Florence Guy Woolston Seabury

Florence Guy Woolston Seabury (April 1881 – October 6, 1951) was an American journalist and feminist essayist, and a member of Heterodoxy.

Early life and education

Florence Guy was born in 1881 in Montclair, New Jersey,[1] the daughter of Ernest Guy and Cordelia Clark Guy. She studied sociology at Columbia University.[2]

Career

Woolston worked as a teacher in the Settlement movement in New York City during the 1910s.[3]

Florence Guy Woolston was on the editorial staff of the Russell Sage Foundation,[4] and editor of The Woman Voter, a suffrage magazine.[5] She was a regular contributor to Harper's, The New Republic, Redbook, The Nation,[6] and other popular periodicals, often writing humorous observational essays about gender.[7] In 1919 she wrote a satirical essay on the "marriage customs" of the women of Heterodoxy, a feminist debating club she belonged to; it was partly modeled on Heterodite Elsie Clews Parsons' serious study of family dynamics, The Family.[8][9][10]

Her comic essays were collected in The Delicatessen Husband and Other Essays (1926),[11] illustrated by Clarence Day.[12] She also published a book on marital relations, Love is a Challenge (1936),[13] and another, We, the Women (1938).[14]

Personal life

Florence Guy married sociologist Howard B. Woolston in 1904. She married her second husband, psychologist David Seabury, in 1923. Both marriages ended in divorce.[15] She died in 1951, age 70.[16]

In 2015, Florence Guy Seabury was included in a large-scale wall diagram of American feminist history, Andrea Geyer's Revolt, They Said, at the Museum of Modern Art.[17]

References

  1. ↑ Nancy Walker and Zita Dresner, eds., Redressing the Balance: American Women's Literary Humor from Colonial Times to the 1980s (University Press of Mississippi 1988): 234-235. ISBN 9781617034688
  2. ↑ "Florence Guy Woolston" in John W. Leonard, Woman's Who's Who of America: A Biographical Dictionary of Contemporary Women of the United States and Canada, 1914-1915 (American Commonwealth Company 1914): 905.
  3. ↑ Elaine Showalter, Inventing Herself: Claiming a Feminist Intellectual Heritage (Simon & Schuster 2001): 121. ISBN
  4. ↑ "Florence Guy Woolston" in John W. Leonard, Woman's Who's Who of America: A Biographical Dictionary of Contemporary Women of the United States and Canada, 1914-1915 (American Commonwealth Company 1914): 905.
  5. ↑ Nancy Walker, "'I Cant Write a Book': Women's Humor and the American Realistic Tradition" American Literary Realism, 1870-1910 23(3)(Spring 1991): 61.
  6. ↑ Sara Alpern, Freda Kirchwey, A Woman of the Nation (Harvard University Press 1987): 49. ISBN 9780674318281
  7. ↑ Thomas Grant, "Feminist Humor of the 1920s: The 'Little Insurrections' of Florence Guy Seabury," in Regina Barreca, New Perspectives on Women and Comedy (Gordon and Breach 1992): 157-167.
  8. ↑ Kenneth E. Miller, From Progressive to New Dealer: Frederic C. Howe and American Liberalism (Penn State Press 2010): 175-176. ISBN 9780271037424
  9. ↑ Louise Lamphere, "Feminist Anthropology: The Legacy of Elsie Clews Parsons" American Ethnologist 16(3)(August 1989): 521.
  10. ↑ Florence Guy Woolston, "Marriage Customs and Taboo among the Early Heterodites," Scientific Monthly (November 1919): 27.
  11. ↑ Florence Guy Seabury, The Delicatessen Husband and Other Essays (Harcourt Brace 1926, reprinted by the University of Michigan in 2007).
  12. ↑ Guide to the Clarence Day Collection, Yale University Library (2012).
  13. ↑ Florence Guy Seabury, Love is a Challenge (McGraw-Hill Book Company 1936).
  14. ↑ "Childish Traits in Adult Can Easily Ruin Marriage" The Pantagraph (December 1, 1938): 13. via Newspapers.com
  15. ↑ Joel Phister and Nancy Schnog, Inventing the Psychological: Toward a Cultural History of Emotional Life in America (Yale University Press 1997): 193, 208-210. ISBN 9780300070064
  16. ↑ "Mrs. Florence Seabury" New York Times (October 8, 1951).
  17. ↑ Andrea Guyer, Revolt, They Said (Museum of Modern Art, 2012 - ongoing).
This article is issued from Wikipedia - version of the 8/4/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.