The Plague of Florence

The Plague of Florence
Directed by Otto Rippert
Produced by Erich Pommer
Written by Fritz Lang
Based on The Masque of the Red Death, short story by Edgar Allan Poe[1]
Starring Theodor Becker
Karl Bernhard
Julietta Brandt
Music by Bruno Gellert
Cinematography Willy Hameister
Production
company
Release dates
23 October 1919[2]
Running time
102 minutes (2000 restored version)
Country Germany
Language Silent
German intertitles

The Plague of Florence (German:Pest in Florenz)[3] is a 1919 German silent historical film directed by Otto Rippert for Eric Pommer's Deutsche Eclair (Decla) production company. It stars Marga Kierska, Theodor Becker, Karl Bernhard and Julietta Brandt.[4] The film is set in Florence in 1348, just before the first outbreaks in Italy of the Black Death, which then spread out across the entire continent.[5]

Cast

Plot outline

Julia, a rich courtesan (Marga von Kierska), arrives in Florence. A cardinal fears that her beauty could rival the church's power, and orders inquiries to be made about her Christian beliefs. Cesare, the city's ruler, and Lorenzo (his son) both fall madly in love with her. A mob, led by Lorenzo, storms the palace where Julia is about to be tortured. Lorenzo kills Cesare, his father, and rescues her. Lust and excess overtake the city. Even Medardus, a hermit, is overcome by her beauty, and he also is driven to commit sacrilegious acts. Florence's fine buildings are turned into dens of sexual debauchery. Excess and manslaughter continue uninterrupted until the arrival of a ragged female figure personifying the Plague, who infects the whole city with her deadly disease and plays the fiddle while the population dies in droves.

Production

The production company was Eric Pommer's Decla Film-Gesellschaft, the German branch of the French Éclair company (hence Deutsche Éclair). It didn't become Decla-Bioskop until 1920, after merging with Deutsche Bioskop. The latter company was originally formed by Jules Greenbaum in 1899, sold to Carl Moritz Schleussner in 1908,[6] and moved to the Babelsberg studios in 1911.[7]

The imposing, crowd-filled, exterior sets of mediaeval Florentine architecture including the Medici Palace[8] were designed by the architect Franz Jaffe (1855-1937), previously royal buildings advisor to the King of Prussia. Some of the more intimate interior scenes were filmed at 9 Franz Josef-Straße, Weissensee, Berlin,[9] a glasshouse studio built in 1914 for the Continental-Kunstfilm production company.

The cameramen Willy Hameister and Emil Schünemann had previously filmed Continental's In Nacht und Eis, the first feature film about the sinking of the RMS Titanic: one of the stars in that film was Otto Rippert, who then went on to direct some further ten films for Continental in 1912 and 1913. See also List of films made by Continental-Kunstfilm.

Performances

The film received its première at the de:Marmorhaus Theatre, Berlin, but the music specially composed by Bruno Gellert wasn't finished in time, and wasn't played until several days later.[10]

References

Citations
  1. Sarno 2005, p. 132.
  2. Film-Kurier (Berlin) vol. 1, no. 107, 9 October 1919, p. 3. (in German). Accessed 23 February 2016.
  3. The film's name in German lacks the usual article 'Die'. A literal translation of the German title would be simply 'Plague in Florence'.
  4. Ott, p.19
  5. Tibayrenc 2007, p. 731.
  6. Hampicke, Evelyn (2015). "Jules Greenbaum". CineGraph - Lexikon zum deutschsprachigen Film. (in German). Cinegraph.de. Retrieved 31 March 2015.
  7. "Babelsberg". Berliner Film-Ateliers. Ein kleines Lexikon. Lexikon zum deutschsprachigen Film. (Online edition of Berg-Ganschow & Jacobsen 1987, pp. 177–202) (in German). Cinegraph.de. Retrieved 31 July 2015.
  8. Lichtbild-Bühne, Vol. 12, no. 30, 26 July 1919, p. 27. (in German). Accessed 23 February 2016.
  9. Robinson 1997, p. 25.
  10. Lichtbild-Bühne (Berlin), Vol. 12, no. 43, 25 October 1919, p. 20. (in German) Accessed 23 February 2016.
Sources


This article is issued from Wikipedia - version of the 11/16/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.