Dino: The Great Egg-Scape

Dino: The Great Egg-Scape
Written by Joseph Barbera
Directed by Joseph Barbera
Voices of Frank Welker
Russi Taylor
Nick Jameson
Rob Paulsen
Gary Owens
Music by Gary Lionelli
Country of origin United States
Original language(s) English
Production
Executive producer(s) Buzz Potamkin
Producer(s)
Editor(s) Paul Douglas (supervising)
Running time 7 minutes
Production company(s) Hanna-Barbara Cartoons
Release
Original network Cartoon Network
Original release March 5, 1997 (1997-03-05)
Chronology
Related shows The Flintstones
What a Cartoon!

Dino: The Great Egg-Scape is a 1997 What a Cartoon! animated short film and a spin-off of The Flintstones starring Dino, the Flintstone family's pet dinosaur. It was written and directed by Joseph Barbera, produced by Hanna-Barbera Cartoons and broadcast as a part of World Premiere Toons by Cartoon Network on March 5, 1997.[1]

Plot

Dino is working as a night watchman at the Bedrock Museum and when a last-of-its-kind brontosaurus egg is stolen while he's sleeping on duty, Dino must find it or else he loses his job.

Voice cast

Production

Fred Seibert became president of Hanna-Barbera Cartoons in 1992 and helped guide the struggling animation studio into its greatest output in years with shows like 2 Stupid Dogs and SWAT Kats: The Radical Squadron. Seibert wanted the studio to produce short cartoons, in the vein of the Golden Age of American animation. Although a project consisting of 48 shorts would cost twice as much as a normal series,[2] Seibert's pitch to Cartoon Network involved promising 48 chances to "succeed or fail," opened up possibilities for new original programming, and offered several new shorts to the thousands already present in the Turner Entertainment library. According to Seibert, quality did not matter much to the cable operators distributing the struggling network, they were more interested in promising new programs.[3]

Seibert's idea for the project was influenced heavily by Looney Tunes. William Hanna, with partner Joe Barbera, as well as veteran animator Friz Freleng, taught Seibert how the shorts of the Golden Age of American animation were produced. As was the custom in live action film and television, the company did not pay each creator for the storyboard submitted and pitched. For the first time in the studio's history, individual creators could retain their rights, and earn royalties on their creations.[4]

See also

References

  1. United States Copyright Office, retrieved August 24, 2015.
  2. Fred Seibert (December 30, 2006). "Blog History of Frederator's original cartoon shorts. Part 15.". FrederatorBlogs.com. Retrieved November 20, 2010.
  3. Fred Seibert (September 1, 2007). "Blog History of Frederator's original cartoon shorts. Part 17.". FrederatorBlogs.com. Retrieved November 20, 2010.
  4. Joe Strike (July 15, 2003). "The Fred Seibert Interview — Part 1". AWN (Animation World Network). Retrieved November 20, 2010.

External links

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