will be busy with general tidying up, grave visiting, paddy drying and milling, collecting and preparing food and final house decoration, where necessary. The mode of celebrations of Gawai Dayak vary from place to place and preparations begin early.
Food and drink
When a longhouse agrees to host Gawai Dayak, they may need to plant extra paddy and organise labour ("bedurok"). Rice may be purchased from the towns if the festival is in a place where paddy farming is absent or insufficient. The traditional Dayak liquor is Rice wine called tuak. It is brewed at least one month before the Gawai Dayak. The drink is brewed from the glutinous rice from a recent harvest mixed with home-made yeast. Traditionally, tuak was made with rice milk only but is now cut with sugar and water in a process called ciping. A stronger alcoholic beverage made by the Ibans is "langkau" (called arak tonok" (burnt spirit) by the bidayuhs). This drink is made by distilling tuak over a fire.
Traditional cake delicacies are prepared from glutinous rice flour mixed with sugar. The cakes include sarang semut (ant nest cake), cuwan (molded cake) and kui sepit (twisted cake). The cakes can last well whilst kept inside a jar because they are deep-fried until hardened. Penganan iri (a discus-shaped cake) are made just prior to the festival day because they do not keep well. This is because the cake is lifted from the hot frying oil while not fully hardened. The sugar used can be the brown nipah sugar or cane sugar.
Before the Gawai eve, the longhouse residents may organise a hunting or fishing trip to gather wild meats and fish. Both can be preserved with salt in a jar or smoked over a firewood platform above the hearth. Any wild animal parts like the horns, teeth and claws, and feathers are used to decorate and repair traditional costumes.
Decoration of the longhouse
The longhouse is cleaned, repaired and repainted by co-operation amongst its residents, (gotong-royong in Malay). The longhouse is constructed as a unique place of living and worship. Its main post (tiang pemun) is the designated starting point of all the building materials ("pun ramu") and must remain intact. Timber and wooden materials for repairs are obtained from nearby reserve forests ("pulau galau, pulau ban") or purchased in towns. A "pantar" (long chair) may be built along the upper area of the ruai (gallery). The seat is raised and the tanju (verandah wall) is used as the back rest. Some old wooden longhouses ("rumah kayu") are renovated with concrete and bricks to make a terraced structure ("rumah batu").
The inside walls of the longhouse are decorated with "ukir" murals portraying tree and wild animal motifs. Men with decorating skills make split bamboo designs. The Orang Ulu are famous for their colourful paintings of the tree of life on their house walls and their house posts are elaborately carved. Highly decorated shields are displayed near the family room door. Heirloom jars and old human skulls obtained during headhunting raids, if still kept, are cleaned and displayed. Deer horns may be secured on the longhouse posts in order to secure highly decorated swords and other household items.
Gawai Dayak eve
On Gawai Eve, people gather sago, aping, sawit or coconut palm shoots which are used for making soup. Vegetables such as wild miding fern, fiddlehead fern, bamboo shoots, tapioca leaves and Dayak round brinjals from nearby jungle, farms or gardens are also gathered.
After the gathering of plants and vegetables early in the morning, the poultry is slaughtered. Enough meat is cooked in mid-aged thin-walled bamboo logs to make a traditional dish called "pansoh" (or "lulun" in the Iban language). The meat is first mixed with traditional herbs like lemon grass, ginger, bungkang leaves and salt. Any remaining meat is preserved in salt. Animal heads are roasted over an open fire to be served hot with tuak. Wooden cooking implements are made from small tree logs.
Some glutinous rice is cooked in bamboo logs to soak up the bamboo aroma. Normal rice will be cooked in pots at the kitchen hearth. The addition of pandan leaves gives a special aroma. Smoke from the fire wood also gives a distinctive aroma. Some Dayaks, especially Orang Ulu, will wrap rice in long green leaves before steaming it inside a pot. Rice may also cooked using a gas stove or rice cooker.
Highly decorated mats for guests to sit on are laid out on the longhouse gallery which runs the entire length of the building. The Dayaks make various types of traditional hand-woven mats. There are reed mats woven with colourful designs, lampit rattan mats, bidai tree bark mats and peradani mats. The walls of most family rooms and galleries are decorated with traditional blankets such as the woven Pua Kumbu and the tied cloth (kain kebat) blankets which are made with unique Dayak designs. During the festival, women are keen to display their skills and hard work at mat-making and hand-weaving. Some traditional baskets are also seen.
