# Acoustic impedance

Sound measurements
Characteristic
Symbols
Sound pressure  p, SPL
Particle velocity  v, SVL
Particle displacement  δ
Sound intensity  I, SIL
Sound power  P, SWL
Sound energy  W
Sound energy density  w
Sound exposure  E, SEL
Acoustic impedance  Z
Speed of sound  c
Audio frequency  AF
Transmission loss  TL

Acoustic impedance and specific acoustic impedance are measures of the opposition that a system presents to the acoustic flow resulting of an acoustic pressure applied to the system. The SI unit of acoustic impedance is the pascal second per cubic metre (Pa·s/m3) or the rayl per square metre (rayl/m2), while that of specific acoustic impedance is the pascal second per metre (Pa·s/m) or the rayl. In this article the symbol rayl denotes the MKS rayl. There is a close analogy with electrical impedance, which measures the opposition that a system presents to the electrical flow resulting of an electrical voltage applied to the system.

## Mathematical definitions

### Acoustic impedance

For a linear time-invariant system, the relationship between the acoustic pressure applied to the system and the resulting acoustic volume flow rate through a surface perpendicular to the direction of that pressure at its point of application is given by or equivalently by where

• p is the acoustic pressure;
• Q is the acoustic volume flow rate;
• is the convolution operator;
• R is the acoustic resistance in the time domain;
• G = R −1 is the acoustic conductance in the time domain (R −1 is the convolution inverse of R).

Acoustic impedance, denoted Z, is the Laplace transform, or the Fourier transform, or the analytic representation of time domain acoustic resistance:   where

• is the Laplace transform operator;
• is the Fourier transform operator;
• subscript "a" is the analytic representation operator;
• Q −1 is the convolution inverse of Q.

Acoustic resistance, denoted R, and acoustic reactance, denoted X, are the real part and imaginary part of acoustic impedance respectively:   where

• i is the imaginary unit;
• in Z(s), R(s) is not the Laplace transform of the time domain acoustic resistance R(t), Z(s) is;
• in Z(ω), R(ω) is not the Fourier transform of the time domain acoustic resistance R(t), Z(ω) is;
• in Z(t), R(t) is the time domain acoustic resistance and X(t) is the Hilbert transform of the time domain acoustic resistance R(t), according to the definition of the analytic representation.

Inductive acoustic reactance, denoted XL, and capacitive acoustic reactance, denoted XC, are the positive part and negative part of acoustic reactance respectively:   Acoustic admittance, denoted Y, is the Laplace transform, or the Fourier transform, or the analytic representation of time domain acoustic conductance:   where

• Z −1 is the convolution inverse of Z;
• p −1 is the convolution inverse of p.

Acoustic conductance, denoted G, and acoustic susceptance, denoted B, are the real part and imaginary part of acoustic admittance respectively:   where

• in Y(s), G(s) is not the Laplace transform of the time domain acoustic conductance G(t), Y(s) is;
• in Y(ω), G(ω) is not the Fourier transform of the time domain acoustic conductance G(t), Y(ω) is;
• in Y(t), G(t) is the time domain acoustic conductance and B(t) is the Hilbert transform of the time domain acoustic conductance G(t), according to the definition of the analytic representation.

Acoustic resistance represents the energy transfer of an acoustic wave. The pressure and motion are in phase, so work is done on the medium ahead of the wave.

Acoustic reactance represents, as well, the pressure that is out of phase with the motion and causes no average energy transfer. For example, a closed bulb connected to an organ pipe will have air moving into it and pressure, but they are out of phase so no net energy is transmitted into it. While the pressure rises, air moves in, and while it falls, it moves out, but the average pressure when the air moves in is the same as that when it moves out, so the power flows back and forth but with no time averaged energy transfer. The electrical analogy for this is a capacitor connected across a power line. Current flows through the capacitor but it is out of phase with the voltage, so no net power is transmitted into it.

### Specific acoustic impedance

For a linear time-invariant system, the relationship between the acoustic pressure applied to the system and the resulting particle velocity in the direction of that pressure at its point of application is given by or equivalently by: where

• p is the acoustic pressure;
• v is the particle velocity;
• r is the specific acoustic resistance in the time domain;
• g = r −1 is the specific acoustic conductance in the time domain (r −1 is the convolution inverse of r).

Specific acoustic impedance, denoted z is the Laplace transform, or the Fourier transform, or the analytic representation of time domain specific acoustic resistance:   where v −1 is the convolution inverse of v.

