Afrika Bambaataa

Afrika Bambaataa

Afrika Bambaataa and DJ Yutaka
Background information
Born (1957-04-17) April 17, 1957
Origin The Bronx, New York, U.S.
Genres Hip hop, electro house, electronic, breakbeat, electro funk[1]
Occupation(s) DJ, producer, activist
Instruments Vocals, turntables, keyboards, synthesizer
Years active 1974–present
Labels Tommy Boy Records
Winley Records
Capitol Records
DMC Records
Planet Rock Music
Associated acts Soulsonic Force, Leftfield, Time Zone, Shango, Hydraulic Funk, Nebula Funk, Afrika Bambaataa and Family, Cosmic Force, Jazzy Five, Arthur Baker, John Lydon, Lee Evans (producer), Goldie, Rae Serrano (producer), James Brown, George Clinton, Bootsy Collins, Sly and the Family Stone, Bill Laswell, Jungle Brothers, Grandmaster Melle Mel, Busy Bee Starski, Lovage, Nujabes, Kraftwerk

Afrika Bambaataa (born April 17, 1957) is an American disc jockey from the South Bronx, New York.[2][3] He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture.[4] Afrika Bambaataa is one of the originators of breakbeat DJing and is respectfully known as "The Godfather" and "Amen Ra of Hip Hop Kulture", as well as the father of electro funk.[1] Through his co-opting of the street gang the Black Spades into the music and culture-oriented Universal Zulu Nation, he has helped spread hip hop culture throughout the world.[5]

Early life

Born to Jamaican and Barbadian immigrants,[6] Bambaataa grew up in The Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement, and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. He was exposed to his mother's extensive and eclectic record collection.[4] Gangs in the area became the law, clearing their turf of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf.[4] Bambaataa was a member of the Black Spades. He quickly rose to the position of warlord of one of the divisions. As warlord, it was his job to build ranks and expand the turf of the young Spades. He was not afraid to cross turfs to forge relationships with other gang members, and with other gangs. As a result, the Spades became the biggest gang in the city in terms of both membership and turf.[4]

After Bambaataa won an essay contest that earned him a trip to Africa, his worldview shifted.[7] He had seen the movie Zulu and was impressed with the solidarity exhibited by the Zulu in that film. During his trip to Africa, the communities he visited inspired him to create one in his own neighborhood.[4] He changed his name to Afrika Bambaataa Aasim, adopting the name of the Zulu chief Bhambatha, who led an armed rebellion against unfair economic practices in early 20th century South Africa. He told people that his name was Zulu for "affectionate leader."[4] Bambaataa formed The "Bronx River Organization" as an alternative to the Black Spades.[4]


Inspired by DJ Kool Herc and Kool DJ Dee, Bambaataa began hosting hip-hop parties beginning in 1977. He vowed to use hip-hop to draw angry kids out of gangs and form the Universal Zulu Nation.[8] Robert Keith Wiggins, a.k.a. "Cowboy" of Grandmaster Flash and the Furious Five, is credited with naming hip-hop; the term became a common phrase used by MCs as part of a scat-inspired style of rhyming.[9] In the documentary film Just to Get a Rep, the writer Steven Hager claims that the first time "hip-hop" was used in print was in his Village Voice article where he was quoting Bambaataa who had called the culture "hip-hop" in an interview.[10]

In 1982, Bambaataa and his followers, a group of dancers, artists, and DJs, went outside the United States on the first hip hop tour.[4] He saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. He brought peace to the gangs; many artists and gang members say that "hip hop saved a lot of lives."[8] His influence inspired many overseas artists like the French rapper MC Solaar.[8] He was a popular DJ in The South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records."[11] He established two rap crews: the Jazzy 5 including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as Soulsonic Force including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E.[12]

In 1982, Donovan, who was inspired by Kraftwerk's futuristic electronic music, debuted at The Roxy a test cassette of EBN-OZN's ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y," the first commercially released American single ever made on a computer, a Fairlight C.M.I., ushering in the era of music computer sampling. [13]

In that same year Bambaataa and Soulsonic Force dropped the live band to go high-tech. Bambaataa credited the pioneering Japanese electropop group Yellow Magic Orchestra, whose work he sampled, as an inspiration.[14][15] He also borrowed an eerie keyboard hook from German electronic pioneers Kraftwerk and was provided an electronic "beat-box" by producer Arthur Baker and synthesizer player John Robie. That resulted in "Planet Rock," which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release the Time Zone Compilation. He created "turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late 1990s.[16]