Men and women may wear "ngepan", the traditional costume, especially when guests are arriving. The traditional dress of men is a loincloth (sirat or cawat), animal skin coat (gagong), peacock and hornbill feathers (lelanjang) headware, chains over the neck (marik), silver armlets and anklelets along with a shield, sword and spear. Men are decorated with tribal tattoos (kalingai or pantang in Iban) which signify their life experience and journey. A frog design on the front of the man's neck and or tegulun designs on the backs of the hand indicate the wearer has chopped off a human head or killed a man in military combat. However, some designs are based on marine life which are meant for protection and rescue of the wearers when on the water.
Women wear a hand-woven cloth (kain betating) worn around the waist, a rattan and brass ring high corset around the upper body, selampai (a long piece of scalp) worn over the shoulders, a woven bead chain over the neck and shoulders (marik empang), a decorated high-comb (sugu tinggi) over the hair lump (sanggul), a silver belt (lampit), armlet, anklet and orb fruit purse. In the past, it was customary for Dayak women to have the breasts bare as a sign of beauty. In Bidayuh Dayaks society, Dayung Boris are the maidens of the Gawai Festival.
Offerings and sacrifices
Celebrations begin on the evening of 31 May with a ceremony to cast away the spirit of greed (Muai Antu Rua). Two children or men, each dragging a winnowing basket (chapan) will pass each by family's room. Every family will throw some unwanted article into the basket. The unwanted articles will then be tossed to the ground from the end of the longhouse.
At dusk, a ritual offering ceremony (miring or bedara) will take place at every family room, one after the other. Before the ceremony, ritual music called gendang rayah is performed. Old ceramic plates, tabak (big brass chalices) or containers made of split bamboo skins (kelingkang) are offered to the deities.
The Iban Dayaks believe in seven deities whose names are Sengalang Burong (the god of war which is represented by the brahminy kite in this world); Biku Bunsu Petara (the great priest's second in command), Menjaya Manang (the first shaman and god of medicine), Sempulang Gana with Semerugah (the god of agriculture and land), Selampadai (the god of creation and procreativity), Ini Inee/Andan (the god of justice) and Anda Mara (the god of wealth). Iban Dayaks also call upon the legendary and mythical people of Panggau Libau and Gelong, and some good helpful spirits or ghosts to attend the feast.
Offerings to the deities are placed at the four corners of each family room, in the kitchen, at the rice jar, in the gallery, the tanju and the farm. Other highly prized possessions such as precious old jars and modern items like rice milling engines, boat engines or a car may also be used as offerings. Any pengaroh (charm) will be brought out for this ceremony to ensure its continuous effectiveness and to avoid madness afflicting the owner. Wallets are placed among the offerings to increase the tuah or fortune of the owners.
Each set of offerings usually contains seven traditional items: the cigarette nipah leaves and tobacco, betel nut and sireh leaves, glutinous rice in a hand-woven leave container (senupat), rice cakes (tumpi), sungki (glutinous rice cooked in buwan leaves), glutinuos rice cooked in bamboo logs (asi pulut lulun), penganan iri (cakes of glutinous rice flour mixed with nipah sugar), ant nest cakes and moulded cakes, poprice (made from glutinous paddy grains heated in a wok or pot), hard-boiled chicken eggs and tuak rice wine poured over or contained in a small bamboo cup.
After all the offering sets are completed, the chief of the festival thanks the gods for a good harvest, and asks for guidance, blessings and long life as he waves a cockerel over the offerings (bebiau). The cockerel is sacrificed by slicing its neck. Its wing feathers are pulled out and brushed onto its bleeding neck after which each feather is placed as a sacrifice (genselan) onto each of the offering sets. The offerings are then placed at the designated locations.
Once the offering ceremony is completed, the family sits down for dinner, the "makai di ruai" (meal at gallery) or makai rami" (festival meal) in the gallery of the longhouse. Each family member has contributed something. All the best traditional foods, delicacies and drinks that have been prepared are displayed.
Just before midnight, a spirit-welcoming procession (Ngalu Petara) is performed several times up and down the gallery. A beauty pageant to choose the festival's queen and king (Kumang and Keling Gawai) is sometimes conducted. The winners are chosen for completeness of their traditional costumes and beauty. The chief and elders hold a "begeliga" to remind everybody to keep order, peace and harmony. Heavy fines (ukom) are imposed on those who break the customary "adat" and festive ground rules with fighting, quarrelling, drunkenness or vandalism.
