Frédéric Ogée

Frédéric Ogée is professor of English literature and art history at Université Paris Diderot.^[1] He is a specialist in the art and literature of the eighteenth century.

Selected publications

• R.B.Sheridan - The Critic. In collaboration with Marie-Claire Rouyer. Paris: Didier, 1995.
• Grammaire appliquée de l'anglais, New revised edition, in collaboration with Paul Boucher (Université de Nantes). Paris: Editions CDU-SEDES-NATHAN, 1997. Re-published 2011: 3rd revised edition, Paris: Armand Colin
• The Dumb Show : Image and Society in the Works of William Hogarth. A Collection of essays, in Studies on Voltaire and the Eighteenth Century. Oxford : The Voltaire Foundation, 1997, re-published 2014, POD 2016.
• Henry Fielding - Joseph Andrews, in collaboration with Alain Bony. Paris : Didier, 2000.
• William Hogarth : Representing Nature's Machines. In collaboration with David Bindman (University College London) and Peter Wagner (Universität Landau). Manchester : Manchester University Press, 2001. (with 2 essays by F.Ogée)
• Art & Nation : la fondation de la Royal Academy of Arts, 1768-1836, in collaboration with Isabelle Baudino and Jacques Carré, Paris : Armand Colin, 2004. (2 chapitres)
• ‘Better in France? The circulation of ideas across the Channel in the 18th century. Lewisburg : Bucknell University Press, 2005, 298 p.
• Diderot and European Culture, a collection of essays, in collaboration with Anthony Strugnell, Studies on Voltaire and the Eighteenth Century. Oxford : The Voltaire Foundation, 2006. Republished 2009.
• Representation and Performance in the Eighteenth Century, in collaboration with Peter Wagner, Trier: Wissenschaftlicher Verlag, 2006.
• Jonathan Richardson : Traité sur la peinture, etc., translation and critical edition, in collaboration with Isabelle Baudino. Paris : ensba, 2008.
• Ossian then and now, recueil d’articles, INTERFACES n°27, 2008
• Ruins and Sketches in the Enlightenment, in collaboration with Peter Wagner, Trier: Wissenschaftlicher Verlag, 2008.
• William Gilpin, Observations on the River Wye, &tc., first French translation, and critical edition, Presses Universitaires de Pau, 2009.
• J.M.W.Turner. Les paysages absolus. Paris : Hazan, 2010. 400 pages
• Taste and the senses in the Eighteenth century, in collaboration with Peter Wagner, Trier: Wissenschaftlicher Verlag, 2012.
• Jonathan Swift, Voyage à Lilliput, New translation, Preface and notes, Paris, Le Livre de poche, 2012.
• The Definition of Colour, a collection of essays, INTERFACES 33, 2012 (http://college.holycross.edu/interfaces/vol33.html)
• Intellectual journeys the translation of ideas in Enlightenment England, France and Ireland, in collaboration with Lise Andries, Darach Sanfey and John Dunkley Volume: SVEC 2013:12. Oxford, Voltaire Foundation, 2013.

References