Aegisthus (//; Ancient Greek: Αἴγισθος; also transliterated as Aigisthos) is a figure in Greek mythology. He was the son of Thyestes and his daughter, Pelopia. The product of an incestuous union motivated by his father's rivalry with the house of Atreus for the throne of Mycenae, Aegisthus murdered Atreus to restore his father to power. Later, he lost the throne to Atreus's son Agamemnon.
While Agamemnon was at the Trojan war, Aegisthus became the lover of the king's estranged wife Clytemnestra. The couple killed Agamemnon on his return. He became king of Mycenae for seven years before he was killed in his turn by Agamemnon's son Orestes.
Thyestes felt he had been deprived of the Mycenean throne unfairly by his brother, Atreus. The two battled back and forth several times. In addition, Thyestes had an affair with Atreus' wife, Aerope. In revenge, Atreus killed Thyestes' sons and served them to him unknowingly. After eating his own sons' corpses, Thyestes asked an oracle how best to gain revenge. The advice was to father a son with his own daughter, Pelopia, and that son would kill Atreus.
Thyestes raped Pelopia after she performed a sacrifice, hiding his identity from her. When Aegisthus was born, his mother abandoned him, ashamed of his origin, and he was raised by shepherds and suckled by a goat, hence his name Aegisthus (from αἴξ, male goat). Atreus, not knowing the baby's origin, took Aegisthus in and raised him as his own son.
Death of Atreus
In the night in which Pelopia had been raped by her father, she had taken from him his sword which she afterwards gave to Aegisthus. When she discovered that the sword belonged to her own father, she realised that her son was the product of incestuous intercourse. In despair, she killed herself. Atreus in his enmity towards his brother sent Aegisthus to kill him; but the sword which Aegisthus carried was the cause of the recognition between Thyestes and his son, and the latter returned and slew his uncle Atreus, while he was offering a sacrifice on the seacoast. Aegisthus and his father now took possession of their lawful inheritance from which they had been expelled by Atreus.
Power struggle over Mycenae
Aegisthus and Thyestes thereafter ruled over Mycenae jointly, exiling Atreus' sons, Agamemnon and Menelaus to Sparta, where King Tyndareus gave the pair his daughters, Clytemnestra and Helen, to take as wives. Agamemnon and Clytemnestra had four children: one son, Orestes, and three daughters, Iphigenia, Electra and Chrysothemis.
After the death of Tyndareus, Meneleaus became king of Sparta. He used the Spartan army to drive out Aegisthus and Thyestes from Mycenae and place Agamemnon on the throne. Agamemnon extended his dominion by conquest and became the most powerful prince in Greece. However, when Agamemnon sacrificed his own daughter Iphigenia to appease the gods before the war with Troy, Clytemnestra turned against him. While Agamemnon was away at the Trojan War, Aegisthus became Clyemnestra's lover. He helped Clytemnestra kill her husband upon his return from Troy. In the older versions of the story, such as Homer, Aegisthus himself kills Agamemnon. In later accounts Clytemnestra stabs him when he is naked and vulnerable after a bath.
After this event Aegisthus reigned seven years longer over Mycenae. He and Clytemnestra had a son Aletes, and two daughters, Erigone and Helen. In the eighth year of his reign Orestes, the son of Agamemnon, returned home and avenged the death of his father by killing Aegisthus and Clytemnestra. The impiety of matricide was such that Orestes was forced to flee from Mycenae, pursued by the Furies. Aletes became king until Orestes returned several years later and killed him. Orestes later married Aegisthus' daughter Erigone.
Homer gives no information about Aegisthus' back-story. We learn from him only that, after the death of Thyestes, Aegisthus ruled as king at Mycenae and took no part in the Trojan expedition. While Agamemnon was absent on his expedition against Troy, Aegisthus seduced Clytemnestra, and was so wicked as to offer up thanks to the gods for the success with which his criminal exertions were crowned. In order not to be surprised by the return of Agamemnon, he sent out spies, and when Agamemnon came, Aegisthus invited him to a repast at which he had him treacherously murdered.
In Aeschylus's Oresteia, Aegisthus is a minor figure. In the first play, Agamemnon, he appears at the end to claim the throne, after Clytemnestra herself has killed Agamemnon and Cassandra. Clytemnestra wields the axe she has used to quell dissent. In The Libation Bearers he is killed quickly by Orestes, who then struggles over having to kill his mother. Aegisthus is referred to as a "weak lion", plotting the murders but having his lover commit the deeds. According to Johanna Leah Braff, he "takes the traditional female role, as one who devises but is passive and does not act." Christopher Collard describes him as the foil to Clytemnestra, his brief speech in Agamemnon revealing him to be "cowardly, sly, weak, full of noisy threats - a typical 'tyrant figure' in embryo."
Aeschylus's portrayal of Aegisthus as a weak, implicitly feminised figure, influenced later writers and artists who often depict him as an effeminate or decadent individual, either manipulating or dominated by the more powerful Clytemnestra. He appears in Seneca's Agamemnon, enticing her to murder. In Richard Strauss's and Hugo von Hofmannsthal's opera, Elektra his voice is "a decidedly high-pitched tenor, punctuated by irrational upward leaps, that rises to high pitched squeals during his death colloquy with Elektra." In the first production he was depicted as "an epicene...with long curly locks and rouged lips, half-cringing, half-posturing seductively."
- Hyginus, Fabulae 87, 88;
- Aelian, Varia Historia xii. 42
- Hyginus, l.c. and 252.
- Chisholm 1911.
- Homer, Odyssey i. 28, &c.
- Schmitz, Leonhard (1867), "Aegisthus", in Smith, William, Dictionary of Greek and Roman Biography and Mythology, 1, Boston, pp. 26–27
- Homer, Odyssey iv. 518, &c.
- Homer, Odyssey iii. 263, &c.
- Homer, Odyssey iv. 524, &c.
- Pausanias, ii. 16. §6.
- Johanna Leah Braff, Animal Similes and Gender in the "Odyssey" and "Oresteia", University of Maryland, MA Thesis, 2008, p.64.
- Christopher Collard (ed), Oresteia: Aeschylus, Oxford University Press, 2003, p.xxvii.
- Lawrence Kramer, Opera and Modern Culture: Wagner and Strauss, University of California Press, 2004, pp.207-8.
- William Bell Dinsmoor, The Architecture of Ancient Greece: An Account of Its Historic Development, Biblo & Tannen Publishers, 1950, p.29.
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