Birth of the Zulu Nation

In the late 1970s, Bambaataa formed what became known as the Universal Zulu Nation, a group of socially and politically aware rappers, B-boys, graffiti artists and other people involved in hip hop culture.[11] By 1977, inspired by DJ Kool Herc and DJ Dee, and after Disco King Mario loaned him his first equipment, Bambaataa began organizing block parties all around The South Bronx. He even faced his long-time friend, Disco King Mario in a DJ battle. He then began performing at Adlai E. Stevenson High School and formed the Bronx River Organization, then later simply "The Organization." Bambaataa had deejayed with his own sound system at The Bronx River Houses' Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established Army party crowd drawn from former members of the gang. Hip hop culture was spreading through the streets via house parties, block parties, gym dances and mix tapes.[17]

About a year later Bambaataa reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Five b-boys (break dancers) joined him, whom he called the Zulu Kings, and later formed the Zulu Queens, and the Shaka Zulu Kings and Queens. As he continued deejaying, more DJs, rappers, b-boys, b-girls, graffiti writers, and artists followed him, and he took them under his wing and made them all members of his Zulu Nation. He was also the founder of the Soulsonic Force, which originally consisted of approximately twenty Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy Soulsonic Force (#2), Pow Wow, G.L.0.B.E. (creator of the "MC popping" rap style), DJ Jazzy Jay, Cosmic Force, Queen Lisa Lee, Prince Ikey C, Ice Ice (#1), Chubby Chub; Jazzy Five-DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), Charlie Choo, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and Raheim. The personnel for the Soulsonic Force were groups within groups with whom he would perform and make records.

In 1980, Donovan's groups made "Death Mix", their first recording with Paul Winley Records. According to Bambaata, this was an unauthorized release.[4] Winley recorded two versions of Soulsonic Force's landmark single, "Zulu Nation Throwdown," with authorization from the musicians. Disappointed with the results of the single, Bambaataa left the company.

The Zulu Nation was the first hip-hop organization, with an official birth date of November 12, 1977. Bambaataa's plan with the Universal Zulu Nation was to build a youth movement out of the creativity of a new generation of outcast youths with an authentic, liberating worldview.[4]


In 1981, hip hop artist Fab Five Freddy was putting together music packages in the largely white downtown Manhattan new wave clubs, and invited Bambaataa to perform at one of them, the Mudd Club.[18] It was the first time Bambaataa had performed before a predominantly white crowd. Attendance for his parties downtown became so large that he had to move to larger venues, first to the Ritz, in a show organized by hip hop pioneer, Michael Holman, with Malcolm McLaren's group Bow Wow Wow, then to the Peppermint Lounge, The Jefferson, Negril, Danceteria and the Roxy. "Planet Rock," a popular single produced by Arthur Baker and the keyboardist John Robie, came out that June under the name Afrika Bambaataa and the Soulsonic Force. The song borrowed musical motifs from German electronic music, funk, and rock. Different elements and musical styles were used together. The song became an immediate hit and stormed the music charts worldwide.[8] The song melded the main melody from Kraftwerk's "Trans-Europe Express" with electronic beats based on their track "Numbers" as well as portions from records by Babe Ruth and Captain Sky,[19] thus creating a new style of music altogether, electro funk.

Afrika Bambaataa was booked on the first ever European hip hop tour presented by Europe One and Fnac France. [20][21] Along with himself were rapper and graffiti artist Rammellzee, Zulu Nation DJ Grand Mixer DXT (formerly Grand Mixer D.St), B-boy and B-girl crews the Rock Steady Crew, and the Double Dutch Girls, as well as legendary graffiti artists Fab 5 Freddy, PHASE 2, Futura 2000, and Dondi.[21]

Bambaataa's second release around 1983 was "Looking for the Perfect Beat," then later, "Renegades of Funk," both with the same Soulsonic Force. He began working with producer Bill Laswell at Jean Karakos's Celluloid Records, where he developed and placed two groups on the label: Time Zone and Shango. Bambaataa rd "Wildstyle" with Time Zone, and he recorded a collaboration with punk rocker John Lydon and Time Zone in 1984, titled "World Destruction." Shango's album, Shango Funk Theology, was released by the label in 1984. That same year, Bambaataa and other hip hop celebrities appeared in the movie Beat Street. He also made a landmark recording with James Brown, titled "Unity." It was billed in music industry circles as "the Godfather of Soul meets the Godfather of Hip Hop."[22]