Specific acoustic resistance, denoted r, and specific acoustic reactance, denoted x, are the real part and imaginary part of specific acoustic impedance respectively:   where

• in z(s), r(s) is not the Laplace transform of the time domain specific acoustic resistance r(t), z(s) is;
• in z(ω), r(ω) is not the Fourier transform of the time domain specific acoustic resistance r(t), z(ω) is;
• in z(t), r(t) is the time domain specific acoustic resistance and x(t) is the Hilbert transform of the time domain specific acoustic resistance r(t), according to the definition of the analytic representation.

Specific inductive acoustic reactance, denoted xL, and specific capacitive acoustic reactance, denoted xC, are the positive part and negative part of specific acoustic reactance respectively:   Specific acoustic admittance, denoted y, is the Laplace transform, or the Fourier transform, or the analytic representation of time domain specific acoustic conductance:   where

• z −1 is the convolution inverse of z;
• p −1 is the convolution inverse of p.

Specific acoustic conductance, denoted g, and specific acoustic susceptance, denoted b, are the real part and imaginary part of specific acoustic admittance respectively:   where

• in y(s), g(s) is not the Laplace transform of the time domain acoustic conductance g(t), y(s) is;
• in y(ω), g(ω) is not the Fourier transform of the time domain acoustic conductance g(t), y(ω) is;
• in y(t), g(t) is the time domain acoustic conductance and b(t) is the Hilbert transform of the time domain acoustic conductance g(t), according to the definition of the analytic representation.

Specific acoustic impedance z is an intensive property of a particular medium: for instance, the z of air or of water can be specified. Whereas acoustic impedance Z is an extensive property of a particular medium and geometry: for instance, the Z of a particular duct filled with air can be discussed.

### Relationship

A one dimensional wave passing through an aperture with area A is now considered. The acoustic volume flow rate Q is the volume of medium passing per second through the aperture. If the acoustic flow moves a distance dx = v dt, then the volume of medium passing through is dV = A dx, so Provided that the wave is only one-dimensional, it yields   ## Characteristic acoustic impedance

### Characteristic specific acoustic impedance

The constitutive law of nondispersive linear acoustics in one dimension gives a relation between stress and strain: where

This equation is valid both for fluids and solids. In

Newton's second law applied locally in the medium gives Combining this equation with the previous one yields the one-dimensional wave equation: The plane waves that are solutions of this wave equation are composed of the sum of two progressive plane waves traveling along x with the same speed and in opposite ways: from which can be derived  For progressive plane waves or Finally, the specific acoustic impedance z is   The absolute value of this specific acoustic impedance is often called characteristic specific acoustic impedance and denoted z0: The equations also show that z0 varies greatly among media, especially between gas and condensed phases. Water is 800 times denser than air and its speed of sound is 4.3 times as fast as that of air. So the specific acoustic impedance of water is 3,500 times higher than that of air. This means that a sound in water with a given pressure amplitude is 3,500 times less intense than one in air with the same pressure. This is because the air, with its lower z0, moves with a much greater velocity and displacement amplitude than does water. Reciprocally, if a sound in water and another in air have the same intensity, then the pressure is much smaller in air. These variations lead to important differences between room acoustics or atmospheric acoustics on the one hand, and underwater acoustics on the other.

Besides, temperature acts on speed of sound and mass density and thus on specific acoustic impedance.

Effect of temperature on properties of air
Temperature
T (°C)
Speed of sound
c (m/s)
Density of air
ρ (kg/m3)
Characteristic specific acoustic impedance
z0 (Pa·s/m)
35 351.88 1.1455 403.2
30 349.02 1.1644 406.5
25 346.13 1.1839 409.4
20 343.21 1.2041 413.3
15 340.27 1.2250 416.9
10 337.31 1.2466 420.5
5 334.32 1.2690 424.3
0 331.30 1.2922 428.0
−5 328.25 1.3163 432.1
−10 325.18 1.3413 436.1
−15 322.07 1.3673 440.3
−20 318.94 1.3943 444.6
−25 315.77 1.4224 449.1

### Characteristic acoustic impedance

For a one dimensional wave passing through an aperture with area A, Z = z/A, so if the wave is a progressive plane wave, then   The absolute value of this acoustic impedance is often called characteristic acoustic impedance and denoted Z0: Similarly to the characteristic specific acoustic impedance, If the aperture with area A is the start of a pipe and a plane wave is sent into the pipe, the wave passing through the aperture is a progressive plane wave in the absence of reflections. There are usually reflections from the other end of the pipe, whether open or closed, so there is a sum of waves travelling from one end to the other. The reflections and resultant standing waves are very important in musical wind instruments. It is possible to have no reflections when the pipe is very long, because it then takes a long time for the reflected waves to return and, when it does, they are much attenuated by losses at the wall.