Alessandro Maggiori
| Alessandro Maggiori | |
|---|---|
| Count | |
 | |
| Successor | Lorenzo Maggiori |
| Spouse | Countess Giuseppina Bonafede of Monte San Giusto |
|
Titles and styles
Count | |
| Father | Annibale Maggiori |
| Mother | Countess Anna Rosa Sciarra |
| Born |
1764 Palazzo Maggiori Fermo, Stato pontificio, Italia |
| Died |
1834 The Castellano Manor Sant'Elpidio a Mare, Stato pontificio, Italia |
| Religion | Catholic |
Alessandro Maggiori (30 Jenuary 1764–1834) was one of the most important collectors of old drawings of the greatest masters in XIX century.[1]
Maggiori was born in Fermo to count Annibale Maggiori (1731-1809) and countess Anna Rosa Sciarra (1747-1815), in their historic family house.[2][3]
He began his sudies at the College Campana of Osimo where among his classmates was Annibale della Genga, who was to become Pope Leo XII.[3] He continued his studies at the prestigious college Montalto in Bologna where he began to cultivate his passion for art. After completing his legal studies at the University of Bologna, he worked with the famous jurist Cavalier Luigi Salina alternating his work as a lawyer with the study of the fine arts which became a passion for collecting, making it one of the predominant collections in Italy in the nineteenth century.
Maggiori moved to Rome in 1798, wherehe exploited the teachings of Domenico Corvi after which he lived in Fermo and retired in Sant'Elpidio a Mare, in the hunting lodge known as "The Castellano Mansion".
Maggiori was a proponent of liberal orientation. He published several works on the basis of a criterion of utility, including several treatises on agronomy and the first modern edition of the Rime commented by Michelangelo Buonarroti (1817), The Dialogue around the life and work of architect Sebastiano Serlio of Bologna (1824), The artistic guide of the city of Ancona and Loreto (1832), and indications of the stranger paintings, sculptures, architecture and other features which can be seen today inside the sacrosanct basilica of Loreto and other parts of the city (1824) and the proverbs and sayings collection sententious (1833).
He was an art critic (published criticism to the works of Roman artists in the newspaper Il Capriccio) and was a collector of antique designs, which at his death, in 1834, were collected in the "Center Alessandro Maggiori".
References
- ↑ "Timeless Renaissance: Italian Drawings from the Alessandro Maggiori Collection". Hallie Ford Museum of Art. Retrieved 27 November 2016.
- ↑ "Alessandro Maggiori Centre – Collection of Drawings by Ancient Masters". Cultural tourism in the province of Macerata. Retrieved 27 November 2016.
- 1 2 "Alessandro Maggiori". Musei delle Marche. Retrieved 27 November 2016.