Around October 1985, Bambaataa and other music stars worked on the anti-apartheid album Sun City with Little Steven Van Zandt, Joey Ramone, Run–D.M.C., Lou Reed, U2, and others. During 1988, he recorded "Afrika Bambaataa and Family" for Capitol Records, titled The Light,[23] featuring Nona Hendryx, UB40, Boy George, George Clinton, Bootsy Collins, and Yellowman. He had recorded a few other works with Family three years earlier, one titled "Funk You" in 1985, and the other titled "Beware (The Funk Is Everywhere)" in 1986. In 1986 he discovered an artist in Atlanta. (Through MC SHY D) by the name of Kenya Miler a.k.a. MC Harmony (Known producer now as Kenya Fame Flames Miller), that was later signed to Criminal Records and Arthur Baker. The group was Harmony and LG. The first single, 1987's "Dance To The Drums/No Joke," was produced by Bambaataa and Baker with musicians Keith LeBlanc and Doug Wimbish. Bambaataa was involved in the Stop the Violence Movement, and with other hip hop artists recorded "Self Destruction", a 12" single which hit number one on the Hot Rap Singles Chart in March 1989. The single went gold and raised $400,000 for the National Urban League to be used for community anti-violence education programs.[17]

In 1990, Bambaataa made Life magazine's "Most Important Americans of the 20th Century" issue. He was also involved in the anti-apartheid work "Hip Hop Artists Against Apartheid" for Warlock Records. He teamed with the Jungle Brothers to record the album "Return to Planet Rock (The Second Coming)."[24]

Gee Street Records, Bambaataa and John Baker organized a concert at Wembley Stadium in London in 1990 for the African National Congress (ANC), in honor of Nelson Mandela's release from prison. The concert brought together performances by British and American rappers, and also introduced both Nelson and Winnie Mandela and the ANC to hip hop audiences. In relation to the event, the recording Ndodemnyama (Free South Africa) helped raise approximately $30,000 for the ANC.[25]

From the mid-1990s, Bambaataa returned to his electro roots. In 1998, he produced a remix of "Planet Rock" combining electro and house music elements, called "Planet Rock '98," which is regarded as an early example of the electro house genre.[26] In 2000, Rage Against the Machine covered his song "Renegades of Funk" for their album, Renegades. The same year, he collaborated with Leftfield on the song "Afrika Shox," the first single from Leftfield's Rhythm and Stealth. "Afrika Shox" also appeared on soundtrack to Vanilla Sky. In 2004, he collaborated with WestBam, a group that was named after him, on the 2004 album Dark Matter Moving at the Speed of Light which also featured Gary Numan. In 2006, he was featured on the British singer Jamelia's album Walk With Me on a song called "Do Me Right," and on Mekon's album Some Thing Came Up, on the track "D-Funktional." He performed the lyrics on the track "Is There Anybody Out There" by The Bassheads (Desa Basshead). As an actor, he has played a variety of voice-over character roles on Kung Faux.[27]

Bambaataa was a judge for the 6th annual Independent Music Awards to support independent artists' careers.[28] On September 27, 2007, it was announced that Afrika Bambaataa was one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions.[29] On December 22, 2007, he made a surprise appearance performing at the First Annual Tribute Fit For the King of King Records, Mr. Dynamite James Brown in Covington, Kentucky.[30]

On August 14, 2012 Bambaataa ven a three-year appointment as a visiting scholar at Cornell University.[31] The appointment was made in collaboration between Cornell University Library's Hip Hop Collection, the largest collection of historical hip hop music in North America, and the University's department of Music.[32] His archives, including his vinyl collection, original audio and video recordings, manuscripts, books, and papers arrived at the Cornell University Hip Hop Collection in December 2013.