At midnight, a gong is rung to call the guests to attention. The longhouse chief (tuai rumah) or host will lead a toast to longevity (Ai Pengayu) and the new year with a short prayer (sampi). The festival greeting, "Gayu Guru, Gerai Nyamai, Senang Lantang Nguan Menua" is repeated to each other. Mistakes and quarrels are forgiven. Where a bard is available, he may be asked to recite a short chant called "timang ai pengayu" to bless the longevity water before the chief says the short prayer.
After dinner, celebrations are less formal. A tree of life (ranyai) is erected in the gallery as a backdrop to performances of the ngajat dance, sword dance (bepencha) or self-defence martial art (bekuntau). An important activity after dinner is the badigir, a lining up of guests, perhaps according to their social rank. A woman sings while others in their costumes offer the men a bowl (jalong) of tuak and some tabas (delicacies). The winner is awarded a coconut symbolizing a trophy head skull. There may be several line-ups for groups of senior men, youth, and women. In another event, the young finish the tuak from a medium-sized jar (kebok) and in return they are requested to donate some money as a token of their appreciation.
Another important activity is the singing of traditional poems. These include pantun, ramban, jawang, sanggai and pelandai. Honoured guests may be asked to break up a coconut to symbolise the actions of Sengalang Burong (the god of war) during the Iban timang incantation which is called "ngelanpang" (chopping off the head skull to present various kinds of beneficial seeds to humankind). Other activities include (blowpipe) sumpit contests, mini sports and traditional games such as tuak drinking, arm-wrestling (bibat lengan), small log pulling (betarit lampong), rope pulling (tarit tali) and foot-banging (bapatis). Some engage in cockfighting. Mini sports include football, sepak takraw (rattan kickball) and futsal. Other games are egg-rolling, plate passing according to the taboh music, running in gunny sacks and balloon blowing and karaoke and joget dance.
There are many variations of the traditional ngajat dance. The male and female dances consist of graceful and precise movements of the body, hands and feet with occasional shouts of a battle cry. Examples are the ngajat lesong (rice mortar dance) and the warrior dance for men. Women perform the ngajat pua kumbu (ritual cloth dance). The male dance shows strength and bravery and may imitate the movements of a hornbill which is regarded as the king of worldly birds. The ngajat dance is accompanied by a traditional band consisting of an engkerumong set (percussion), tawak (big gong), bebendai (small gong) and bedup (drum). The Orang Ulu music is played using the sape. Recordings of the tunes may be used instead of a band.
Bidayuh Dayak dances include the tolak bala (danger repealing), a dance performed before the harvest to ask for blessing and protection of the community; the totokng dance that is performed during the harvest festival to welcome the paddy soul and guests; the langi julang which is performed at the closing of the harvest festival to thank gods for bestowing good health and a rich harvest; and the eagle-warrior fight dance performed after the harvest season. Hands are held outstretched imitating the movements of the eagles as they flap their wings in flight. The eagle eventually falls unconscious so leaving the warrior as the winner. It is performed by men seeking a female partner.
On the first day of June, Dayak homes are opened to guests. This practice is called "ngabang". Open houses may also be organised by Dayak associations or non-government organisations. This will continue until the end of June where the gawai will be closed in a ngiling bidai (mat rolling up) ceremony.
When guests arrive, tuak is offered and women line up in two rows on each side of the ladder "nyambut pengabang". The welcoming drink (ai tiki) is followed by the thirst-quenching drink (ai aus). Then, when the guests are seated, further rounds of tuak as a washing drink (ai basu), profit drink (ai untong) and respect drink (ai basa) are given. This activity is called the watering of guests or "nyibur temuai".
Speeches are made such as the jaku ansah (sharpening speech) which introduces the guest of honor. The guest of honor is received with a "miring" offering ceremony outside the longhouse. Upon approaching the longhouse ladder, the guest of honor is asked to open a fort ("muka kuta"). This is represented by the slashing of a bamboo fence with a sword and a poem. Then, at the foot of the longhouse ladder, an animal is speared (mankan).
