Tadrart Acacus

UNESCO World Heritage Site
Rock-Art Sites of Tadrart Acacus
Name as inscribed on the World Heritage List
Type Cultural
Criteria iii
Reference 287
UNESCO region Arab States
Inscription history
Inscription 1985 (9th Session)
Acacus mountains in western Libya, part of the Sahara
Rock arch in Tadrart Acacus
The Moul n'ga Cirque in the Tadrart region, with wave clouds above

The Acacus Mountains or Tadrart Akakus (Arabic: تدرارت أكاكوس / ALA-LC: Tadrārt Akākūs) form a mountain range in the desert of the Ghat District in western Libya, part of the Sahara. They are situated east of the city of Ghat, Libya and stretch north from the Algerian border about 100 kilometres (62 mi). Tadrart is the feminine form of "mountain" in the Berber languages (masculine: adrar). The area has a particularly rich array of prehistoric rock art.

The Tadrart Akakus have a large variation of landscapes, from different-coloured dunes to arches, gorges, isolated rocks and deep wadis (ravines). Major landmarks include the arches of Afzejare and Tin Khlega. Although this area is one of the most arid of the Sahara, there is vegetation, such as the medicinal Calotropis procera, and there are a number of springs and wells in the mountains.[1]

The area is known for its rock art and was inscribed as a UNESCO World Heritage Site in 1985 because of the importance of these paintings and carvings. The paintings date from 12,000 BCE to 100 CE and reflect cultural and natural changes in the area.[2] There are paintings and carvings of animals such as giraffes, elephants, ostriches and camels, but also of men and horses. People are depicted in various daily life situations, for example while making music and dancing.[3][4]

Cultural heritage plundered

During Muammar Gaddafi’s rule from 1969 through 2011, the Department of Antiquities was badly neglected. Since 2005, the search for petroleum hidden underground has placed the rock art itself in danger. Seismic hammers are used to send shock waves underneath to locate oil deposits, and have noticeable effects on nearby rocks, including the ones that house the Tadrart Acacus rock art.[5] Looting of ancient artifacts reached a level of crisis.[6] Libya's cultural heritage is being plundered and its antiquities looted. In response UNESCO called for a major awareness campaign, to heighten awareness of Libya's archaeological and cultural heritage and to alert Libyans that their heritage is "being looted by thieves and destroyed by developers."[7] In 2012 following his departure, efforts were made to train staff through a $2.26 million UNESCO project, with the Libyan and Italian governments. The project included conservation, protection and education. Along with Tadrat Acacus, Libya has four other UNESCO World Heritage sites: Cyrene, Leptis Magna, Sabratha and Ghadames.[8] UNESCO advised that "a centre should be established at Ghat or Uweynat to train the staff in charge of the protection and management of the property and to host a museum which is expected to play an important in terms of awareness raising."[9]

Deliberate and destructive vandalism

UNESCO State of Conservation (SOC) reports from 2011, 2012 and 2013 show that at least ten of the rock-art sites have been the object of deliberate and considerable destruction since at least April 2009.[10] The ambiguity surrounding property boundaries of the World Heritate Site and therefore the property management combined with lack of local understanding of its cultural values were contributing factors in the ongoing vandalism. Conflicts in the area since 2011 led to increased vandalism.[9]

In May 2013 UNESCO undertook a technical mission to assess the state of conservation the Tadrart Acacus site and to "build-up a strategic plan to enforce the protection and management of this unique cultural and natural context."[11]

On 14 April 2014 two kinds of vandals were reported, those who thoughtlessly carve their own names beside the ancient rock art and those who deliberately use chemical products to remove the rock drawings.[12] On April 20, 2014, the French special correspondent Jacques-Marie Bourget was informed by a local journalist from Ghat, Libya, Aziz Al-Hachi, that the UNESCO Rock-Art World Heritage Site of Tadrart Acacus was being destroyed with sledgehammers and scrub brushes.[13][14]

See also


  1. Kjeilen, Tore (2009) "Acacus Mountains: Total wilderness" LookLex Ltd.
  2. UNESCO World Heritage Centre. "UNESCO Fact Sheet". Whc.unesco.org. Retrieved 2013-12-09.
  3. Jebel Acacus Map and Guide (Map) (1st ed.). 1:100,000, inset 1:400,000. Tourist and cave art information. Cartography by EWP. EWP. 2006. ISBN 0-906227-93-3.
  4. "Acacus Rock Art Photo Gallery". Ewpnet.com. Retrieved 2013-12-09.
  5. Bohannon, John (10 February 2005). "In the Valley of Life, Oil is Death to the Art of a Lost Civilization". The Guardian.
  6. Little, Tom (23 December 2013), Libyan archaeologists look to the future with new training, Libyan Herald, retrieved 5 May 2014
  7. UNESCO training to combat the looting of Libyan antiquities, Libyan Herald, 25 September 2013, retrieved 5 May 2014
  8. UNESCO supports Libyan Heritage with $2m Project, Libya Business News, 7 December 2012, retrieved 5 May 2014
  9. 1 2 State of Conservation (SOC): Rock-Art Sites of Tadrart Acacus, 2013, retrieved 4 May 2014
  10. State of Conservation (SOC): Rock-Art Sites of Tadrart Acacus, 2011, retrieved 4 May 2014
  11. UNESCO organizes training course for conservation and restores of Libyan Artefacts, United Nations, 2013, retrieved 5 May 2014
  12. Grira, Sarra (14 April 2014), Graffiti defaces prehistoric rock art in Libya, Observers: France 24, retrieved 5 May 2014
  13. Libye : Les salafistes wahhabites libyens détruisent un site de 12.000 ans d’âge, Algeria, 29 April 2014
  14. Bourget, Jacques-Marie (2014-04-20), Libye, 12 000 ans effacés au white spirit, Mondafrique, retrieved 2014-05-04

Further reading

Wikimedia Commons has media related to Tadrart Acacus.

Coordinates: 24°50′N 10°20′E / 24.833°N 10.333°E / 24.833; 10.333

This article is issued from Wikipedia - version of the 11/13/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.