Sexual misconduct allegations

In April 2016, Bronx political activist Ronald Savage accused Bambaataa of molesting him in 1980, when Savage was 15.[33] Following Savage's allegations, three more men accused Bambaataa of sexual abuse.[34] Bambaataa issued a statement to Rolling Stone denying the allegations.[35] On May 6, 2016, Bambaataa was dismissed as head of The Zulu Nation.[36]



Year Album Label
1983 Death Mix Paul Winley Records
1985 Sun City Manhattan/EMI
1986 Planet Rock: The Album Tommy Boy/Warner Bros. Records
Beware (The Funk Is Everywhere) Tommy Boy/Warner Bros. Records
1987 Death Mix Throwdown Blatant
1988 The Light EMI America Records
1991 The Decade of Darkness 1990–2000 EMI Records
1992 Don't Stop... Planet Rock (The Remix EP) Tommy Boy/Warner Bros. Records
1996 Jazzin (Khayan album) ZYX Music
Lost Generation Hottie
Warlocks and Witches, Computer Chips, Microchips and You Profile/Arista/BMG Records
1997 Zulu Groove (Compilation) Hudson Vandam
1999 Electro Funk Breakdown DMC
Return to Planet Rock Berger Music
2000 Hydraulic Funk Strictly Hype
Theme of the United Nations w/ DJ Yutaka Avex Trax
2003 Electro Funk Breakdown (Compilation) DMX
Looking for the Perfect Beat: 1980-1985 (Compilation) Tommy Boy/Rhino/Atlantic Records
2004 Dark Matter Moving at the Speed of Light Tommy Boy Entertainment
2005 Metal Tommy Boy Entertainment
Metal Remixes Tommy Boy Entertainment
2006 Death Mix "2" Paul Winley Records


Year Title Label
1980 "Zulu Nation Throwdown" Winley Records
1981 "Jazzy Sensation" Tommy Boy/Warner Bros. Records
1982 "Planet Rock" Tommy Boy/Warner Bros. Records
"Looking for the Perfect Beat" Tommy Boy/Warner Bros. Records
1983 "Renegades of Funk" Tommy Boy/Warner Bros. Records
"Wildstyle" Celluloid Records
1984 "Unity" (with James Brown) Tommy Boy/Warner Bros. Records
"Frantic Situation" (with Shango) Atlantic Records
"World Destruction" (with John Lydon) Celluloid Records
1986 "Bambaataa's Theme" Tommy Boy/Warner Bros. Records
1988 "Reckless" (with UB40) EMI
1990 "Just Get up and Dance" EMI
1993 "Zulu War Chant" Profile/Arista/BMG Records
"What's the Name of this Nation?...Zulu" Profile/Arista/BMG Records
"Feeling Irie" DFC
1994 "Pupunanny" DFC
"Feel the Vibe" (with Khayan)
1998 "Agharta - The City of Shamballa" (with WestBam) Low Spirit Recordings