In ngalu pengabang, guests led by ngajat dancers and followed by the band, process to their seats in the longhouse gallery. After that, a guest prayer (biau pengabang) is recited by a talented speaker like the headman or the lemambang bard while he sways holding a chicken over the heads of guests. Before the guests are offered foods, a special speech (called "muka kujuk" in Iban) to open the traditional cloth covering over food containers is recited.
After eating, the families of the longhouse are visited by guests. A short longhouse may have ten to thirty family rooms while moderately long may have thirty to fifty family rooms. A very long longhouse may have fifty to one hundred family rooms. It is common for Dayaks to discuss their genealogy (tusut in Iban). In the activity called bantil (persuaded drinking), women offer drinks to men to help them overcome shyness. Men traditionally reject the first offers as a sign of respect to the host. Women sing a traditional poem called pantun while offering tuak. In the activity called uti, a special guest is asked to open a coconut placed on a ceramic plate using a blunt knife without handling the coconut or breaking the plate. The coconut tells of someone's heart and fate: white flesh is good and black flesh is bad.
Closing of Gawai Dayak
Gawai Dayak ends around the end of June. The closing ceremony is signified by symbolically rolling back a miring ceremony mat called a bidai by each family within the longhouse. It is known as Ngiling Bidai among Iban Dayaks.
Gawai Dayak celebrations may last for a month. It is during this time of year that many Dayak weddings (Melah Pinang or Gawai Lelabi) take place.
Most Iban will hold minor rites called bedara which can be bedara mata (an unripe offering) inside the family bilek room or bedara mansau (a ripe offering) at the family ruai gallery. Berunsur (cleansing) is performed at the family tanju (verandah). Rituals called gawa are the Sandau Ari (midday festival); Tresang Mansau (red bamboo pole); and Gawai Kalingkang.
Ritual feasts of the Saribas and Skrang region include Gawai Bumai (agricultural festival); Gawai Batu (whetstone festival); Gawai Benih]] (a paddy seed festival); and Gawai Burong (a bird festival). The bird festival is performed early in the period to avoid spoiling of rice wine by the spirit Indai Bilai during the festival for the dead. The Gawai Antu or Ngelumbong (festival of the dead) follows the Gawai Dayak.
In the Baleh region, the Iban festivals include the Gawai Baintu-intu (wellness festival); Gawai Bumai (farming festival); Gawai Amat (proper festival to request divine supernatural assistance); Gawai Ngelumbung (tomb building festival) and Gawai Mimpi (dream festival based on dream messages from the spirits).
Fortune related festivals include Gawai Tuah (fortune festival); Gawai Ngiga Tuah (fortune seeking festival); Gawai Namaka Tuah (fortune welcoming festival); Gawai Tajau (jar festival); For any newly completed longhouses, a Gawai Mangkong Tiang (main house post hammering festival) is celebrated. The Gawai Sakit (healing festival) takes place if the belian rituals ("sugi sakit" and "renong sakit") are unsuccessful.
For most of these traditional festivals, sacred invocation and incantations called pengap or timang are performed through the night by a bard and his assistants. 
Christian Dayaks replace the traditional offering ceremony with a prayer session within the family room. The associated church service is called tuai sembiang.
- ↑ When will the gawai end. The Borne Post website 1 January 2012.
- ↑ Anggat S. The Iban Longhouse Gnmawar blog about Iban cultural heritage.
- ↑ Anggat A. Basic Iban Design.
- ↑ Sandin B. Raja Durong
- ↑ Arif T. Celebrating Borneo's Harvest Festivals. The Ministry of Tourism, Malaysia.
- ↑ Leka Main Puisi Rakyat Iban Satu analysis pdf.
- ↑ Duncan W. Bulu Manok Iban: Bujang Sugi and Rukun Sabong.
- ↑ Majang A. Melah Pinang.
- ↑ Sandin B. and Sather C. Iban Adat and Augury.
- ↑ Gawai Batu by Benedict Sandin
- ↑ Sandin B. Gawai Burong
- ↑ Sandin B. Gawai Antu
- ↑ Grijih H. Gawai Antu, Iban Feast of the Departed.
- ↑ Masing J. Timang Gawai Amat: A study of Timang Incantation of Iban Baleh.
- ↑ Enggu E. Pengap Gawai Tajau
- ↑ Sandin B. Gawai Pangkong Tiang
- ↑ Sandin B. Gawai Sakit oleh.
- ↑ Leka Main Puisi Rakyat Iban Satu analysis. pdf.