Ars Poetica (Horace)

Ars Poetica, or "The Art of Poetry," is a poem written by Horace c. 19 BC,[1] in which he advises poets on the art of writing poetry and drama. The Ars Poetica has "exercised a great influence in later ages on European literature, notably on French drama"[2] and has inspired poets and authors since it was written.[3]


The poem was written in hexameter verse as an Epistle (or Letter) to Lucius Calpurnius Piso (the Roman senator and consul) and his two sons, and is sometimes referred to as the Epistula Ad Pisones, or "Epistle to the Pisos". The first mention of its name as the "Ars Poetica" was c. 95 by the classical literary critic Quintilian in his Institutio Oratoria,"[4] and since then it has been known by that name.

" a loose conversational frame, the Ars poetica consists of 476 lines containing nearly 30 maxims for...poets."[5] However, unlike philosopher Aristotle's formal treatise the Poetics, the Ars Poetica is not a systematic handbook of literary theory; nor, in spite of the respect accorded to it in later centuries, was it ever meant to be. It is a lively, entertaining verse-epistle, written by a well-read man for his friends, who shared his love of poetry and whose company we are invited to join.[6]

Horace approaches poetry from a practical standpoint—as a craft, or ars—rather than the theoretical approach of his predecessors, Aristotle and the philosopher Plato. He also holds the poet in high regard, as opposed, for instance, to Plato, who distrusts mimesis and who has philosopher Socrates say in Book 10 of the Republic that he would banish poets from the ideal state.[7]


The following is a brief outline of the main subjects of the work:[8]

(a) A poem demands unity, to be secured by harmony and proportion, as well as a wise choice of subject and good diction. Meter and style must be appropriate to theme and to character. A good model will always be found in Homer (ll, 1-152).
(b) Dramatic poetry calls for special care - as to character drawing, propriety of representation, length of a play, number of actors, use of the chorus and its music, special features for the satyric type, verse-forms, and employment of Greek models (ll. 153-294).
(c) A poet's qualifications include common sense, knowledge of character, adherence to high ideals, combination of the dulce with the utile, intellectual superiority, appreciation of the noble history and lofty mission of poetry, and above all a willingness to listen to and profit by impartial criticism (ll. 295-476).
(For a more detailed summary of Horace's Ars Poetica, see the article on Horace's Epistles - Epistle II.3).

Literary phrases

"Many of...[the] apt phrases [of the Ars Poetica]...have passed into common literary parlance."[9] Four quotations in particular are associated with the work:

(The latter two phrases occur one after the other near the end of the poem).

The work is also known for its discussion of the principle of decorum (the use of appropriate vocabulary and diction in each style of writing) (l.81-106), and for Horace's criticisms of purple prose (purpureus pannus, l.15-16), a term coined by him to mean the use of flowery language.[10]

In line 191, Horace warns against deus ex machina, the practice of resolving a convoluted plot by having an Olympian god appear and set things right. Horace writes "Nec deus intersit, nisi dignus vindice nodus": "That a god not intervene, unless a knot show up that be worthy of such an untangler".[11]

Perhaps it can even be said that the quotability of Horace's Ars Poetica is what has given it a distinguished place in literary criticism: The Norton Anthology of Theory and Criticism says:

It would be impossible to overestimate the importance of Horace's Ars Poetica (Art of Poetry) for the subsequent history of literary criticism. Since its composition in the first century BCE, this epigrammatic and sometimes enigmatic critical poem has exerted an almost continual influence over poets and literary critics alike - perhaps because its dicta, phrased in verse form, are so eminently quotable. Horace's injunction that poetry should both "instruct and delight" has been repeated so often that it has come to be known as the Horatian platitude.[12]

The Ars Poetica was first translated into English in 1566 by Thomas Drant,[13] and in 1640 by Ben Jonson.

See also


  1. The dating of the poem is uncertain. Different sources give various dates ranging from 19-10 BC. The date 19 BC is given by The Oxford Companion to Classical Literature, p. 74.
  2. Howatson, M.C. The Oxford Companion to Classical Literature, 3rd ed. Oxford University Press, 2013, p. 75.
  3. For a discussion of the Ars Poetica and related poems, see: -
  4. Institutio Oratoria 8.60 (Also known as Institutes of Oratory in its Dedication to Trypho). See: Horace: Epistles Book II and Epistle to the Pisones (Ars Poetica), ed. by Niall Rudd. Cambridge University Press, 1990, p. 19.
  5. Article on Ars Poetica. Encyclopedia Britannica Academic Edition, 2014.
  6. Niall Rudd, p. 34.
  7. The Norton Anthology of Theory and Criticism, ed. by Vincent B. Leitch et al. New York: W.W. Norton & Co., 2001, p. 121 and p. 33.
  8. This summary is taken from: Horace: Satires; Epistles and Ars Poetica, translated and edited by H.R. Fairclough. Harvard: Loeb Classical Library, 1926, p. 443.
  9. Howatson, p. 75.
  10. The Norton Anthology of Theory and Criticism, p. 123.
  11. Ars Poetica, line 191 Archived February 9, 2005, at the Wayback Machine.
  12. The Norton Anthology of Theory and Criticism, p. 121.
  13. See the article on Thomas Drant by Fred Schurink in The Encyclopedia of English Renaissance Literature, Vol.1. Blackwell Publishing, 2012, pp.290-292.

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