See also


  1. 1 2 Shapiro, Peter, ed. (2000). Modulations: A History of Electronic Music. New York: Caipirinha Productions Inc. p. 152. ISBN 9781891024061.
  2. Bogdanov, Vladimir (2001). All Music Guide to Electronica: The Definitive Guide to Electronic Music (4th ed.). Backbeat Books. p. 38. ISBN 978-0879306281.
  3. "Afrika Bambaataa [Aasim, Kevin Donovan] in Oxford Music Online". Retrieved 2016-09-07.
  4. 1 2 3 4 5 6 7 8 9 10 Chang, Jeff (2005). Can't Stop, Won't Stop: A History of the Hip-Hop Generation (1st ed.). New York: Picador St. Martin's Press. pp. 63, 89, 91, 94–101, 141, 170, 182–183. ISBN 9780312425791.
  5. "Afrika Bambaataa". Universal Zulu Nation. Retrieved 2013-08-08.
  6. Iton, Richard (2008-06-06). In Search of the Black Fantastic: Politics and Popular Culture in the Post-Civil Rights Era. Oxford University Press. p. 250. ISBN 9780199720835.
  7. Knopper, Steve (May 5, 2011). "Afrika Bambaataa: Crate-digger, collector, creator". Chicago Tribune. Retrieved October 23, 2014.
  8. 1 2 3 4 Chang, Jeff. "It's a Hip-Hop World." Foreign Policy 163, Nov/Dec 2007, 58-65.
  9. Chang, Jeff (editor). Total Chaos: The Art and Aesthetics of Hip Hop, "Physical Graffiti: the History of Hip Hop Dance," contributor Jorge "Popmaster Fabel" Pabon, p19.
  10. Peter Gerard (Director) (2004). Just to Get a Rep (Television documentary). United States, United Kingdom: Accidental Media. However, the very first time "hip hop" was used in print was eight months before, in a lesser known interview of Bambaataa, in The East Village Eye, written by hip hop pioneer, Michael Holman.
  11. 1 2 George, Nelson. Hip Hop America, pp. 16, 18, 57
  12. "Afrika Bambaataa". Rolling Stone. Retrieved 2013-08-10.
  13. "The EBN Interview". Guitar World Magazine. August 1984.
  14. Lewis, John (4 July 2008). "Back to the future: Yellow Magic Orchestra helped usher in electronica - and they may just have invented hip-hop, too". The Guardian. Retrieved 25 May 2011.
  15. "The Wire, Volumes 143-148", The Wire, p. 21, 1996, retrieved 2011-05-25
  16. The Art of Turntablism (PBS documentary)
  17. 1 2 Forman, Murray (2002). The Hood Comes First: Race, Space, and Place in Rap and Hip Hop. Middletown, Connecticut: Wesleyan University Press. p. 69. ISBN 9780819563972.
  18. Hager Steven, "Afrika Bambaataa's Hip-Hop", The Village Voice, 21 September 1982.
  19. "The Beat Box Bites Back," ''Face Magazine'' 1984". "Global Darkness. Retrieved 2013-08-10.
  20. Karim Orange (8 July 2013). "Hip-Hop Dance History: 10 Reasons You Should Check Out the Rock Steady Crew". Huffington Post. Retrieved 9 July 2013. In 1982, their manager Ruza "Kool Lady" Blue organized The Roxy Tour, which featured Grandmixer D.S.T now Rock Steady Crew, Afrika Bambaataa, Cold Crush Brothers, Double-Dutch Girls, and Fab 5 Freddy. This tour traveled to Europe, which spread hip-hop culture to many countries.
  21. 1 2 Nicola Dracoulis (29 March 2010). "Ready your ropes: Pick up your feet". Holy Roller Productions. Retrieved 9 July 2013. the Double Dutch crew who traveled with Fab 5 Freddy, Rammellzee, Afrika Bambaataa, Rock Steady Crew, Phase 2, Futura and Dondi to Europe for 1982 The Roxy Tour (also known as The New York City Rap tour) in the first ever international hip hop tour.
  22. Bush, John. "". Rovi. Retrieved October 23, 2014.
  23. "Afrika Bambaataa & Family - The Light". Retrieved 2013-08-10.
  24. listing for the album.
  25. Cook, Davey 'D.' (December 1991). "On The Line With....Africa Bambaataa". KMEL Beat Report. Retrieved October 23, 2014.
  26. "Electro House". Polystar. Retrieved 5 June 2012.
  27. "kungfauxsite". Retrieved 2013-08-10.
  28. Past Judges of the Independent Music Awards.
  29. "The 2008 Rock and Roll Hall of Fame Nominees". Future Rock Hall. 27 September 2007.
  30. review of the show, mentioning the surprise appearance.
  31. "Hip Hop Legend and Pioneer, DJ Afrika Bambaataa Appointed Visiting Scholar at Cornell University". Cornell Hip Hop Collection. Cornell University Library. Retrieved 13 January 2015.
  32. Opening the Afrika Bambaataa Master of Records Vinyl Archive at Cornell University. Retrieved 10 August 2013.
  33. Jacobs, Shayna; Kochman, Ben; Schapiro, Rich; O'Keeffe, Michael (April 9, 2016). "EXCLUSIVE: Afrika Bambaataa sex abuse accuser Ronald Savage details years of torment following hip-hop icon's molestation: 'He damaged me'". New York Daily News. Retrieved May 15, 2016.
  34. Golding, Sheniqua (April 17, 2016). "Afrika Bambataa Accused of Sex Abuse By Three More Men". Vibe Magazine. Retrieved May 15, 2016.
  35. Platon, Adele (April 13, 2016). "Afrika Bambaataa Calls Sexual Abuse Allegations 'A Cowardly Attempt to Tarnish My Reputation'". Billboard. Retrieved May 15, 2016.
  36. Willis, Kiersten (May 9, 2016). "Afrika Bambaataa Steps Down as Zulu Nation Leader Amid Reports of Child Sexual Assault". Retrieved May 15, 2016.

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